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Most Helpful Customer Reviews
8 of 11 people found the following review helpful:
3.0 out of 5 stars
Amusing, but no "1066 and All That",
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This review is from: And Quiet Flows the Vodka: or When Pushkin Comes to Shove: The Curmudgeon's Guide to Russian Literature with the Devil's Dictionary of Received Ideas (Paperback)
If you swallow the hype, and go in expecting this book to on a level with "1066 and All That" you will be disappointed. "Chudo" has failed to absorb the lesson that "brevity is the soul of wit", a philosophy that helps make "1066 and All That" the wonderful book it is. There are certainly humorous moments in this book, but there are also long stretches that try too hard without every really getting funny. The "dictionary" at the end has far more duds than truly funny entries. If you love Russian literature you should probably take a look at this book, but don't expect to fall out of your chair laughing very often.
11 of 16 people found the following review helpful:
2.0 out of 5 stars
Academic Pretentiousness at its Most Nauseating,
This review is from: And Quiet Flows the Vodka: or When Pushkin Comes to Shove: The Curmudgeon's Guide to Russian Literature with the Devil's Dictionary of Received Ideas (Paperback)
I'm sorry to rain on Gary Saul Morson's parade of academic pretentiousness, but I found the book misleading and troubling on many levels. It is a classic example of what has gone terribly wrong with Slavic Studies in our country. Morson, a distinguished teacher and scholar of Russian literature, has a brilliant mind, a fierce wit, and a tin ear for Russian art and history. That is why all of his books--including And Quiet Flows the Vodka (a cliched parody of Mikhail Sholokhov's classic novel, And Quiet Flows the Dawn)--tend to be extremely clever on an intellectual level, yet insensitive to the human concerns of Russian literature and the tragic spirit of Russian history. Professor Morson loves Russian literature because it has provided him with a career worth of material to teach us what Professor Morson thinks about the world; he does not seem to love Russian literature on its own terms, for what it tries to illuminate about Russian history or the human condition.
For his convictions Fyodor Dostoevsky spent 5 years in a Siberian prison camp. Leo Tolstoy was excommunicated from the Russian Orthodox Church. Alexander Solzhenitsyn spent eight years as a political prisoner in the Gulag, and he was eventually exiled from his homeland by the Soviet government. The poet Nikolai Gumilev was executed before a firing squad for his anti-Soviet beliefs. Professor Morson, who is comfortably ensconced as a tenured professor at Northwestern University, has not, to my knowledge, put his professorship (or his life) on the line for his convictions. He probably cannot quite relate to the kind of spiritual courage demonstrated by the Russian artists he mocks. Still, his sense of decency and integrity might have compelled him at least to pay some tribute, however small, to this important dimension of the subject he "covers." Pushkin, Tolstoy, Dostoevsky, and Chekhov all had an ear for the ironic and comedic aspects in Russian life, no less than Professor Morson. But they were also great humanists, who tried to tell the whole truth about the world they described, and who courageously fought for what they believed to be right and just. It is well-known fact that Professor Morson speaks Russian very poorly, and he relies almost exclusively on English translations for his books and articles about Russian literature. How deeply can he possibly feel the spirit of Russian literature, and how sincerely are his efforts to truly know Russia on its own terms, if he cannot be bothered, after nearly fifty years, to learn the language of his specialty? And now, at the pinnacle of his illustrious career, his first and only book for a general audience is a sly, derisive, self-aggrandizing romp through the painful wounds of Russian history, rather than a sincere effort to try to help Americans discover what is worth knowing about the country and the culture to which he has dedicated his life. Is this what a distinguished career as a professor of Russian Literature at a top American University amounts to? I hope that Professor Morson will find time to learn Russian, to make his way to the country he claims to know, and to observe with his heart as well as his head what Russian history is all about. Until he does, he will remain a mediocre humorist and a source of continued misunderstanding about one of the world's most fascinating and important cultures.
9 of 14 people found the following review helpful:
5.0 out of 5 stars
A vicious attack on academia and Russia's place in it,
By A Customer
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This review is from: And Quiet Flows the Vodka: or When Pushkin Comes to Shove: The Curmudgeon's Guide to Russian Literature with the Devil's Dictionary of Received Ideas (Paperback)
I too am shocked and outraged that such a book was allowed to appear. Haven't we staffed all our Slavic Departments with ardent Russophiles, elbowing out everybody who babbled something about changing times? I thought we have wiped out once and for all the pernicious critics of things Russian, all those de Custines who, you know, were all homosexuals and probably worse. If I knew who the coward hiding under the pen name of Professor Chudo was, I would have denounced him to the FSK!
The long-suffering Russia received a slap in the face in this book. Invaded so many times, betrayed by her friends, this kind and gentle nation never fought a war (unless invaded), never hurt anyone, and it has always treated old people with respect. Moreover, the book fails to mention that in the eighteenth century, Russia already had great writers and more. Elena Petukhova
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