From Publishers Weekly
A quest to capture the elusive essence of Greta Garbo's beauty sends a dying screenwriter off to Europe in Sobin's latest (after The Fly-Truffler), which begins when Hollywood writer Philip Nilson outlives a dire cancer prognosis and then manages to talk his producer friend into signing him up to write a screenplay about the mysterious film icon. Nilson finds enough research material to fill out the structural framework, but he remains haunted by his inability to formulate a scene that transforms Garbo from an ordinary working-class girl into a film goddess. His search eventually lands him in the French Alps, where he tracks down the lighting technician who helped showcase Garbo's unique sex appeal. That interview helps him understand her transformation into "that divine, profoundly dissociative creature," which happened while she was on location in Constantinople for an ill-fated film. As he continues his research, Nilson realizes that his obsession with Garbo is rooted in his obsession with an "ideal" woman, a figure most closely resembling his mother and his half-sister, with whom he almost had an affair. Sobin, also an accomplished poet, writes elegantly about Garbo's magic while tracing the time line of her career, and he manages to convey the screenwriter's effort to capture her essence. But the book's brevity makes the story seem episodic and incomplete, leaving readers to wonder what might have been if he'd used his format as a vehicle to explore Garbo's fascinating career. Instead, he provides plenty of fodder to fuel her mysterious legacy, leaving us with an ode to beauty that explores the link between our romantic preferences and the icons on the silver screen. Agent, Sabine Hrechdakian.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Sobin is an American expatriate poet living in Provence whose previous novels (The Fly-Truffler, Venus Blue) featured doomed narrators obsessed with women who were usually long dead. In his new take on that theme, Philip Nilson is a scriptwriter dying of cancer. Fueled by opiates and a commitment to finish a script about Greta Garbo, he travels to Stockholm and France in pursuit of his fixation, looking for a plot line to explain how a chubby teenager could metamorphose into a celluloid goddess idolized by the entire world. While writing about Garbo, Nilson also examines his personal lifelong obsession with his half-sister, which has effectively prevented him from committing to another relationship. This narrative about obsession, vicarious fulfillment, the nature of memory, and death is written in the overheated prose of a master poet. As both the script and Nilson's life draw to a close, the reader experiences a satisfying denouement, bringing the story full circle. Highly recommended for intelligent readers. Andrea Caron Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.