Queen of the Underworld: A Novel (Random House Large Print) [Large Print] [Hardcover]

Gail Godwin (Author)

Book Description

Series: Random House Large Print | Publication Date: January 10, 2006

Here at last is the eagerly awaited new novel from New York Times bestselling author Gail Godwin. Queen of the Underworld is sweeping and sultry literary fiction, featuring a memorable young heroine and engaging characters whose intimate dramas interconnect with hers.
In the summer of 1959, as Castro clamps down on Cuba and its first wave of exiles flees to the States to wait out what they hope to be his short-lived reign, Emma Gant, fresh out of college, begins her career as a reporter. Her fierce ambition and belief in herself are set against the stories swirling around her, both at the newspaper office and in her downtown Miami hotel, which is filling up with refugees.
Emma’s avid curiosity about life thrives amid the tropical charms and intrigues of Miami. While toiling at the news desk, she plans the fictional stories she will write in her spare time. She spends her nights getting to know the Cuban families in her hotel–and rendezvousing with her married lover, Paul Nightingale, owner of a private Miami Beach club.
As Emma experiences the historical events enveloping the city, she trains her perceptive eye on the people surrounding her: a newfound Cuban friend who joins the covert anti-Castro training brigade, a gambling racketeer who poses a grave threat to Paul, and a former madam, still in her twenties, who becomes both Emma’s obsession and her alter ego. Emma’s life, like a complicated dance that keeps sweeping her off her balance, is suddenly filled with divided loyalties, shady dealings, romantic and professional setbacks, and, throughout, her adamant determination to avoid “usurpation” by others and remain the protagonist of her own quest.

Editorial Reviews

From Publishers Weekly

In the summer of 1959, plucky North Carolinian Emma Gant escapes overbearing parents to begin her career as a reporter at the Miami Star. Lodged at the colorful Julia Tuttle Hotel (a fictional Florida property named after Miami's real-life founder), Emma meets a group of Cuban families who've recently fled Fidel Castro. Emma spends her days learning the ropes as a reporter and her nights bantering (in broken Spanish) with the eclectic group of exiles. She also arranges rendezvous with her married lover, Paul, an innkeeper largely responsible for her decision to move South. Godwin, a three-time National Book Award nominee, taps into her experiences as a fledgling Florida journalist to render a tale whose ambling, amiable plot is redeemed by a cast of memorable characters. Among them are an arms-smuggling dentist, a diminutive German perfumer, a nefarious reporter with an "overall gleaming effect," and a distinguished academic who flees Cuba with his memoir stitched into his wife's wedding dress. Topping the list of provocative personalities is Ginevra Brown, aka the Queen of the Underworld, a former Miami madam once betrothed to a mobster. Readers who can't get enough Godwin can snap up the first installment of her two-volume memoir, The Making of a Writer: Journals, 1961–1963, also due out this month (and reviewed on p. 44). (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

From The New Yorker

The twelfth novel by Godwin, a three-time National Book Award nominee best known for her sharp women characters and Southern sensibility, is a disappointing attempt to recycle in fiction the youthful passion, determination, and self-doubt that she has written about with vitality in recently published journals. Emma Gant, Godwin's alter ego, is an eager young reporter just out of college, who lands at a Miami paper in 1959 and makes her way through a landscape populated by scheming journalists, Jewish mobsters, Cuban exiles, a schmalzy ex-beauty queen, and the former madam of an "elite island whorehouse." Unfortunately, Emma's flat first-person narration blanches even such an eclectic cast of characters of its native color.
Copyright © 2006 The New Yorker --This text refers to an alternate Hardcover edition.

See all Editorial Reviews

Product Details

• Hardcover: 528 pages
• Publisher: Random House Large Print (January 10, 2006)
• Language: English
• ISBN-10: 073932599X
• ISBN-13: 978-0739325995
• Product Dimensions: 9.3 x 6.2 x 1.5 inches
• Shipping Weight: 1.6 pounds
• Average Customer Review: 2.8 out of 5 stars  See all reviews (31 customer reviews)
• Amazon Best Sellers Rank: #6,410,577 in Books (See Top 100 in Books)

More About the Author

Gail Godwin is a three-time National Book Award finalist and the bestselling author of twelve critically acclaimed novels, including Unfinished Desires, A Mother and Two Daughters, Violet Clay, Father Melancholy's Daughter, Evensong, The Good Husband, and Evenings at Five. She is also the author of The Making of a Writer: Journals, 1961--1963, the first of two volumes, edited by Rob Neufeld. She has received a Guggenheim Fellowship, National Endowment for the Arts grants for both fiction and libretto writing, and the Award in Literature from the American Academy of Arts and Letters. She has written libretti for ten musical works with the composer Robert Starer. She lives in Woodstock, New York.

Customer Reviews

Most Helpful Customer Reviews

22 of 23 people found the following review helpful:

3.0 out of 5 stars frustrating, February 7, 2006

By 

E. M. Bristol "bibliophile" (boston, mass) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Queen of the Underworld: A Novel (Hardcover)

This book starts out with everything going for it: intriguing characters, an intimate look at the underbelly of Miami in the
1950's. But somewhere in there, Godwin seems to have completely bypassed the plot. She gets the nitty gritty of a newsroom right, and then does very little with it.

