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A Quiet Adjustment: A Novel
 
 
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A Quiet Adjustment: A Novel [Paperback]

Benjamin Markovits (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

October 19, 2009

“A first-rate example of a literary historical novel.”—Regan Upshaw, San Francisco Chronicle

In his “Byron trilogy,” Benjamin Markovits lovingly reinvents the nineteenth-century novel, true to its perfect prose, penetrating insight, and simmering passions. Inspired by the actual biography of Lord Byron—the greatest literary figure and most notorious sex symbol of his age—Markovits re¬imagines Byron’s marriage to the capable, intellectual, and tormented Annabella and the scandal that broke open their lives and riveted the world around them: Byron’s incestuous relationship with his impetuous half-sister, Gus. Their very different understandings of love and one’s obligations to society lead them all—and the reader—headlong to a devastating conclusion.

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Editorial Reviews

From Publishers Weekly

When Lord Byron married Annabella Milbanke in 1815, neither anticipated the epic scandal that would ensue, one that novelist Markovits (Fathers and Daughters, etc.) captures beautifully in this elegant reconstruction, focused entirely on Annabella. Divided into three sections (Courtship, Marriage and Separation) the book opens as 19-year-old Annabella acknowledges her own desire for fame and power, or what her mother, Judy, calls scope. In the marriage section, Annabella's vision of Byron, whom she knew more through his poetry and his two-year epistolary pursuit of her than in person, shatters on living with the real personality—a compound of debts, moodiness and one big guilty secret. Markovits makes her discoveries suspenseful, and the secret's revelation gothic. The wrenching adjustment that follows in the marriage finds Annabella, ever observant, using Byron's secret to craft his ultimate punishment. Markovits's choice of an ornate Jamesian style captures every nuance of Annabella's shift from the victimized wife to the sinister deliberateness of the vengeful ex-spouse. As she remarks at the end about her husband, I feel like I have been reaching towards him all my life, without the warmth of his affection, the cold hand of love. Markovits plumbs the very depths of this passionate chill. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Review

A psychological masterpiece. (Amy Mathieson - The Scotsman )

Eloquent. . . . Annabella stands at the center of the narrative—a beautifully drawn character, portrayed with moral clarity as well as complexity. (Jay Parini - New York Times Book Review )

Product Details

  • Paperback: 368 pages
  • Publisher: W. W. Norton & Company (October 19, 2009)
  • Language: English
  • ISBN-10: 0393330222
  • ISBN-13: 978-0393330229
  • Product Dimensions: 8.2 x 5.5 x 0.9 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,448,244 in Books (See Top 100 in Books)

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Average Customer Review
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12 of 14 people found the following review helpful:
2.0 out of 5 stars Dreadfully Dull, September 30, 2008
This is the story of Lord Byron's courtship, brief marriage and separation from Annabella Millbanke, as viewed through Anabella's own eyes. The depiction is of a Byron who is a drunken, despicable, manipulative and selfish beast who torments his loving and patient wife. Underlying all this is his wife's suspicion of the incestuous relationship between Byron and his half-sister, Augusta Leigh.

It is only too obvious that this was written by a dreary academician schooled in the obtuse writing style of Henry James' later works. Nothing can be plainly said in this dreadful book where pages of obscure and vague meanderings substitute for a felicity of expression. To put it quite plainly this book is a total bore.
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11 of 13 people found the following review helpful:
5.0 out of 5 stars "The coldness of a loveless eye - she had never seen herself through one before.", September 14, 2008
By 
Michael Leonard "MikeonAlpha" (Silver Lake, Los Angeles, USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
Although much has been written about the so-called infamous libertine Lord Byron, less is known of his long suffering wife Anne Isabella Milbank (1792-1860), better known as Annabella. Daughter to Sir Ralph Milbanke and his wife Lady Judith Milbanke, Annabella was very aware of propriety, yet her youth was defined by a diffidence and naivety that caused her to be heavily swayed by the attentions of the devilish Lord Byron. Often described as cold and prim, Annabella seems an unlikely match for this man who would become her ultimate obsession. Even as Annabella first sees Byron at a summer waltzing party at her aunt's Melbourne House and hosted by Lady Caroline Lamb, (whose affair with Lord Byron had begun to be talked about), Annabella is intrigued by his dark and foreboding presence and the image of him dancing with his half-sister Augusta, a pretty woman "though thought to be as shy as a wren."

