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Quadrophenia Original recording remastered

510 customer reviews

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Audio CD, Original recording remastered, July 2, 1996
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$13.19 $7.69
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Quadrophenia + Who's Next + The Who By Numbers (Remastered)
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Editorial Reviews

Product Description

The Who's other rock opera, completely remixed and remastered under the supervision of Pete Townshend.

An excellent and frequently astonishing album, Quadrophenia is both more ambitious and less accessible than Tommy, the first and most well known rock opera. At its simplest level, Quadrophenia is a coming-of-age story with an awesome soundtrack. The album features some of the Who's finest material, in songs like the enraged "Real Me," the cynical "Punk Meets the Godfather," the wistful "5:15" and "Sea and Sand," and the powerful "Love, Reign O'er Me." The songwriting (courtesy of Pete Townshend) is top-notch, as is the production (the Who actually managed to use synthesizers in an original manner, something few rock bands can aspire to). The mix of powerful songwriting and skillful composition makes this one of the Who's finest moments. --Genevieve Williams

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Disc 1:

Song Title Time Price
  1. I Am The Sea 2:09$1.29  Buy MP3 
  2. The Real Me 3:20$1.29  Buy MP3 
  3. Quadrophenia 6:13$1.29  Buy MP3 
  4. Cut My Hair (5.1 Mix) 3:45$1.29  Buy MP3 
  5. The Punk And The Godfather (5.1 Mix) 5:11$1.29  Buy MP3 
  6. I'm One 2:37$1.29  Buy MP3 
  7. The Dirty Jobs (5.1 Mix) 4:29$1.29  Buy MP3 
  8. Helpless Dancer 2:33$1.29  Buy MP3 
  9. Is It In My Head? (5.1 Mix) 3:43$1.29  Buy MP3 
10. I've Had Enough 6:14$1.29  Buy MP3 

Disc 2:

Song Title Time Price
  1. 5:15 5:00$1.29  Buy MP3 
  2. Sea And Sand (5.1 Mix) 5:01$1.29  Buy MP3 
  3. Drowned (5.1 Mix) 5:27$1.29  Buy MP3 
  4. Bell Boy (1996 Remastered Version) 4:55$1.29  Buy MP3 
  5. Doctor Jimmy [Explicit] 8:36$1.29  Buy MP3 
  6. The Rock 6:37$1.29  Buy MP3 
  7. Love Reign O'er Me (1996 Remastered Version) 5:48$1.29  Buy MP3 

Product Details

  • Audio CD (July 2, 1996)
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Geffen
  • ASIN: B000002P1P
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (510 customer reviews)
  • Amazon Best Sellers Rank: #8,369 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

199 of 210 people found the following review helpful By Brian J Hay on January 30, 2005
Format: Audio CD
The Who were at the top of their game when they recorded Quadrophenia and each member showcased his abilities to the fullest. This is Pete Townshend's most concise work as a musical story teller. It also features some of the best songs he ever wrote. At least six of the pieces on this set exceed even his normal (high) standard. `Sea and Sand' contains enough melodic fibre for two songs. `The Punk and the Godfather' and `The Real Me' are as fiery a pair of hard rock songs as have ever been released. `I'm One', `The Dirty Jobs', `Is It In My Head', and `Drowned' could easily find a place in music theatre. More familiar pieces such as `5:15', `Bell Boy' and `Love Reign O'er Me' continue to shine to this day. Even some of the flawed material stands out. `Dr. Jimmy' begins brilliantly but (partially) fails because Townshend didn't seem to be able to figure out how it should end. His playing and singing is uniformly outstanding throughout the set. There's some great guitar work on `Love Reign O'er Me'.

Roger Daltrey found himself as a vocal dramatist while the group was recording `Tommy'. The full power of his vocal range came out during the tours that followed and in the subsequent recording of `Who's Next'. He made full use of both, and did so with flair, style and confidence on this record. There are points where he sings more softly, points where he roars and times when he does both. His best moments come during `The Real Me', `Love Reign O'er Me' and on `Bell Boy' when he sets the stage for Moon.

