Quiet Nights

March 31, 2009 | Format: MP3

$8.99
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Popularity  
30
1
4:09
30
2
4:04
30
3
4:46
30
4
4:53
30
5
5:01
30
6
5:47
30
7
2:45
30
8
3:51
30
9
4:45
30
10
4:51
30
11
4:29
30
12
5:19
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Product Details

  • Original Release Date: March 31, 2009
  • Release Date: March 31, 2009
  • Label: Verve
  • Copyright: (C) 2009 The Verve Music Group, a Division of UMG Recordings, Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 54:40
  • Genres:
  • ASIN: B0020VKZ4I
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (393 customer reviews)
  • Amazon Best Sellers Rank: #12,320 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

74 of 83 people found the following review helpful By Tom Croft on March 31, 2009
Format: Audio CD
I have been a big fan of Diana Krall since the mid-1990's, and I own everything she's released under her name except "Stepping Out" and her recent greatest-hits CD. I also love bossa nova. "Quiet Nights" is a decent tribute to that kind of music and is strong in several respects. First, I think the choice of material is pretty good (see the other reviews for a description of the songs). Second, the arrangements by Claus Ogerman are lush and beautiful, as always (listen to Diana's "Look of Love" CD for more great Ogerman arrangements). Third, Diana's piano playing on "Quiet Nights," what there is of it, is tasty and interesting, as always.

What disappointed me here is that Diana adopted a very breathy, whispered singing style for much of this album, and I just don't enjoy that kind of singing. I much prefer the way she sang on her earlier albums, where she used that "breathiness" more sparingly and to good effect. This is something each listener will have to gauge for himself or herself. It's simply a matter of personal taste. In my opinion, "The Look of Love" (2001) is similar in tone but superior to "Quiet Nights." For my taste, the singing approach and the choice of material there is better than on "Quiet Nights." My recommendation is to listen to the samples to determine whether you like this breathy style of singing before you buy, even if you consider yourself a Diana Krall fan.
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106 of 128 people found the following review helpful By Michael Janocik on April 6, 2009
Format: Audio CD
My record collection is blessed with great Brazilian jazz and bossa nova. From Stan Getz to Antonio Carlos Jobim's Wave to Eliane Elias. It's a tough genre to pull off - to give it that cool, breezy, laid-back, I-wish-I-had-another-Mojito kind of feeling. If done well, the listener is transported to a gorgeous beach with beautiful women and cool mist of ocean spray, spawned by the hip grooves of quiet sophistication. If done poorly, the listener is pushed headfirst into the nearest elevator. I'm still punching the numbers looking for a more exciting floor . . .uh . . . I mean tune. Krall no longer seems to revel in the music. Instead, I get a sense she fell in line behind Tony LiPuma and headed to the studio with a few chords and one-too-many string programs. We witnessed Miles Davis fall from Kind of Blue to struggling through Cindy Lauper tunes late in his career. Krall seems to be on a similar fall from greatness. Let us hope and pray she finds her mark again. This ain't it. Save your money and pick up Eliane Elias "Sings Jobim."
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34 of 39 people found the following review helpful By JJ on April 28, 2009
Format: Audio CD Verified Purchase
I have to admit I read several extremely negative reviews on Ms. Krall's latest effort, "Quiet Nights", before making my purchase last week. Like many, I pretty much own everything she's ever done, and have never been disappointed. Was this going my first let down?? Those reviews sure had me worried.
If you an ardent fan, worry not, because Diana once again delivers. If you like a soothing female voice, singing well arranged numbers backed by magnificent strings, then you cannot go wrong with "Quiet Nights". Personally, I even prefer the return of the strings section vs. the brassier tone of her most recent efforts. I also like the fact Diana does quite a bit of silky piano work on each song.
Forget these reviews. "Quiet Nights" is a winner.
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53 of 65 people found the following review helpful By Sergey Gantman on April 22, 2009
Format: Audio CD
As a longime Diana Krall's fan I am extremely disappointed with the recent effort. She has become so predictably boring: sweet,sleepy sounds, strings--music that is just not jazz and obviously not what Mrs. Krall can do. Her music now is a cup of coffee with a pound of sugar in it. Kenny G anyone?
I have seen Diana Krall Live twice with the Quartet. She is an excellent JAZZ piano player and a great singer. I still consider "Stepping Out" one of her best efforts. Nat King Cole dedication album was great as well as "Love Scenes" and "Only trust your heart" are also great.
What drives Diana to make all of those string infused albums in past few years (except "Girl in the other room") is beyond me. I will not consider getting her next album before I find out what it is.
Meanwhile, I will turn my attention to real jazz singers of today: Patricia Barber, Lavay Smith, Madeleine Peyroux. Has anyone heart of Hope Waits ? Not necessarily a true jazz cd but what a fresh voice. Melody Gardot is another one to pay attention to. And if there aren't any modern female jazz divas to listen to, there is always time for Dinah, Sarah, Billie and Ella. Anita O'Day and Chris Connor are also a good jazz therapy.
I hope to hear some good music from really talented Diana Krall in the future.
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28 of 33 people found the following review helpful By hbdawg on April 7, 2009
Format: Audio CD
This is just a bit too laid back for my tastes. Krall's music has not been the same since her marriage. If you want great bossa nova then try Eliane Elias' Bossa Nova stories.
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15 of 17 people found the following review helpful By Jim Rolf on October 6, 2009
Format: Audio CD Verified Purchase
Diana Krall, surrounded by strings, is one of the ten top jazz vocalists in America. Absent the strings, in the intimate presence of bass, guitar, drums, and her own piano styling, she is without peers. It's difficult to understand why she would go to the expense and formatting of an orchestra in order to emulate Julie London and Paul Weston when she deserves to be more rightly compared to Chris Connor, June Christy, or Dakota Staton. The CD is adequate, the DVD is exciting (with the exception of watching her husband walk out on stage and kiss Elton John instead of his lovely wife). In Madrid, Krall is in her element. Whether her background artists are Hurst and Company, or John Clayton and Jeff Hamilton, Diana Krall is in total command both vocally and instrumentally. She said in an earlier interview that she thought her keyboarding was good, but was surprised to find that audiences liked her voice. Her jazz vocals are outstanding, but I must agree with her that the real selling point is her approach to the piano and her ability to blend those keys to her combo. She is the best and, as soon as she realizes that the strings are more detriment than benefit, she'll continue to be the best.
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