Review
`careful and exhaustive study ... The value of Maskell's study lies in the all-embracing picture it provides, and the wealth of evidence as to Racine's own clear preoccupations.' Richard Griffiths, Times Higher Education Supplement
`David Maskell's book constitutes a serious contribution to the recent effort amoung English critics of French literature to explore Rracine's dramaturgy and theatricality.' Ronald W. Tobin, Papers on French Seventeenth Century Literature
'Maskell's command of the history of theater, its criticism, and rhetorical theory of the 17th century is impressive; his exemplary exegeses of the performance text open important new avenues of investigation in the Racinian oeuvre.' E.R. Koch, Tulane University, Choice, May '92
`Racine enthusiasts will ... be grateful to David Maskell for providing them with the first systematic study of Racine's theatricality. ... its author looks meticulously and skilfully for all those clues which confirm that Racine was a man of the theatre rather than a poet who happened to write plays. ... Maskell's study is particularly valuable for the way in which it establishes comparisons with Racine's only comedy ... with the Greek tragedians... Maskell's richly suggestive, scholarly yet highly readable study should be the obligatory point de departfor all such readings.' James J. Supple, Theatre Research International
'he applies a meticulous scholarship to the recording and analysis of such effects throughout the twelve plays' W.D. Howarth, University of Warwick, MLR, 88.4, 1993
'Students of Racine's theatre will find much that is instructive and helpful in this thorough, well-documented, and systematic volume. Maskell's book contributes much to the study of Racine.' Keith Gore, Worcester College, Oxford, Notes and Queries, March 1994
About the Author
David Maskell, Fellow and Tutor in French, Oriel College, Oxford.