John Entwistle came up with the clinic on how to use the bass as a lead instrument. His (most obvious) great moment comes early, midway through `The Real Me' when he and Keith take up the entire melody of the song and carry it under Daltrey's vocal line.
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112 of 128 people found the following review helpful By M. Ernst on September 1, 2004
Format: Audio CD
Even though Quadrophenia is my favorite Who album, this remastered version pales in comparison to the original CD version released in the early 90's. It's actually muddy in spots, and as a result sounds that you're used to hearing have been quieted or lost altogether. For example, in "The Dirty Jobs," after Daltrey sings, "You men should remember how you used to fight," there used to be what sounded like seal noises (which fit in well with the ocean and water images and sounds of the album), perhaps to indicate how spineless these "men" have become. In the remastered version, these noises are gone. Later, in "Drowned," the piano is reduced to a less prominent role, particularly in the central section where the horns come in and overpower the piano, and that's a shame since the playing on the original is so inspired and thrilling. But, perhaps the greatest tragedy of this remastered version is how forced to the background Townshend's rhythm guitar is during "Love, Reign O'er Me", especially in the solo--and we're talking ferocious, adrenaline-causing strumming in the original. Find a used CD copy of the original or buy the gold CD. Anything but this mangled version. It's as if the person in charge of remastering the album didn't appreciate the finer points of the original production or wasn't even a Who fan. Maybe, in overseeing this, Townshend didn't have his hearing aid in, and Entwistle was too busy snorting coke. Either way, they goofed.
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36 of 39 people found the following review helpful By Jeffrey Blehar on October 26, 2005
Format: Audio CD
It's the greatest rock album of all time. I don't think there's any higher praise I can offer it than that. I've spent my money on thousands and thousands of CDs, covered the entire spectrum of popular music from metal to ambient to folk to country to prog to pop to punk to lo-fi to you-name-it, and Quadrophenia still stands out for me as the most ambitious and fully realized project anyone's ever pulled off in the genre at large. Moreover, it does something that I think all truly profound art ought to: it deeply involves the listener emotionally. Lots of intellectually impressive music and art keeps its audience at an enforced distance (it seems to be the modern aesthetic), but Quadrophenia engages you in both your head and your heart without ever sinking to cheap or manipulative levels. There's a term for what this album evokes, and uncoincidentally it's also what Townshend and his creation Jimmy are both searching for: the experience of the sublime.

And man, that's no mean feat. Townshend was writing about the early '60s "Mod" youth culture over a decade later AND from the point of view of an outsider, and yet his lyrics (and liner notes - brilliant character writing) are miraculously free of cliches or patronization. They're not poetic in the same way as Dylan's could be, but then Townshend's not writing about psychedelic jesters and two-wheeled gypsies, rather about a lower-middle class malcontent kid. And these lyrics depict the emotionally chaotic mind of a moody, dreamy, confused adolescent with sharp and subtle strokes.
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48 of 54 people found the following review helpful By Rob Hosking on January 27, 2000
Format: Audio CD
...and for the 17 year old male in ALL of us. Forget the specifics of mods and rockers or details of British teenage life circa 1964. This album is about that awful period between being a teenager and being a real adult. And it captures that bewildered RAGE and FRUSTRATION that goes with that whole stage of life. Songs like 'The Real Me', 'The Punk and the Godfather' and 'Dr Jimmy' boil with anger; others, such as the suicidally tinged 'Drowned' (for my money the best song on here and one of the mosgt beautiful melodies songwriter Pete Twonshend ever came up with), and 'Bell boy' the pathos. Townshend was approaching 30 at the time, but, as he observed somewhere, being in a rock band was about extending your adolescence. That's probably why he was able to convey the emotions of a teenage bloke so well. Drawbacks? Possibly not as many as there seemed at the time of release: the album was panned by critics at the time. That's only in part due to the fact that it followed the incomparable 'Who's Next' album. The fact is, Quadrophenia takes a bit of getting used to, but the effort is worth it. misses a fifth star because musically it gets overblown at times - Townshend himself conceded that the songs were touch 'Wagnerian'. And the attempted plot gets clunky at some points (though not as much as with 'Tommy', the band's other, the more successful though vastly inferior rock opera). If you like The Who, it's one of their best albums - but it may pay to start with one of the others (Who's Next, maybe)
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Topic From this Discussion
Deluxe Edition Reissue?
I just read that Pete is putting together some sort of box set to be release later this year (October 2011). He mentioned he had a lot of demos and they were doing a 5.1 mix. I will have to try and find that sight again and get more info. Just google Pete and Quadrophenia box set and you may... Read More
Jul 15, 2011 by James L. Dickinson |  See all 2 posts
17 DISCS????????????
I'm rather curious about that, too, actually.
Mar 23, 2006 by NateHevens |  See all 3 posts
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