From Publishers Weekly
Leonard begins his short debut novel with several disparate sequences that, being exposition, don't give reader Scott Sowers much to work with. A new widow recalls telling her husband of her violent escape from eastern Guatemala. A convict gets an early release from an Arizona prison. The widow's memory shifts to her son accidentally killing his father with a bow and arrow. Three sociopaths engage in various criminal activities. Not only are these story shards confusing, the characters are not very engaging, the one exception being a jive-talking, ultra-cool villain named Dejuan, whom Sowers smartly mines for all his much-needed sinister dark humor. Eventually the elements coalesce into a tense kidnap thriller that Sowers delivers with effective energy and pacing. The package includes a conversation between the author and his father, Elmore Leonard, who discusses his famous 10 Rules of Good Writing. Peter should have paid more attention to the one about leaving out the parts that readers tend to skip. A St. Martin's Minotaur hardcover (Reviews, Mar. 10). (May)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
This debut thriller by the son of celebrated mystery writer Elmore lacks the elder’s punchy prose, panache, and wit. Michigander Kate McCall is living a wife and mother’s worst nightmare. Her husband, Owen, was killed by the couple’s own son, Luke, in a bow-hunting accident. As she copes with her grief, Kate recalls her first dates with Owen, shortly after she’d returned from Guatemala. (She had been working with the Peace Corps until a confrontation with a powerful and corrupt local lawman prompted the narrowest of escapes.) Soon after Owen’s death, an old boyfriend of Kate’s reenters the picture. He has some decidedly unsavory friends he met at a local chop shop, and Kate begins to regret rekindling the romance. Meanwhile, Luke struggles to cope with the aftermath of his father’s death. From the start, Leonard’s novel suffers from cardboard characters and a predictable plot. Granted, the senior Leonard, a Mystery Writers of America Grand Master, is a tough act to follow. Quiver will attract some interest, based on the author’s pedigree, and perhaps with a second novel, the younger Leonard will find his voice. --Allison Block

