Customer Reviews

Q - The Winged Serpent [VHS]

5 star:		(11)
4 star:		(15)
3 star:		(7)
2 star:		(5)
1 star:		(2)

 

 

Q is a fun, low budget thriller from B-movie auteur Larry Cohen. The premise is that an ancient Mexican God Quetzalcoatl has taken the form of a giant flying serpent and is living somewhere in New York, feasting on unsuspecting residents. Sunbathers, window washers, high-rise construction workers are all fair game for this gigantic beast.

Michael Moriarity stars as Jimmy Quinn, an out of work piano man/small time criminal. It's so weird seeing him in a role like this, as I am used to seeing him on the TV show Law & Order as an ADA. In this movie, his character stumbles on the secret location of the beast's nest, and he tries to use that information to get money and the respect he thinks he deserves. While a criminal, I did feel a certain amount of sympathy for this character in the beginning, which evaporated rather slowly as the intoxication of power sets in, along with its' illusions. In the beginning, he was just some poor schlub who couldn't catch a break, but later on his true nature appeared. I read a quote once, I am not sure by who, that said something like 'to really see what's in a man's heart, give him some power'.

David Carradine plays a detective who's trying to solve a series of gruesome murders, and his investigation leads him into uncharted territories of the unknown. The deeper he gets, the more he butts heads with his supervisors, who would rather see things cleared up neatly and without any superstitious mumbo jumbo. Also look for Richard Roundtree, as Sergeant Powell, a cop wound a little too tight whose beliefs are based on what he can see and touch.

The actual creature does not get much screen time, but its' presence is noticeable throughout the movie. I really enjoyed the storyline with Quinn, his tenuous relationship with his girlfriend (Candy Clark), and the manner in which he tries to use the vital information. Here's a small time schnook, never had a break in his life, literally trips over something, sees nothing but the value to himself, and tries to get everything but ends up with nothing.

Here is another fine example of a filmmaker making a lot out of very little. The horror aspects of the movie are present, and the special effects are used sparingly, but the characters drive the story. Another example of this is the original Jaws movie. I suppose the special effects were kept to a minimum due to budgetary limitations, but it helped, rather than hindered, the movie. This movie also has a raw, gritty feel to it, in the sets, use of locations, dialogue, giving us an almost documentarian feel.

The movie is presented in a wide screen format, with good audio. A number of special features include commentary by the filmmaker, biographies, trailers, and promotional materials. All in all, not a bad way to spend 93 minutes.

ANCHOR BAY DOES IT AGAIN! THEY GOOFED! With Anchor Bay famous for restoring cut scenes, for giving you bonuses like alternate ending or deleted scene, I was HORRIFIED to see that despite the new widescreen transfer, they failed to restore the original theatrical ending! When i saw this at the theatres, the film ended with a message telling you what happened to Michael Moriarity's character. BUT when it came out on MCA videos and on Showtime, the message scene was cut out.

But when it played on HBO and CINEMAX, and syndicated TV, it was in. So I figured Anchor Bay will restore it, but they didnt! So if you still hvae the old cable, or even the syndicated TV print, DONT ERASE IT!

No matter how preposterous or cliche a film's bare premise may sound, if Larry Cohen's name is attached to it, you can be certain that it's an interesting and entertaining piece of cinema. Cohen's scripts and films are always filled with lots of wild imagery (both literal and figurative), often complex themes, and lots of sophisticated satirical subtext. And his 1982 opus Q: THE WINGED SERPENT is no exception, despite whatever the goofy-sounding title may seem to imply. As usual, writer/director Cohen's tongue-in-cheek film sidesteps the usual horror cliches and instead delivers a fairly tight story, interesting characters, clever dialog, and a ton of subtle yet witty social metaphor. And yes, there is also a little nudity and gore.

The titular Q is Quetzalcoatl, a flying serpentine god of the ancient Aztecs who has been summoned to modern-day Manhattan via bizarre sacrificial rituals performed by a contemporary Aztec priest. Since its arrival in The Big Apple borough, the humongous beastie has been swooping down on unsuspecting pedestrians, swimmers, and sunbathers and chowing down, but police are initially skeptical of the eye-witness reports of a giant flying reptile but are at a loss for any other explanation. Enter street thug and opportunist Jimmy Quinn (Michael Moriarty). Having inadvertently stumbled across Q's nest, Quinn's willing to give that information to the cops--for a price.

The special FX in Q: THE WINGED SERPENT, especially the stop-motion animation of the serpent itself, are admittedly cheesy. But the FX aren't really the point as far as Cohen is concerned; they're just window dressing. Instead, with his usual satiric flair, Cohen uses the film to take some playful pokes at the modern Western lifestyle. For example, Q: THE WINGED SERPENT draws several sardonic parallels between ancient pagan religions and modern Christianity. Notes one cop after learning the details of the Aztec sacrificial ritual: "The victim's heart is ritually removed and presented to the god. Luckily, all WE have to do today is eat the wafer and drink the wine--that?s being civilized." And in several shots of the Chrysler Building, Cohen makes deliberate visual comparisons of the modern architecture to that of ancient Aztec temples.

