From Publishers Weekly
Pharoah Love, Baxt's irrepressible gay African American detective, returns for his fourth outing, in which quirky characters and wry patter outshine a somewhat tepid mystery. Baxt opens with a bang--literally--as Pharoah is forced to gun down a childhood pal in a rousing, and oddly touching, New York City rooftop shootout. Unfortunately, the subsequent action (or lack thereof) never matches this finely wrought set piece. Pharoah remains endearingly outrageous; and his gay sensibilities, while never forced, form an integral aspect of his character. But the plot meanders with little urgency, as Pharoah attempts to discover who's systematically offing mob members in twos--a device perhaps linked to the recent murder of twin Mafia girlfriends. Though this work evinces greater panache than Baxt's Hollywood celebrity murder series, readers will find few surprises and prose that occasionally strains for effect. Still, Pharoah furnishes fun, as he has before in Swing Low, Sweet Harriet and Topsy and Evil.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Although series protagonist Pharoah Love works for the NYPD, few of his actions reflect the association. Black, gay, ponytailed, and handsome, Love associates easily with all sorts of minority figures, including madams and Mafioso. He begins by searching for someone who has been killing off pairs of friend Marco Salino's lieutenants; six men have died so far. Baxt advances the plot mostly through dialog, with various colorful characters adding interest. Despite some flat humor, Pharoah, cohorts, and context carry the day. A good selection for most libraries.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.