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Punk Rock: So What?: The Cultural Legacy of Punk
 
 

Punk Rock: So What?: The Cultural Legacy of Punk [Paperback]

Roger Sabin (Editor)
2.8 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

July 11, 1999 0415170303 978-0415170307 1st
It's now over twenty years since punk pogo-ed its way into our consciousness. Punk Rock So What?brings together a new generation of academics, writers and journalists to provide the first comprehensive assessment of punk and its place in popular music history, culture and myth. The contributors, who include Suzanne Moore, Lucy OBrien, Andy Medhurst, Mark Sinker and Paul Cobley, challenge standard views of punk prevalent since the 1970s. They:
* re-situate punk in its historical context, analysing the possible origins of punk in the New York art scene and Manchester clubs as well as in Malcolm McClarens brain
* question whether punk deserves its reputation as an anti-fascist, anti-sexist movement which opened up opportunities for women musicians and fans alike.
* trace punks long-lasting influence on comics, literature, art and cinema as well as music and fashion, from films such as Sid and Nancy and The Great Rock n Roll Swindle to work by contemporary artists such as Gavin Turk and Sarah Lucas.
* discuss the role played by such key figures as Johnny Rotten, Richard Hell, Malcolm McClaren, Mark E. Smith and Viv Albertine.
Punk Rock Revisited kicks over the statues of many established beliefs about the meaning of punk, concluding that, if anything, punk was more culturally significant than anybody has yet suggested, but perhaps for different reasons.

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Editorial Reviews

Review

[Punk Rock: So Waht?] makes the case for why we should still care...A must for those of the old-school punk persuasion and an intriguing, if not moving, read for those more inclined to regard punk rock with a 'So what?'...A solid background in punk history.
Billboard Magazine

Punk Rock: So What? provides a substantive take on issues like punk etiquette, punk fashion, the influence of punk on comics, punk and racism and punk nostalgia. Sabin has commissioned younger writers, all of whom were involved in punk's heyday, if only as fans.
–Publisher's Weekly, July, 1999

About the Author

Roger Sabin is a Lecturer in Cultural Studies at Central St. Martin's College of Art and Design.

Product Details

  • Paperback: 272 pages
  • Publisher: Routledge; 1st edition (July 11, 1999)
  • Language: English
  • ISBN-10: 0415170303
  • ISBN-13: 978-0415170307
  • Product Dimensions: 9.1 x 6.1 x 0.5 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #288,521 in Books (See Top 100 in Books)

 

Customer Reviews

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Average Customer Review
2.8 out of 5 stars (5 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
3.0 out of 5 stars Uneven but interesting ideas, July 9, 2002
By 
Dogrrrl (Leucadia, CA USA) - See all my reviews
This review is from: Punk Rock: So What?: The Cultural Legacy of Punk (Paperback)
A collection of essays, primarily about the British scene. The writing is very uneven, which gets in the way of some interesting ideas. In particular I appreciate the inclusion of essays on gender and race, as these issues are usually glossed over in books on punk. I also liked to essay on regional British punk in contrast to London, and the influences of surf & garage music and comix on American punk. These would be best as starting points for discussion, as each is fairly short, and has shortcomings.
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7 of 8 people found the following review helpful:
2.0 out of 5 stars A little too pedantic for punk., July 31, 2002
This review is from: Punk Rock: So What?: The Cultural Legacy of Punk (Paperback)
There is one fantastic essay in this collection, "'I won't let that dago by:' Rethinking punk and racism," by Roger Sabin. Its totally great, and I think its mandatory reading for anyone interested in punk. Other than that essay though....

Well, I picked this book up from the library hoping to get a little more context for the 1970s UK punk scene. Listening to Gang of Four, Sham 69, and Stiff Little Fingers day after day, I wanted some specifics. I wanted Margaret Thatcher horror stories and shocking welfare statistics. This book really doesn't do that. Furthermore, it kinda reads like a bunch of professors waxing nostalgiac about listening to the Rezillos and buying bondage pants. I'd have been better served re-reading the liner notes to Crass's "Best Before." This book might be a good resource if you're writing a paper on punk, but its not much use for someone with a general interest, and it doesn't touch much at all on social or political issues, which to me seem crucial to UK punk. But do check out that Sabin essay!

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2.0 out of 5 stars The Title Says It All, June 9, 2009
This review is from: Punk Rock: So What?: The Cultural Legacy of Punk (Paperback)
This book unfortunately amounts to what happens when career academics apply themselves to the task of analyzing what was fundamentally a street-level movement. It's Dullsville, man, unless you happen to be an aspiring career academic in your own right -- and even then.
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Inside This Book (learn more)
First Sentence:
What is it about Never Mind the Bollocks that makes it stand out from anything else in the history of popular music? Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
pop culture industry, bondage trousers, punk fashion, subcultural capital, chord wonders, pop sensibility, punk culture, punk era, punk rock, surf music, symbolic resistance, punk scene, punk style, punk music, music press
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Sex Pistols, New York, Johnny Rotten, Richard Allen, Stewart Home, Fourth Estate, Dick Hebdige, Richard Hell, Jamie Reid, Lancashire Evening Post, National Front, Patti Smith, Savage Pencil, Sid Vicious, Jon Savage, North American, Greil Marcus, John Lydon, Joy Division, Lipstick Traces, United States, X-Ray Spex, Cirsium Delectus, John Holmstrom, Never Mind the Bollocks
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