From School Library Journal
Grade 3-6?The resplendent quetzal is arguably the most beautiful bird found in the Americas. It has long held deep historical, artistic, and mystical meaning for the people of the Mexican and Central American cloud forests it inhabits. Patent describes the bird's spiraling mating flight and then examines its place in pre-Columbian art and mythology, concluding with what is known of its life cycle and current endangered status. Although CIP places this book in folklore, there is enough natural history here to make it useful in the bird section. Waldman's illustrations, done in colored pencil on tinted paper, are quite lovely, with rich, glowing tones. While not strictly ornithologically correct, they do very well in showing the Maya and Aztec artworks depicting quetzals, their feathers, and the mythological feathered serpent, which was most likely, at least partially, inspired by the real bird. The creature's rarity, the inaccessibility of its habitat, and the difficulty of photographing it in the wild (quetzals do not survive well in captivity) may account for the difference in format from Patent's Wild Turkey, Tame Turkey (Clarion, 1989) and Feathers (Cobblehill, 1992), both of which have wonderful photographs. A useful title for reports on the bird or as supplementary material on the Aztecs or Mayas.?Pam Gosner, Maplewood Memorial Library, NJ
Copyright 1996 Reed Business Information, Inc.
Gr. 3^-6. This unusual book looks at the quetzal from many points of view: as the ancient Aztec god Quetzalcoatl (the Plumed Serpent); as a source of valuable feathers throughout Mesoamerican history; as a rain-forest bird of striking beauty and intriguing habits; and as an endangered animal today. Patent begins with an introduction that emphasizes the difficulty of writing simply about a complex subject based on incomplete historical records and archaeological finds that different scholars interpret in various ways. The writing weaves the many strands of myth, lore, art, and natural history into a coherent narrative divided into five informative chapters. Throughout the book, Neil Waldman's softly shaded, colored-pencil drawings illustrate the text and add their own sense of wonder and mystery. A bibliography suggests resources for further reading. Well researched and handsomely presented, this book offers a many-faceted study of the quetzal.
Carolyn Phelan