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The quality of the string and brass playing in Rachmaninoff's Symphony No. 2 is the CD's strongest point. The orchestra stays together at all speeds and in all rhythms: In this live recording, there is none of the under-rehearsal that often marred Slatkin's NSO performances. The Detroit Symphony's polished sound is not ideal for Russian romanticism, but its evenness is attractive, especially at Slatkin's often-speedy tempos. Some fast sections seem almost perfunctory, as it Slatkin wants to get through them to wallow in the symphony's broadly expansive themes. This is most noticeable in the scherzo, whose opening is so heady as to sound breathless. But it is also apparent in the sprawling first movement, whose beginning is more menacing than melancholy and whose second theme is slowed to the point of ponderousness. (And Slatkin omits the first-movement exposition repeat.)
Yet this reading as a whole has considerable dramatic power, with an effective first-movement climax and some beautiful clarinet playing in the slow movement. Its perfunctory conclusion, though, is a disappointment, as if the finale builds to nothing.
The CD also includes Rachmaninoff's famous Vocalise, which is played with beauty but a slight overdose of swooning expressiveness.
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Most Helpful Customer Reviews
14 of 14 people found the following review helpful:
5.0 out of 5 stars
They're back!,
By
This review is from: Rachmaninov: Symphony No. 2 in E minor, Op. 27 (Audio CD)
What a coup for Naxos to land Slatkin and the Detroit Symphony in their roster! And how nice it is to hear my home-state orchestra recording again, starting things off the right way with a killer Rach 2.
I've heard two other recordings of this symphony: The echt-Russian Temirkanov reading that impressed me with its intensity, and the Ashkenazy recording that was notable for the way it caressed individual moments within the larger framework. Slatkin charts a third course, focusing on generating an unwavering forward momentum in each movement. This doesn't necessarily mean he's faster than the rest (though he does shave a minute off Temirkanov's already quick timing in the Scherzo); he just keeps his focus on the long line of each movement and refuses to let the symphony bog down in its own weight. Playing snippets of this new recording against either of the other two recordings above doesn't work to the newcomer's advantage; played straight through, however, Slatkin's reading ends up being more compelling than either of them. He manages to weave this sometimes sprawling work into a coherent whole, and the "rightness" and confidence of his vision, coupled with the top-shelf playing of the DSO, make this warhorse symphony sound new again. That's as good a definition of a classical-music success as I can think of, and I'm proud to add this recording to my shelf alongside the other two. (This is a live recording, but the well-behaved audience is virtually silent until they explode after the last note. It's the perfect cap to a wonderful performance.)
7 of 8 people found the following review helpful:
5.0 out of 5 stars
Superb Performance - Must Have!,
By
This review is from: Rachmaninov: Symphony No. 2 in E minor, Op. 27 (Audio CD)
Being a DSO supporter, listener, and follower since the 1950's, I must admit the rejuvenated Maestro Slatkin (recently recovered from a heart attack) has turned in a winning performance of the Rachmaninov 2nd symphony with beautiful playing by, I believe, one of the finest American orchestras today, the Detroit Symphony Orchestra! The 3rd movement, in particular, is played with wonderful phrasing and sonority.
Bravo! to this performance, one that I MUST give only the highest recommendation of hearing and owning if Rachmaninov is your "cup of tea".
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Detroit Symphony & Slatkin,
By
Amazon Verified Purchase(What's this?)
This review is from: Rachmaninov: Symphony No. 2 in E minor, Op. 27 (Audio CD)
I lived in Michigan when Paray was conductor of the Detroit Symphony. I was too dumb then to know how good it was. This recording with the new conductor, Slatkin, in their old Symphony Hall is really good and won't disappoint anyone. At the same time, the Previn/Royal Philharmonic recording won't either. The sonics of the Telarc eclipse those of this Naxos.
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