The talk of London society, the dramatically dark and "morally fractured" Lord Byron's popularity has soared following the success of his poem Childe Harold. A man of giant appetites, who keeps an air of indifference to propriety, he becomes obsessed with Annabella, courting her almost to the point of exhaustion. But it is through the machinations and a cozy intervention from Lady Caroline Lamb which is not outside the scope of Lady Melbourne's own design that a pattern of larger orchestration is eventually established. The impressionable nineteen-year-old Annabella who doesn't want to be thought of as a prude is only too willing to step into the wifely shoes even as she probably realizes subconsciously that she will have to put aside and subjugate her own needs to promote the interests of the great poet.

Through dinner parties and drawing room talk, particularly that of the gossipy Lady Gosford, the conversation always seems to turn to Byon's moral character - or lack thereof: He`s nothing but a miserable libertine, whose various immoralities serve only the cause of his unhappiness." But with the prospects opening before Annabella of love and beauty, and enhanced by all of Byron's wealth, the fame and genius could accomplish, she becomes determined to cast any aspersions about him aside. Annabella sets out a game for him to play, determined to beat him and show him that she can just as well act the misanthrope as he. In the end, Byron challenges his muse to dare to look deep into herself, while also setting out to charm her parents. It isn't long, however, before each word or touch begins to produce a slight imbalance. Their relationship lacks love and without it they could only keep their course by little adjustments. The failure perhaps is his, although she had offered to break off the engagement.

Divided into three parts: courtship, marriage and the eventual separation, Benjamin Markowitz's portrait of the famous poet is always kept at a distance, his abuses, menaces, his furies, neglects, and infidelities are always filtered through Annabella's eyes. It is a fascinating story. Surprisingly it is Augusta whom Annabella is eventually drawn to, entering into an intimate correspondence. Even when Byron relives his anxiety by tossing soda-bottles against the ceiling - a pastime he tended to engage him whenever he sensed the two women conspiring and excluding him - Annabella and Augusta form an embattled intimacy, two sisters having an ample sense of "confederate thrill."

Certainly the marriage by a girl like Annabella to a man with such a formidable reputation was scandalous for the period. The author paints a fascinating picture of a young woman who is forced to travel outside her sphere of influence, that she had been accustomed to thinking as the world itself. To escape this world had been in many ways the object of her marriage. It is her parents, the unassuming Ralph and the drunken Judy, and also by association Augusta, whose relationship with her brother was rumored to be somehow inappropriately intimate, who further inflames the marital situation, eventually leading Annabella into another direction, forcing her to tear aside the hypocritical veil, but at least helping her survive the death of her hopes of a happy marriage. Throughout the novel, Annabella's awakenings as a women, and as a wife scorned, are contrasted with the pain of her shattered marriage. Although her new-found friendship with Augusta offers some solace, she's mostly left to pine away as a widow, thankful that she would never have to live though such years again. Mike Leonard September 2008.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Outrageously Funny, November 20, 2009
Amazon Verified Purchase(What's this?)
This review is from: A Quiet Adjustment: A Novel (Paperback)
When I read this in a two-star review, I laughed loudly: It is only too obvious that this was written by a dreary academician schooled in the obtuse writing style of Henry James' later works. Nothing can be plainly said in this dreadful book where pages of obscure and vague meanderings substitute for a felicity of expression. To put it quite plainly this book is a total bore.
And I will tell you why...
This is a parody--a truly brilliant parody--on Henry James. Trust me, no reader can arrive on page 6 (having read page 5 being my assumption) without realizing what Benjamin Markovtiz is doing. The author is brilliant. Poor Annabella, fearing she would be "getting butter on her fingers" must face a big decision: will she or will she not attend the waltzing party to which she has been invited? A waltzing party? How funny. And to think it comes after breakfast. No, not after lunch, not after tea, but after breakfast. Would we not all have a similar dilemma were we to have been invited to a waltzing party for after breakfast? Not for IHOP folks! And then, of course, she will be meeting Lord Byron whose new rather large poem has just been published. And the poor darling has not read it!
Oh, my, and it only gets better and better...
I am laughing as I write this. This is just such a brilliant book.
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
quiet adjustment
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Lord Byron, Benjamin Markovits, Lady Byron, Sir Ralph, Lady Melbourne, Lady Caroline, Lady Milbanke, Miss Montgomery, Lady Gosford, Miss Milbanke, Wilmot Street, Six Mile Bottom, Melbourne House, Lord Gosford, Mary Montgomery, Benjamin Markovitr, Miss Minns, Childe Harold, Lord Wentworth, Miss Elphinstone, Kirkby Mallory, Lady Cowper, Colonel Leigh, George Eden, Regent Street
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