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| 1. Prelude for piano No.1 in C sharp minor ('The Bells of Moscow'), Op. 3/2 | |||
| 2. Preludes (10) for piano, Op. 23: No. 1 in F sharp minor | |||
| 3. Preludes (10) for piano, Op. 23: No. 2 in B flat major | |||
| 4. Preludes (10) for piano, Op. 23: No. 3 in in D minor | |||
| 5. Preludes (10) for piano, Op. 23: No. 4 in D major | |||
| 6. Preludes (10) for piano, Op. 23: No. 5 in G minor | |||
| 7. Preludes (10) for piano, Op. 23: No. 6 in E flat major | |||
| 8. Preludes (10) for piano, Op. 23: No. 7 in C minor | |||
| 9. Preludes (10) for piano, Op. 23: No. 8 in A flat major | |||
| 10. Preludes (10) for piano, Op. 23: No. 9 in E flat minor | |||
| 11. Preludes (10) for piano, Op. 23: No. 10 in G flat major | |||
| 12. Preludes (13) for piano, Op. 32: No. 1 in C major | |||
| 13. Preludes (13) for piano, Op. 32: No. 2 in B flat minor | |||
| 14. Preludes (13) for piano, Op. 32: No. 3 in E minor | |||
| 15. Preludes (13) for piano, Op. 32: No. 4 in E minor | |||
| 16. Preludes (13) for piano, Op. 32: No. 5. G major | |||
| 17. Preludes (13) for piano, Op. 32: No. 6 in F minor | |||
| 18. Preludes (13) for piano, Op. 32: No. 7 in F major | |||
| 19. Preludes (13) for piano, Op. 32: No. 8 in A minor | |||
| 20. Preludes (13) for piano, Op. 32: No. 9 in A major | |||
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Most Helpful Customer Reviews
22 of 26 people found the following review helpful:
5.0 out of 5 stars
SIMPLY THE BEST,
By GEORGE RANNIE "GWRJWMCL" (DENVER, COLORADO United States) - See all my reviews (TOP 1000 REVIEWER) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: Rachmaninoff: Preludes (complete) (Audio CD)
THE BESTI own many recordings of the Rachmaninoff Piano Preludes; however, Alexis Weissenberg's playing of them is the very best. The thunderous ones are delivered with jaw-dropping bravura and the tender ones are delivered with great emotional depth coming from his very soul. You won't believe Alexis' technique. Many pianist have complained that Rachmaninoff's piano works are almost unplayable due to the fact they were written for Rachmaninoff himself whose hands were physically enormous. I can remember many years ago an interview with a world famous pianist that had just recorded the Preludes and he was almost in tears recounting the demands of the works he had just recorded. Well, from listening to Weissenberg?s recording, I don't think he shed any tears over the demands of the works. His playing is truly exciting in every way. If you want to hear the Rachmaninoff Preludes played as no one else can play them, buy this disc.
16 of 20 people found the following review helpful:
5.0 out of 5 stars
Best performances available.,
By D. R. Schryer (Poquoson, VA United States) - See all my reviews (VINE VOICE) (TOP 1000 REVIEWER) (REAL NAME)
This review is from: Rachmaninoff: Preludes (complete) (Audio CD)
Alexis Weissenberg is a superb pianist -- quite possibly the greatest pianist of the recorded era. It is difficult for me to understand why he has never received the accolades accorded to, say, Horowitz. Although Weissenberg's technique is astounding, it is always used not for show but in support of his incredible artistry. His performances of the Rachmaninov Preludes are quite simply awesome -- covering the full range from gently lyrical to stormingly exhuberent, depending upon what is appropriate for the music. You will probably never hear a finer performance of this music -- or finer piano playing in any reperoire.
13 of 17 people found the following review helpful:
5.0 out of 5 stars
A majestic performance,
By
This review is from: Rachmaninoff: Preludes (complete) (Audio CD)
What is really incredible in this CD is not only the great artistry and lyricism, of Weissenberg - from the hammer blows to the murmers - but the quality of sound which is superb enough to demonstrate the capabilities of one's wide-range audio systems. Although recorded in 1968-69, it is obvious that the recording engineers of that time had the technical capabilities to capture the sound of the piano in all its magnificience, seldom reached with all of the current technology. (My CD is a reissue on the BMG label and although not so marked on the jewel case, it is a - to repeat,a brilliantly - remastered disk). One hears the composer and the performer working together transparently. That is what CD-making should be all about!
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