Purcell was the greatest ornament of English music in the seventeenth century, and has been a source of inspiration for British composers ever since. Michael Tippett, Benjamin Britten and Peter Maxwell Davies are among those who have expressed indebtedness to Purcell's musical genius. But his personality has seemed shadowy; in Purcell's day there were no newspapers to illuminate his career, no colour supplements to delve into his sitting room. From the mass of assorted material that does exist, Michael Burden has assiduously and cunningly devised a portrait of the composer both in his time and since, using diaries, letters and official and published writings from the seventeenth to the twentieth centuries. Many pieces that are known in excerpts are given here in full and placed in context, including all Purcell's prefaces and dedications, collected together for the first time. There is a comparative chronology of the period, a time of extreme political fragility in England. The fragility of Purcell's own life is bleakly evoked in the composer's final will, signed on the day he died, aged 36. As the views of musicians from the three hundred years since his death show, however, the 'English Orpheus' remains a vital thread in his country's musical thought.
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About the Author
Michael Burden was Lecturer in Music at New College, Oxford, from 1989, and since1995 has been Fellow in Opera Studies at New College. He is also Dean of New College, and director of New Chamber Opera. His research interests are centred on seventeenth- and eighteenth-century music, particularly English opera, twentieth-century music theatre. John Lloyd has a broadcasting background. As a radio producer he devised The News Quiz and To the Manor Born before moving to television to start Not the Nine O'Clock News, Spitting Image, and Blackadder. If pressed, he'd concur with Heraclitus: 'abundance of knowledge does not teach men to be wise.' John Mitchinson is from the world of books. The original Marketing Director of Waterstone's, he became Managing Director of Cassell, where he published The Beatles, Michael Palin and Brewer's Dictionary of Phrase and Fable. He's with Einstein: 'There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.'
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