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Quintet Plus


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Audio CD, July 1, 1991
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$10.99
$5.54 $4.64
Vinyl, July 1, 1991
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$299.99
Audio, Cassette, December 31, 1991
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Arriving Soon 8:06Album Only
listen  2. Well You Needn't 6:25$0.99  Buy MP3 
listen  3. New Delhi 6:55$1.29  Buy MP3 
listen  4. Winetone 6:56$1.29  Buy MP3 
listen  5. Star Eyes 7:03Album Only
listen  6. Lisa (Take 8) 6:40$0.99  Buy MP3 
listen  7. Lisa (Alternate Take) 6:59$0.99  Buy MP3 
listen  8. O.P. 5:11$0.99  Buy MP3 

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Frequently Bought Together

Quintet Plus + At the Lighthouse + Them Dirty Blues
Price for all three: $27.17

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Product Details

  • Audio CD (July 1, 1991)
  • Number of Discs: 1
  • Label: Ojc
  • ASIN: B000000YH6
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #240,006 in Music (See Top 100 in Music)

Editorial Reviews

Customer Reviews

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Most Helpful Customer Reviews

16 of 17 people found the following review helpful By M. C. REED on November 4, 2000
Format: Audio CD
If you like Cannonball you'll love this CD. It features the quintet that made the superb (and sadly unattainable) At the Lighthouse album. But the great thing about Plus is that the recording quality is absolutely superb so what you lose in live atmosphere you gain in excellent sound - Cannon's alto never sounded better. Every track is strong with some great melodic material and strong solos. I have about 12 of his albums and I rate this one of the best.
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10 of 11 people found the following review helpful By Nichomachus on December 7, 2002
Format: Audio CD
From Cannonball's intro solo to Arriving Soon, to the fast funk they break into, to every other song on this album, it is a tight, top-flight album. The guest pianist on a couple tracks lets them bring in the vibes, which underscores the funky rhythms. Most of the tracks are written by their personnel, who had just come off tour when they recorded this, leading to brilliant changes. The two bonus tracks are both superb. The take 3 Lisa is as fine as the Take 8, and 'O.P' features a fantstic cello solo.
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6 of 7 people found the following review helpful By Heritage Review on February 8, 2008
Format: Audio CD
Cannonball is on his game, and with that great ensemble of players, you know it has to be rockin'. If you are into mainstream jazz, hard bop then this is a cd for you.
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Format: MP3 Music
While all of the live Riverside albums by the Brothers are worth collecting, this one has more thoughtful, inventive solos due to the presence of Victor Feldman on vibes and Wynton Kelly on piano (the regular pianists for the Brothers were, in succession, Victor Feldman, Bobby Timmons, and Joe Zawinul). Otherwise the rhythm section is the familiar, always reliable, power plant of Sam Jones (who has some rare extended solo moments) and Louis Hayes. My only reservations about the album are Nat's tendency to go for "effect," or to play the high notes that, on the live dates, are guaranteed to catch the attention of the crowd. On "Star Eyes," for example, Nat's stratospherics distract from what would otherwise aspire to be the definitive recording of the ever-popular musicians' tune. But for the most part, the absence of a crowd translates into a more satisfying musical experience for the listener who doesn't require showy effects to hold his attention.

I'd be hesitant to call this my favorite Cannon album. First, there are the two "iconic" albums with Miles--"Kind of Blue" and "Somethin' Else." Second, there's the bristling battle of two superior saxes on "Cannonball and Coltrane in Chicago." Thirdly, for those who can't get enough of Cannon's alto, there are the two solo albums featuring Cannon alone with a rhythm secton. "Know What I Mean," with Bill Evans, captures a more introspective, thoughtful and lyrical Cannon; "Cannonball Take Charge," with Wynton Kelley, features Cannon at his ebullient best, submitting versions of "Poor Butterfly," "Serenata," "I Remember You," and "Guess I'll Hang My Tears Out to Dry" that simply remain unequalled by any other player or recording of the past half century.
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