The acting in the film is pretty good overall, and Cohen manages to coax an especially outstanding performance from actor Michael Moriarty. In a role that is the opposite of the conservative types that he usually plays, Moriarty is hilarious yet believable and sympathetic as the dim-witted, hapless hood who hopes to sell his knowledge of Q's whereabouts to city authorities for a cool $1,000,000. David Carradine (of KUNG FU fame) does a pretty good turn as the city detective in charge of the Q case, and Richard Roundtree--cinema & TV's original SHAFT--is delightful as Carradine's partner. Cute Candy Clark, nominated for an Oscar for her performance in 1973's AMERICAN GRAFFITI, also does a great job in a minor role as Moriarty's live-in girlfriend.

Blue Underground's DVD release of Q: THE WINGED SERPENT is a must-have for Cohen fans. It offers a nearly pristine digital transfer of the film in its original aspect ratio of 1.85:1 (16x9 enhanced), with audio options that include the original mono, an excellent stereo remix, a Dolby 5.1 track, and a DTS 6.1 track. Bonus features include an informative and entertaining running commentary with Cohen and his protege Bill Lustig, as well as a teaser trailer, a photo gallery, and some DVD-ROM-only goodies.

In short, Q: THE WINGED SERPENT may not be Cohen's best flick, but it's a pretty good one that won't disappoint fans of the writer/director or fans of B-movie horror. And Blue Underground's DVD is well worth the price of admission.

If you like outrageous humor, Q is simply irresistable. First, there's a giant mythic Aztec "serpent" which makes a habit of swooping down on unsuspecting New York sunbathers and construction workers. (We get to see New York through the eyes of the bird---expressionistic style.) In a likeable performance, David Carradine as a police detective, diligently researches the creature and then tracks it down---his efforts climax in a hilarious "finale" in which Carradine and his cohorts attempt to machine-gun the monster as it collides into buildings. Doubling the fun is a wonderful performance by Michael Moriarty as a frustrated jazz pianist who resorts to small-time crime to make a living and ends up discovering the serpent's egg at the top of the Empire State Building. (As Mr. Moriarty happily confides to the audience, "I'm afraid of almost everything, but I'm not afraid of heights!") Whether singing scat songs, hobbling through New York on a gimpy leg, or demanding immunity from the police ("I want a Nixon-like pardon!"), Mr. Moriarty is always a delight. And so is this movie.

It amazes me, in many a good way, exactly what Anchor Bay buys the rights to and subsequently releases. Q - The Winged Serpent, a movie I hadn't seen in ages, was no exception to that rule. Recently liberating this David Carradine classic from the DVD graveyard, I found myself once again impressed by its estranged storyline that depicted, among other things, Manhattan being plagued by the infamous feathered serpent God. Yes, Quetzalcoatl - the winged typo, looking very much like a crude depiction of a feathered dragon and nothing like he did in his Aztec prime, was out in force, snatching off window washer's heads and naked sunbathers as well as dredging through the nastiness of communal pools to find a tasty treat. He had been called into action after years of dormancy by human sacrifice, not smog banks as we might have haphazardly guessed, and the key to finding out where the beast is and who called it here is none other than a smalltime thief who, after stumbling across Q's nest, is looking to strike it rich.

Apparently human sacrifice and wearing around human flesh does weird things, so beware wary of people you see wearing anyone unfamiliar and, most certainly, don't sunbathe nude without plenty of photographic protection to alert you and your impressed neighbors of any winged god's presence. As a precaution, you should also obtain this classic buy survival guide and at least die smiling, knowing what ate you and how to nauseate it accordingly.

We all love a good B-movie, and "Q" tops my list of guilty pleasures. It is, simply put, a good old-fashioned B-movie romp, with all of the requisite ingredients- a fabulous monster, a scenery-chewing cop, an oblivious public, and an anti-hero (you can't decide if you love Michael Moriarty or hate him). I would definitely recommend "Q" for viewing on a laid-back Saturday evening with a bowl of popcorn.

Well the movie's title should have been Plumed Serpent, but the few brief times we saw the creature, it didn't have any plumes. It was ho-hum suspense, David Carradine and Michael Moriarity were the saving graces in this older movie. If the directors could have connected the creature more with the cult priest, the movie would have worked more for me. I would have like to have seen the movie take place in a more plausable metro area such as Los Angeles, Dallas-Ft. Worth, or even Mexico City. Still, all in all there was something captivating about the movie, good camera work, quality editing, continuity was blase', a little different from most creature features, I bought it and will watch it again.

A small-time crook finds himself on the wrong end of the Mob but then stumbles upon the nest of a huge flying creature which treats people the way blackbirds treat earthworms. A great film with plenty of interesting characters, monster-rampage action and humrous little touches, not to mention fascinating insights into Aztec mythology. Certainly a cut above the trash that passes for monster movies these days.

Over the course of 30 years, only 3 movies have inspired me to memorize every single line of dialogue (over the course of many, many viewings): "Star Wars," "Monty Python and the Holy Grail" ... and "Q." Either "Q" is a classic or I am mentally ill. Take it in what sense thou wilt.

I enjoyed watching this movie. It features well-devloped charatcers played by good actors, a good plot with some plot twists, and a great monster. Also, this movie is probably the first time I've actually liked a twist ending instead of being left thinking 'The filmmakers put that twist ending there for the heck of it'.

Overall, great movie, definitely deserving of being largely considered a classic monster movie (if I understand correctly, it is in fact considered the most recent 'classic monster movie')and its a good thing Larry Cohen's standards are too high for him to cheapen his movies by making a bunch of sequels.