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The Quiet American proves that elegant and intelligent filmmaking can be emotionally powerful. Michael Caine plays Thomas Fowler, a British journalist in 1950s Vietnam with a lovely Vietnamese mistress named Phuong (Do Thi Hai Yen) and a jaded view of the political strife teeming around him. He befriends a seemingly innocuous American named Alden Pyle (Brendan Fraser), who falls in love with Phuong--and slowly, Pyle's real purpose in Vietnam becomes revealed. Fowler finds that, to hold on to the carefully balanced life he's created for himself, he must make choices he's long avoided. Caine and Fraser are both superb and give a human face to complicated politics; as a result,
The Quiet American manages to be compelling as both history and a story about very specific people embroiled in a very personal conflict. An impressive film from director Philip Noyce (
Rabbit-Proof Fence,
Patriot Games).
--Bret Fetzer
From The New Yorker
The second adaptation of Graham Greene's novel, and, on the whole, a more successful effort than Joseph Mankiewicz's, of 1958. Michael Caine may lack the defeated nobility that Michael Redgrave brought to the role of the hero-a British journalist named Fowler-but few can beat Caine when it comes to the sad and the seedy. What is more, he squares off beautifully against Brendan Fraser. With his fine if bumbling manners, and the earnest thickness of his spectacles, Fraser is ideal as Pyle, the young do-gooder who, almost despite himself, winds up doing harm. The two men share a love for a young Vietnamese woman (Do Hai Yen), and the director, Phillip Noyce, manages not to whack us too hard with the symbolic weight of their rivalry. Greene fans, a prickly bunch at the best of times, will pick holes in the movie, but Christopher Doyle's camera, slithering through the rooms and battlegrounds of an alluring land, takes us as close as we could wish to the heart of the matter. -Anthony Lane
Copyright © 2006
The New Yorker