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Put the O Back in Country
 
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Put the O Back in Country [Extra tracks, Import]

Shooter JenningsAudio CD
4.1 out of 5 stars  See all reviews (87 customer reviews)

Price: $17.14 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Formats

Amazon Price New from Used from
MP3 Download, 12 Songs, 2005 $9.49  
Audio CD, 2005 $6.83  
Audio CD, Import, Extra tracks, 2007 $17.14  
Vinyl, 2005 --  

Amazon's Shooter Jennings Store

Music

Image of album by Shooter Jennings

Photos

Image of Shooter Jennings

Biography

The only son of country legends Waylon Jennings and Jessi Colter, Shooter Jennings literally spent his childhood on a tour bus. Born Waylon Albright Jennings, Shooter was playing drums by the time he was five years old and had already begun taking piano lessons, only to break them off and follow his own path to an understanding of the instrument. He discovered guitar at 14 and rock & roll… Read more in Amazon's Shooter Jennings Store

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Product Details

  • Audio CD (April 30, 2007)
  • Number of Discs: 1
  • Format: Extra tracks, Import
  • Label: Humphead UK
  • ASIN: B000IHYTWA
  • Also Available in: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (87 customer reviews)
  • Amazon Best Sellers Rank: #644,308 in Music (See Top 100 in Music)

 
1. Put the O Back in Country
2. 4th of July
3. Lonesome Blues
4. Solid Country Gold
5. Busted in Baylor County
6. Sweet Savannah
7. Steady at the Wheel
8. Manifesto No. 1
9. The Letter
10. Southern Comfort
11. Daddy's Farm

 

Customer Reviews

87 Reviews
5 star:
 (53)
4 star:
 (17)
3 star:
 (5)
2 star:    (0)
1 star:
 (12)
 
 
 
 
 
Average Customer Review
4.1 out of 5 stars (87 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

33 of 33 people found the following review helpful:
4.0 out of 5 stars In The Shadows, Part 2, May 2, 2005
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Hank Williams, Jr. had the unheralded task of trying to make it as a country singer in his legendary father's shadow. Now, Shooter Jennings is taking on a similar task. No matter how good this guy is, he'll probably go to his grave being known as "Waylon's Boy" or get hassled by phrases like, "If it weren't for his daddy, he'd be just another loser." Well, much like Hank, Jr., Shooter Jennings self-titled debut attempts to come out of the shadows by way of Southern rock and a little hillbilly hash.

The album is actually very good. The title song shakes things up by firmly shaking a fist at modern country music. This is followed by some twangy Southern rock in the form of "Fourth of July," "Lonesome Blues," "Solid Country Gold" and "Busted In Baylor County."

The album's pace slows down a little bit with "Sweet Savannah." It almost sounds like Kid Rock if he'd grown up in Dothan, AL instead of near Detroit, MI. The rest of the album picks up speed, especially "Daddy's Farm," which may be a little tough to swallow for the kids who grew up on Garth, Shania, and Mr. and Mrs. Faith Hill.

The only moderate miscue is "The Letter." It just doesn't fit the mood of this album overall. It kills the steam built up by the songs that precede it, and makes the recovery effort, lead by the very Southern rocky "Southern Comfort," very difficult.

Hank, Jr. makes a cameo on Shooter's answering machine, and the Possum contributes a little flair early in the album. It feels more like Southern rock than actual country, but it's a whole lot better than what's being passed off as country these days. Jennings is more of an outlaw than Big & Rich could ever hope to be. Where those guys come off as "polished rebel," Jennings seems like the real deal.

Give this guy a chance. Don't write him off immediately because of his genetics. I don't know how far his music wil take him, but one thing is for sure, he's got a tough, uphill climb from here.
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39 of 40 people found the following review helpful:
5.0 out of 5 stars Nice Debut for Shooter, March 5, 2005
By 
David Shadd "david_shadd" (Georgetown, Ky United States) - See all my reviews
(REAL NAME)   
Put the O Back in Country is a great debut album from Shooter Jennings that sounds nothing like anything that has come out of Nashville in recent years. It's rough and unpolished and at will probably never be played on the radio. It is just the kind of album that country music has been missing for a long time.

Shooter may be the guy to put life back into the outlaw movement started many years ago by the likes of Johnny Cash and, of course, Waylon. And while there will no doubt be comparisons between Shooter and his father, he does not sound like and doesn't try to sound like his father. But like his predecessors, his music is against the grain and raw and will hopefully have the same kind of lasting effect on the music industry.

As far as the cd, the weakest song, by far, is the title track, with my favorites being 4th of July, which sounds a lot like early Steve Earle, Manifesto #1 and Southern Comfort. All of the songs are solid and are well worth the money, which is a rare accomplishment for a country artist these days.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars Who cares about the title?, July 27, 2005
By 
Ms. Linda C. "Dixie Darling" (West Hollywood, CA United States) - See all my reviews
It's the music that counts, usn't it? At least Shooter credits Carlene Carter for the whole "Put the whatever back in the somethingorother" concept. I don't like the title and think the title song is the weakest one on the CD and wish he had just called it "Shooter Jennings" and put in his gorgeous take on Charlie Robison's "Sunset Blvd." instead. Besides that, this is my absolutely favorite album of 2005. It's been in my car stereo since the label sent me a promo in Dec. and it's just made for cranking while you move it down the highway. This album kinda grew on me in layers. I already loved "Fourth of July" and "Busted in Baylor County" since Shooter first posted them on his website in 2003. "Steady at the Wheel," "Daddy's Farm" and "Manifesto" grabbed me the first time I heard them and I still play them practically every driving day. "Lonesome Blues," "Solid Country Gold" and "The Letter" took longer to grow on me, but they did. I still haven't decided whether I like this version of "Southern Comfort" better than the one he did on "Stargunn Live" in 2002. "Sweet Savannah" took the longest to grow on me because I flat didn't like the older version on his Stargunn album in 2001. And that hidden cut - don't all of us gals dream about having a man write something like that for us? This is an amazing debut from an artist who wrote almost the entire album, cut it on his own dime and got it released by a major label just as he did it. How many of this year's crop of newcomers could do that?
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