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Comment: Condition: Very good condition., Very good dust jacket. Small Amount of Underlining. / Binding: Hardcover / Publisher: University of California Press / Pub. Date: 2003-06-01 Attributes: Book, 281 pp / Stock#: 2054481 (FBA) * * *This item qualifies for FREE SHIPPING and Amazon Prime programs! * * *
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Race Music: Black Cultures from Bebop to Hip-Hop Hardcover – June 1, 2003

ISBN-13: 978-0520210486 ISBN-10: 0520210484 Edition: First Edition, First Printing

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Product Details

  • Hardcover: 294 pages
  • Publisher: University of California Press; First Edition, First Printing edition (June 1, 2003)
  • Language: English
  • ISBN-10: 0520210484
  • ISBN-13: 978-0520210486
  • Product Dimensions: 9.2 x 6.4 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,688,534 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

This is a challenging and fascinating look at various ways in which popular music from the 1940s to the 1990s represented "anchor moments in the cultural, social and political realms of twentieth-century African American history." Ramsay, an assistant professor of music at the University of Pennsylvania, notes that this "is not a comprehensive, strictly chronological study"; he also uses a wide range of source material including family narratives, recordings, live concerts and films. But his sophisticated understanding of current ethnological, musicological, literary and historical theories-as well as a clear and engaging writing style remarkably free of theoretical jargon-explores a central theme: the "subjective understanding of black music as shaped continually by community sensibilities." Through nuanced looks at such musical artists as Dinah Washington and Dizzy Gillespie, Ramsay shows not only that their work displays a wide range of expressive possibilities but also that, "taken together, they provide a realistic representation of a diverse African American culture always in the process of being made." For example, Ramsay shows how James Brown's "musical language, lyrical subject matter, public presentation, and cultural politics are saturated with the new consciousness of the late 1960s... at the crossroads between the Civil Rights and Black Power movements." While Ramsay's shift toward the end of the book from the music of the '60s to an insightful analysis of music in films like Spike Lee's Do the Right Thing is jarring, this is a valuable exploration of American culture.
Copyright 2003 Reed Business Information, Inc.

Review

"Prodigious in range and detail." -- Jazz Journal International

"Race Music . . . provides a framework for rethinking the facets of African-American music and the ethnocentric energy that birthed it." -- Black Beat

"Through a historical yet anecdotal treatment, Ramsey explores the rich milieu of messages imbedded in black music through the 20th century. His breakthrough is his effort to find the meanings of the music through explorations of memory, history and theory. . . . Ramsey weaves his own rich musical history through the text."--Rickey Vincent, Washington Post Book World -- Review

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8 of 9 people found the following review helpful By Marc Lamont Hill on July 6, 2003
Format: Hardcover
Race Music is a wonderful example of music scholarship. Ramsey's work provides a rigourous, fresh, and inciteful look into African American Music. Unlike many music scholars who unsuccessfully negotiate the academic and popualar terrains simultaneously, Ramsey presents an unflinchingly academic book in a way that allows the lay public access into his wonderful world of idas. A must read!!!!
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