There was, I felt, an element of "Mary Sue-ishness" in it. Except for the evil stepfather (a minor character without the rich extensive history given most of the others), everyone seems to be standing in line to tell Emma (protagonist) how clever, pretty, stylish, bold, talented writer/reporter, she is. This got annoying. Except for a streak of perfectionism, she was perfect! That makes for a boring heroine no matter how "grirry" her job.

Also, the title is misleading. Emma, through sheer coincidence, manages to make contact with a young woman who gained notoriety by running a charm school for call girls. I expected much more of her story, which was dropped for pages before being brought up again at the end. This was frustrating because the "Queen of the Underworld" was a truly fascinating character, even more so than the heroine.

In addition for someone who has been extensively physically and sexually abused as a girl, Emma's adult relationships were amazingly stress free and wholesome. How can she possibly trust men as partners wholeheartedly after being beaten and raped by her stepfather? This rang false.

13 of 13 people found the following review helpful:

2.0 out of 5 stars Lackluster, trite and disappointing, January 2, 2007

By 

Susan L. Flynn "coastlight" (St. Augustine, FL) - See all my reviews
(REAL NAME)   

This review is from: Queen of the Underworld: A Novel (Hardcover)

Like many of the others who have reviewed this book, I am a longtime fan of Gail Godwin and found most of her other books rich, complex and rewarding. I was pleased to see she had a new book out.

After completing around 100 pages, I was still waiting for anything to happen, other than the introduction of characters, the writing of a few newspaper stories by Emma, and several meals. I determined that I would finish the book regardless, and it was a disappointment that by the end, I still felt that essentially very little of interest had happened.

Many plot threads were introduced and never resolved. These dead ends were distracting, because I had noted them and imbued them with future significance, which never happened. For example, Emma's aunt Tess is involved in a plot with her employer, a Cuban expatriate dentist, to smuggle weapons into Cuba. We never learn how either of them became involved in this, what eventually happened with the weapons, or the significance of their involvement. The plot, if you can call it that, was thin and aimless. With such rich potential - the Miami of the late 50s, during the early days of Castro's regime - the plot could have been incredibly meaningful and complex - but unfortunately it's almost as if we see it through the eyes of an uninformed person who doesn't understand what she is seeing.

Most of the characters are rather flat and undeveloped. I hate to say it, but they seem like caricatures. An example is Lydia, the Cuban mother of Alex, the manager of Emma's hotel. From statements that Alex makes, we realize that he feels manipulated and used by his mother, but this is never explored or explained. She's just a self-centered fashion plate who likes to throw parties. The only really well-developed character is Emma, and I found myself disliking her more and more as she was fleshed out. I too realized that this book must be autobiographical, and wondered to myself about a character who accepts the gifts and kindnesses of her lover Paul's wife, while carrying on an affair with her husband behind her back. With apparently no guilty conscience! The book also implies that she accepts gifts and money from Paul too. It happens, but it's not endearing, and doesn't seem to cause Emma any remorse.

Every author has a right to a clunker or two, and the usually reliable Gail Godwin must have had a bad year with this one. I gave it two stars because her writing is still enjoyable and there are moments when it shines, usually when she is describing something. She can evoke a time and place, although I don't think she did justice to her setting, other than the Julia Tuttle Hotel, which was nicely described.

10 of 12 people found the following review helpful:

1.0 out of 5 stars How did this dreck get published?, July 6, 2006

By 

Ilene Schneider - See all my reviews

This review is from: Queen of the Underworld: A Novel (Hardcover)

Once again, a book gets published only because it's written by someone who's been published in the past, with no regard as to whether the book is good or not.

This book is a definite NOT!

In 1959, no woman directly out of college would have been hired as a reporter for a major metropolitan newspaper. I was a journalism major in the mid-60s and the best I could hope for was a job on the society pages on a small paper or copy editor (if I were lucky) on a large one. All the job offers I received were for secretarial positions with the possibility of free lancing and maybe "working my way up." (And, yes, I had experience, had been published in Sunday magazine supplements, worked on several college publications, and done co-op work on a local weekly paper.) I went to grad school instead in an unrelated field.

But I decided to suspend my disbelief and plod on. I'm sorry I did. Nothing else about the plot was in any way realistic.

And then everything just stopped. There were no resolutions to any of the plot lines. Why was the book called "Queen of the Underworld" when she's a minor character barely mentioned? Why was the main character crazy about her married lover, but then not upset when he was no longer coming to Miami? Did the Cubans she helped leave the US get arrested in Cuba? The book ended and I kept checking to make sure the last 50-100 pages (it would have taken that many to have resolved all the subplots) hadn't been torn out.

I'm not sure if I'm more frustrated, disappointed, or angry. I'm glad that I borrowed the book from the library and didn't waste money on it.

Blech.