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Purple Hibiscus, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled "Omelora" (One Who Does For the Community), knows why Kambili¹s brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. --Regina Marler --This text refers to an out of print or unavailable edition of this title.
By turns luminous and horrific, this debut ensnares the reader from the first page and lingers in the memory long after its tragic end. First-person narrator Kambili Achike is a 15-year-old Nigerian girl growing up in sheltered privilege in a country ravaged by political strife and personal struggle. She and her brother, Jaja, and their quiet mother, who speaks "the way a bird eats, in small amounts," live this life of luxury because Kambili's father is a wealthy man who owns factories, publishes a politically outspoken newspaper and outwardly leads the moral, humble life of a faithful Catholic. The many grateful citizens who have received his blessings and material assistance call him omelora, "The One Who Does for the Community." Yet Kambili, Jaja and their mother see a side to their provider no one else does: he is also a religious fanatic who regularly and viciously beats his family for the mildest infractions of his interpretation of an exemplary Christian life. The children know better than to discuss their home life with anyone else; "there was so much that we never told." But when they are unexpectedly allowed to visit their liberated and loving Aunty Ifeoma, a widowed university professor raising three children, family secrets and tensions bubble dangerously to the surface, setting in motion a chain of events that allow Kambili to slowly blossom as she begins to question the authority of the precepts and adults she once held sacred. In a soft, searing voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on the cusp of womanhood. Lush, cadenced and often disconcerting, this is an accomplished first effort.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
I was left with a feeling of great curiosity. How did Kambili and Jaja's life unfold after the death of their authoritarian father? Read morePublished 18 hours ago by Wanjuhi
This was a very well written novel about coming of age in Nigeria, as one would expect from this author.Published 5 days ago by Joy Elisa Bochner
I have become a great fan of Adichie. I have also read Americanah and Half of a Yellow Sun.Published 5 days ago by jacquelyn washington
This is another work by an immensely talented writer.Published 24 days ago by jeanne-marie a. miller
There is no doubt that Adici is talented and this novel whispers of her future greatness. It is poignant Nigerian family saga. Read morePublished 26 days ago by RoseAnn Johnson
The book itself is amazing but there is graphic violence as in abuse not necessarily war or guns. I say the book is for 14+Published 1 month ago by Maddie