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29 of 38 people found the following review helpful:
4.0 out of 5 stars
REO's best from late 70's to 80's, March 8, 2004
This review is from: REO Speedwagon - The Hits (Audio CD)
The groups Foreigner, Foghat, Styx, Journey, Air Supply, and the subject of this review, REO Speedwagon, can cause a lot of debate among music fans due to the "corporate rock" effect that took place in the 1970's, where artists' albums were guaranteed platinum sales if they became part of the well-oiled machinery that may have yielded hits on the radio, but remained in an uninspired and uninnovative cozy rut. As someone into all kinds of music, I find myself in a very untenable position. I like REO Speedwagon, yet I like classic punk and disco, two genres of music that broke the musical cul-de-sac America seemed to be going into.Having established that, the Hits, which came out a year after REO's last studio album of the 80's, 1987's Life As We Know It, encapsulated material from their R.E.O. 76 album up to Life As We Know It, with two new songs. The first one, the intense and yearning "I Don't Want To Lose You," was written by the team of Tom Kelly and Billy Steinberg (Heart, Bangles) and the languid "Here With Me," which was a close cousin to "In My Dreams" released the previous year. Life As We Know It was released when I first got into them and,"That Ain't Love" was quite a rocker by their standards, as I had the preconception that they were mellow rock like latter day Chicago, but no, this fiery affirmation that "say what you want to hear, do what you want to do" ain't love, told me otherwise. However, the third single, co-penned by lead singer Kevin Cronin and ace songwriter Tom Kelly, "In My Dreams" sounded more what I expected to hear, soaring lead vocals, inoffensive harmonies, in other words, the mainstream rock ballad. The two singles represented the two kinds of songs mainly done by REO, love songs and leaving songs. Now, for their two signature tunes, "Keep On Lovin' You" and "Can't Fight This Feeling" their two #1s from Hi Infidelity and Wheels Are Turning respectively. A fiery guitar on the first and the trademark 80's synths and lovey-dovey vocals on the second. There was a time when I couldn't tell them apart from Chicago, the harmonies and sound were so alike. That has been rectified. Speaking of Hi Infidelity, one of my favourites by them, "Take It On The Run" with that "heard it from a friend" rumour-mongering that leads to a fed up "I don't want you around." This sports one of their best fiery guitar solos. Of course, they got started on the road to big status with the boisterous "Roll With The Changes" from You Can Tune A Piano..., which was their first Top 40 hit. Yes, there is a piano in this song. Also on that album was "Time For Me To Fly," which set the standard for the #1 songs they eventually made. But the sound that places them in the 70's is best represented by "Keep Pushin'" from R.E.O., as does the hard-rocker "Back On The Road Again," which the most hard-driving track here. A live version of the title track to their Ridin' The Storm Out album finishes this collection, which seems to overlap the First Decade and Second Decade compilations, but for someone who grew up in the 80's, the Hits will do just fine. While not innovative, at least REO comes through with a consistent and familiar sound, slightly altered with synths in the 80's, be it harder stuff or rock ballads.
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