Jerome McGann has been at the forefront of the digital revolution in the humanities. His pioneering critical projects on the World Wide Web have redefined traditional notions about interpreting literature. In this trailblazing book, McGann explores the profound implications digital media have for the core critical tasks of the humanities.Drawing on his work as editor of the acclaimed hypertext project The Rossetti Archive, he sets the foundation for a new critical practice for the digital age. Digital media, he demonstrates, can do much more than organize access to great works of literature and art. Beyond their acknowledged editorial and archival capabilities, digital media are also critical tools of unprecedented power. In McGann’s practical vision, digital tools give scholars a flexible, dynamic means for interpreting expressive works—especially those that combine text and image. Radiant Textuality demonstrates eloquently how new technologies can deepen our understanding of complex, multi-layered works of the human imagination in ways never before thought possible.
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"Jerome McGann offers a Guide to the Perplexed, providing solid, illuminating, and playful studies of the implications of digitalization for the humanities--scholarship, teaching, criticism, and literary and cultural studies."--Charles Bernstein, Director, Poetics Program, SUNY-Buffalo
"Playful yet scholarly, erudite yet engaging, I recommend this to all who wish to know where literature is going in the new millennium."--Marilyn Deegan, University of Oxford
"Playful yet scholarly, erudite yet engaging, I recommend this to all who wish to know where literature is going in the new millennium."--Marilyn Deegan, University of Oxford
About the Author
Jerome McGann is the John Stewart Bryan University Professor, University of Virginia, and a founding fellow of UVA's Institute for Advanced. He is a leading scholar in fields ranging from 18th century to contemporary literature to the theory of textuality.
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This review is from: Radiant Textuality: Literature after the World Wide Web (Paperback)
The ideas in this book are so incredibly different from anything else I've read about textuality, digital media, and criticism! It outlines in theory and in practice the possibilities for rigorous scholarly PLAY in a hypertextual format. Mind bending. Exhilarating. Can't wait to put some of this into practice. It's a new, truly constructive way of interacting with literature and a new way of doing interpretation of texts.
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Inside This Book
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First Sentence:
1993: The year of the emergence of W3 involved a crucial moment of intersection with my own work, although at the time I was scarcely aware of the connections. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inner standing point, bibliographical codes, quantum poetics, humanities computing, scholarly editing, digital tools, humanities scholars, textual condition, alphanumeric text, discourse field, critical editing, modern textual criticism, codex form, vital words, theoretical pursuit, computerized tools, beholds nothing, textual field, textual works, reading backward, critical possibilities Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Ivanhoe Game, Humpty Dumpty, Emily Dickinson, Piers Plowman, Spencer Brown, Henry Mills Alden, Paradise Lost, The Rationale of Hypertext, Johanna Drucker, King Lear, The Blake Archive, The Snow Man, William Blake, Adobe Photoshop, Grecian Urn, New York, Parl-parled the West-Indian, The Alice Fallacy, The Blessed Damozel, The Perseus Project, Anne Mack, Clarendon Press, Dante Gabriel Rossetti, Five Book, Hideous Progeny New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
1993: The year of the emergence of W3 involved a crucial moment of intersection with my own work, although at the time I was scarcely aware of the connections. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
inner standing point, bibliographical codes, quantum poetics, humanities computing, scholarly editing, digital tools, humanities scholars, textual condition, alphanumeric text, discourse field, critical editing, modern textual criticism, codex form, vital words, theoretical pursuit, computerized tools, beholds nothing, textual field, textual works, reading backward, critical possibilities Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Ivanhoe Game, Humpty Dumpty, Emily Dickinson, Piers Plowman, Spencer Brown, Henry Mills Alden, Paradise Lost, The Rationale of Hypertext, Johanna Drucker, King Lear, The Blake Archive, The Snow Man, William Blake, Adobe Photoshop, Grecian Urn, New York, Parl-parled the West-Indian, The Alice Fallacy, The Blessed Damozel, The Perseus Project, Anne Mack, Clarendon Press, Dante Gabriel Rossetti, Five Book, Hideous Progeny New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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6
books
cite this book:
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- The Early Italian Poets by Dante Gabriel Rossetti on 4 pages
- Don Juan (The English poets) by Lord George Gordon Byron on 4 pages
- Paradise Lost (Penguin Classics) by John Milton on 4 pages
- Understanding Poetry by Cleanth Brooks on 4 pages
- Don Juan (Penguin Classics) by Lord George Gordon Byron on 4 pages
See all 100 books this book cites
- From Gutenberg to Google: Electronic Representations of Literary Texts by Peter L. Shillingsburg on page 143, and Back Matter
- Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web by Daniel Cohen in Back Matter (1), and Back Matter (2)
- Textual Performances: The Modern Reproduction of Shakespeare's Drama by Lukas Erne on page 222
- The Book as Artefact: Text and Border (Variants 4) by Anne Mette Hansen; Roger LĂ1/4deke; Wolfgang Streit; Cristina UrchueguĂa; Peter Shillingsburg on page 138
- New Wave Shakespeare on Screen (Cultural Perception of Shakespeare) by Thomas Cartelli in Back Matter
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