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The eight compositions on the CD are mostly impressionistic flights that combine some sort of formal structure with room for improvisation from the soloists. Bright melodies and assertive rhythms cross each other in an elegant dance, weaving a rich and colorful sonic tapestry. There is beauty and joy and tenderness in this music, but also uncertainty, reflection and just enough hints of darkness to lend a bit of edge to the proceedings. I like the way “Returning,” for example, moves in one sonorous direction for its first half, and then takes an unusual turn mid-piece. That “song,” featuring the wonderful, layered, Enya-like vocal musings of Claudia Villela, is perhaps my favorite, though I also really like the tonal chiaroscuro and Branford Marsalis’ inventions on “Incantations,” and the always-spirited Paul McCandless on “Distance.” But it’s all good stuff—deeper and more challenging than it might at first appear from its inarguably pretty surface.
(excerpt) --Mix Magazine Cool Spins (May 2008)|
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