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Pure Slaughter Value: Stories
 
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Pure Slaughter Value: Stories [Paperback]

Robert Bingham (Author)
3.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

June 15, 1998
In his extraordinary debut collection, Pure Slaughter Value, Robert Bingham tracks the conscience of a generation that grew up educated, privileged, and starved for meaning. Bingham's strange sense of morbid fancy collides with a gutsy realism; the result is splendid wreckage: a young man is seduced by his first cousin (or maybe it's the other way around) at her brother's wake ("The Other Family"); a bored couple plot to kill a man during their ski-resort honeymoon ("Marriage Is Murder"); a yuppie banker risks his whole perfect life for an affair with a junkie ("The Fixers"); an insurance-company bounty hunter tracks down walk-aways from drug and alcohol rehab ("Preexisting Condition"); and in the title story, an eleven-year-old boy is caught at the exquisitely uneasy intersection of the safety of childhood play and the pain of grown-up love and longing.

These lean, potent stories are utterly original, and yet by turns recall Salinger, in their intellectual acuity, emotional depth, and wicked, dark humor; Fitzgerald, in their vivid chronicling of a new, restless social elite; and the work of "transgressive" writers, in their pervasive sense of the imminent possibility of danger and violence, even in the most civilized surroundings. Above all, the stories in Pure Slaughter Value mark the debut of a striking new literary voice--unsparing, bold, ironic, and true--that will haunt us for a long time to come.

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Editorial Reviews

From Library Journal

Bingham's first story collection is populated by men and women of the social elite whose lives are devoid of meaning, direction, or a moral center. The situation in his stories is often original and frequently shocking. "Marriage Is Murder" tells of a honeymooning couple who decide to commit homicide at a Vermont ski resort. In "Reggae Nights," Alex, who appears in two other stories, deliberately but inexplicably entangles himself in the world of drug trafficking. Rarely do Bingham's stories offer any resolution or perceptible change in the main character, though "Doubles," "Preexisting Condition," and "Pure Slaughter Value" allow some human feeling to seep in. Many readers will have a hard time relating to the self-centered, morally bankrupt characters. For larger fiction collections only.?Christine DeZelar-Tiedman, Univ. of Idaho Lib., Moscow
Copyright 1997 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Kirkus Reviews

A promising if somewhat repetitive first gathering of short fiction, charting the rather aimless, amoral behavior of generally well-to-do twenty- and thirty-somethings. This is not fresh terrain, but Bingham's work, at its best, stands out for its precisely rendered and convincingly bleak view of life. Most of the 12 stories here turn on some moment that casts a bright light over both a character's past and likely future. ``The Other Family'' focuses on a gathering after a funeral at which some rather predictable tensions erupt. Typically, the narrator, a restless young man, handles the occasion by withdrawing into booze, and by flirting with a callow cousin. ``Doubles'' is an unsettling portrait of Alex, a young currency trader who visits a wealthy older woman at her house to decide whether or not to seduce her. Bingham has a deft hand for dialogue, and the bitter, knowing, slightly despairing tone of the woman Alex is attempting to seduce seems startlingly right, as do the words of her bitter husband when he arrives on the scene. In most of the pieces, violence is limited to the emotional damage of lives that can't seem to get started or to find anything worth wanting to do. In ``Reggae Nights,'' the violence finally breaks through to the surface, as Alex, the protagonist of ``Doubles,'' goes on vacation with a girlfriend, stumbles into a considerable cache of drugs, and ends up lethally involved with two pairs of manic, self-dramatizing pushers. The title story, by contrast, focuses on the baffled first loves of several well-to-do adolescents, nicely mingling innocence with the first shocked glimpse of love's complexities and pain. There are some distinct, strong stories here, but the their tone rarely varies, and a few feel more like rather wan sketches. Still, there's enough distinctive work here to indicate the appearance of a disturbing new talent. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 208 pages
  • Publisher: Anchor (June 15, 1998)
  • Language: English
  • ISBN-10: 038548867X
  • ISBN-13: 978-0385488679
  • Product Dimensions: 5.2 x 0.6 x 8 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,530,980 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
3.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

11 of 14 people found the following review helpful:
5.0 out of 5 stars A thousand times better than most navel staring collections., August 23, 1998
By A Customer
This review is from: Pure Slaughter Value: Stories (Paperback)
When I read in New York magazine that Bingham was "probably the best writer about New York living in New York," I had my doubts but after finishing this gloriously disturbing debut I left those doubts in the trash. This is the best collection I've read since The Puglalist at Rest
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1 of 1 people found the following review helpful:
2.0 out of 5 stars The Sick, Lame, Addicted and Lazy, January 16, 2002
This review is from: Pure Slaughter Value: Stories (Paperback)
I loved Robert Bingham's " Lightning on the Sun " ( 5 Stars ), and the title of this book caught my eye, but I was rather dissapointed. The book is a collection of about a dozen short stories. The stories are mostly dark and often center on characters for whom a general malaise and casual indifference to everything is the norm. Several of the characters are young and successful people that are supposedly the " winners " of our world, so their indifference is meant to be more poignant. There is also frequent unpleasant endings as the characters' weakness, be it addiction, stupidity, laziness, leads him/her to disaster.
I choose this book becase I wanted negativism, so I was not dissapointed in the themes. The stories, however, just do not hit that nerve or give one that zing of recognition or discomfort that one wants from a short story. For example, one is about a man who joins his dysfunctional family at a post funeral wake and briefly makes out with his attractive first cousin. Another about a man who secretly visits an old lover while attending an out of town wedding with this finacee. A third about a man who realizes how he looks as he dances on the edge of an affair with an older, soon to be divorced woman. None of these stories really grabbed me. In fact I found that I was the one who was casually indifferent.
My favorite story was the one that gave the anthology its title. It is in fact, not a negative story at all, and is a bit out of place with the others. Perhaps I was expecting too much after reading " Linghtning on the Sun ", but I cannot really recommend this anthology at all.
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4.0 out of 5 stars The Best of Rob Bingham Is This Book, September 1, 2010
This review is from: Pure Slaughter Value: Stories (Paperback)
I dont know why Gerry was raving about Lightning on the Sun but this collection of short stories is much better. It came first too.

I remember Rob Bingham giving me a pre-print corner-store bound copy with a cheap plastic cover for me to preview in 1997. I rolled my eyes and thought: here goes another Salinger wannabe. I read it and it turned out to be unpretentious. I liked Bad Stars a lot. It spoke to me with a bit of John Irving in it for flavor. It wasn't bad. In fact it was good for a first try.

He had misadventures in Cambodia enough to be a small time Tim Page and semi-real William Burroughs but he was just too young and too privilaged to know true desperation. I miss the guy and this is his best work. Can't say the same for what followed.
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