Pussy, King of the Pirates (Acker, Kathy) (Paperback)

by Kathy Acker (Author) "O, a woman and a Jew..." (more)
Key Phrases: pirate girls, punk boy, dead pirates, King Pussy, Gall Bladder, Our Toad (more...)

Editorial Reviews

From Publishers Weekly
Once again displaying her penchant-and talent-for scavenging extant texts, Acker (My Mother: Demonology) exploits Robert Louis Stevenson's Treasure Island and Pauline Reage's The Story of O, among other sources, fusing the carnal, the cerebral and the surreal into a fantastical tale. The story spans centuries and continents as it chronicles the adventures of O and Ange, whores who retire from the trade and hire a band of girl-pirates to help them find buried treasure. Told mostly through dreams and dream states and with casual shifts in point of view, the novel divides roughly into three sections. The first, "O and Ange," recounts the two women's days of prostitution: in China, O begins whoring at the request of a boyfriend; she then makes a pilgrimage to "the most famous whorehouse in Alexandria," where she meets Ange, with whom she escapes and discovers a map of buried treasure. The second section, "The Pirate Girls," introduces "King" Pussy, her youth, her two abortions and her sexual history. In the final section, "In the Days of the Pirates," O and Ange hire the pirate-girls and set sail for the treasure island. Acker writes a deliberately affectless, deadpan prose, rendering both the absurd and the disturbing (including several graphic sexual and physiological episodes) with a declarative nonchalance. Like Acker's other work, this campy and enigmatic novel is self-consciously provocative as she detonates her battery of literary and sexual references in order to illuminate themes of masochism and rebellion-but it's also often funny and invariably intelligent.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
Ahoy ye maties! Are you ready for this ride through time zones and centuries, into subterranean worlds and onto the high seas to sail for treasure? As the story develops, a host of ribald, mangy characters (who speak in equally ribald language) trot off in search of a lost someone or something. Rarely do they find what they're searching for. However, they do frequently cross paths in whorehouses, in buildings without walls, or on crumbling sidewalks, where they have all sorts of liaisons. One of their other unmistakable, inescapable features is that, almost to a person, they emit acrid odors. Perhaps their outward appearance (and smells) stand as metaphors for the state of their souls. This book is a takeoff on Treasure Island but is far more than a neat little adventure tale. It is heavily influenced by pulp fiction, social satire, religious allegory, and picaresque novels. Acker (My Mother, LJ 7/93) gives readers a lot to chew on here?original sin, alienation, relations between men and women and between women and women, women's independence, and self-determination. As readers step into this cauldron of characters, the real adventure begins. Recommended for public libraries.?Lisa S. Nussbaum, Euclid P.L., Ohio
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 288 pages
• Publisher: Grove Press (December 5, 1996)
• Language: English
• ISBN-10: 080213484X
• ISBN-13: 978-0802134844
• Product Dimensions: 8.2 x 5.5 x 0.8 inches
• Shipping Weight: 11.4 ounces (View shipping rates and policies)
• Average Customer Review: 3.4 out of 5 stars See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #441,178 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

9 of 12 people found the following review helpful:

5.0 out of 5 stars the best Acker, October 17, 2002

By	joshua (London, ON Canada) - See all my reviews

Kathy Acker is, in my opinion, the best avant-garde author who ever existed, and "Pussy King of Pirates" is her greatest work--topping even "Empire of the Senseless"--which is too bad that it was her last.
following the exploits of girls seeking treasure, Pirate girls, and surreal avatars of writers like Antonin Artaud, "Pussy King of Pirates" goes farther than Acker has ever gone with the conventions of literature. ...the book is like a jazz riff, replayed and improvised at numerous times.
i cannot rave enough.
furthermore, "Pussy King of Pirates" has a soundtrack, that Acker recorded with the Mekons, which is also phenomenal.

9 of 13 people found the following review helpful:

2.0 out of 5 stars I did want to like it though, June 30, 2002

By	"blissengine" (Norfolk, VA USA) - See all my reviews (TOP 1000 REVIEWER)

Using a style a bit like that of William Burroughs, Acker weaves a tale of various girls struggling against (society, men, each other, etc.). There are moments of crisp clarity where Acker conveys aspects of the story she's telling with the potent voices she uses, but these are not often enough to bring the story together except for the dedicated transgressive reader. This is the type of book that relies more on voice and atmosphere than on linear storylines, and Acker does succeed in giving us fascinating characters, but I was still left bewildered and numb by the end, as well as left wondering what this book was meant to convey.

4 of 6 people found the following review helpful:

5.0 out of 5 stars Brilliant!, March 5, 2001

By	J. Paul (London, ON Canada) - See all my reviews

This review is from: Pussy, King of the Pirates (Audio CD)

Kathy Acker is probably one of the most talented authors of the latter half of the 20th century. This album is an excellent expose for her book of the same title.

Acker and the Mekons do an excellent job of finding different styles of music to fit with the different moods of the book. Acker's literature is reknowned for its avant-garde method of "plagiarism" (she blatantly steals from other authors and restructures their ideas to fit her own); this album is no different. Many songs sound like other songs--of various genres--that you might have heard before.

Songs on this album range from industrial to trance-esque electronica to disco to reggae-ish folk to post-modern sea shanty. Interspersed between every song is Acker's spoken word.

A must have for anyone who loves Acker's works.