17 of 18 people found the following review helpful:
4.0 out of 5 stars
Great title, good book..., July 28, 2004
A Purple Place for Dying is the third book in John MacDonald's Travis McGee series, and McGee comes upon his most troubling case yet. McGee is brought to the Midwest by a big, brassy, bossy Blonde who needs help. Mona Yeoman suspects that her husband has pilfered her trust fund, and she wants a divorce. McGee's job is to find out what happened to the money. McGee doesn't particularly like Yeoman, but is tempted to take the case because he needs the money. But before he even has a chance to say yes, Mona is murdered right in front of his eyes, and this changes everything. What makes things even more mysterious is that her body disappears when the police are called to the scene of the crime.
McGee could simply take his return plane ticket and fly home to his native Florida. But for whatever reasons, he decides to stick around and do some snooping. There are many twists and turns and also a few more mysterious murders. As usual, McGee finds himself in danger the closer he comes to the truth. And the truth comes as a complete surprise.
Each MacDonald book gets better than the previous one. We also get to see McGee become more fleshed out as a character. Still, it seems that the early books in this series are more of a novella length, but MacDonald corrects this with later books.
Overall, the McGee series is a true gem, and I'm glad to have discovered these wonderful mysteries.
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12 of 13 people found the following review helpful:
5.0 out of 5 stars
McGee in a wild Southwestern adventure, August 11, 1999
By A Customer
I've read that John D. MacDonald had 4 or 5 of the first McGee's written before he decided to publish them. As a result, these 1st novels in the series can be seen as experiments in developing a series character. In this, the 3rd or 4th published in the series, we see McGee in a situation as close as he will ever get to a classic mystery novel. Before he can be hired by Mona Fox Yeoman to free her and her money from the clutches of her husband Jass Yeoman, she's shot dead right in front of him by a desert sniper. -And the police won't start searching for a killer until McGee can prove she's dead. Seems her body disappeared while McGee was calling the police and she was always threatening to one away with her lover and weren't they spotted on a commercial flight getting away, and-. Eventually, Trav is looking for the killer for Jass, who may not be the tyrant that Mona described to McGee. McGee tracks down the true story, ending up unarmed against a pair of killers in the desert. Classic McGee with a "Ross Macdonald-ish" twist at the end as the solution becomes mired in the Yeoman past.
AS always MacDonald spins an enthralling tale.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Far from the sea, its the southwest for McGee, May 26, 2008
I admire all of John D. MacDonald's work, and certainly the Travis McGee series was his most powerful creation. Few, if any, popular mysteries are of such high quality.
Though this book is entertaining, and well crafted, it is not my favorite McGee. There are perhaps three reasons for this:
1) It follows the pattern of a standard mystery from the fifties or early sixties, and hence seems a bit derivative. I think MacDonald was experimenting with moving McGee away from his native habitat, perhaps to make use of a plot he had invented in other circumstances. I'm not sure the experiment was successful.
2) McGee is far from the water, and I think the sense of warmth and good will found in many of the other books in this series comes from MacDonald's love of the water in general, and Florida in particular. McGee was out of his habitat, and seemed a bit strained and depressed as a result.
3) McGee (and MacDonald) really don't like the female lead in the book very much, and one of the things that holds MacDonald's books together is the main character's and the author's obvious attraction and sympathy for women. Here the lead is prissy, overly intellectual, and distasteful to MacDonald and McGee. As a result, the book feels a bit sour, and lacking the good will and sense of joy found in the best of the other McGees.
Nevertheless, this is a Travis McGee book from the early sixties, a time when MacDonald was at the height of his remarkable powers. As such, it is not to be missed. I, however, will confess to having missed the Busted Flush, the sandy rumped sun bunnies, and the sleazy streets of Florida. A good book, but not at the top of my list of McGees. (I've read them all several times, a few of them many times.)
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