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Radical Piano


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Audio CD, August 24, 1996
"Please retry"
$17.62
$12.69 $6.01
$17.62 & FREE Shipping on orders over $35. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.


Editorial Reviews

Product Description

Twentieth-century piano music has been known to provoke uprisings: listeners rise up and leave the room. Radical Piano consciously tries to hold onto the audience. One hears striking dissonances, surprising mood changes, and aggressive rhythmic elements, but nothing approaching complete atonality. It's music that breaks the mold, without destroying the patience of mainstream listeners. The opener, Prokofiev's arresting Sarcasms, Op. 17, is a set of five "barbaric" and "sardonic" pieces completed in 1914. It was among a burst of defiant works composed (presumably) in response to critics who panned his adventurous First Piano Concerto. Stravinsky's neoclassical Piano Sonata (1924) has elements of wit and caprice, as well as subtle tenderness. American composer Blackwood acknowledges the stylistic influences of Stravinsky and Viennese-school composers Berg and Schönberg in his Ten Experimental Pieces in Rhythm and Harmony (1948). Written when he was a 15-year-old student at the Berkshire Music Center, Blackwood views them today as "amusing divertimenti . . . more than mere juvenalia." This is their world-premiere recording. Berg's single-movement Sonata, Op. 1 (1908), creates an elaborate "hyper-romantic" mood with its numerous frantic climaxes of increased volume and tempo. Nielsen's ingenious Three Pieces, Op. 59 (1928), show his late interest in transitional post-tonal modernism -- a radical departure from his better-known compositions. Alain's haunting Dans le rêve laissé par la ballade des pendus de Villon (1930s) translates as "In the dream left by Villon's Ballade of the Hanged Men." Alain, known almost exclusively for his organ music, seems to prefigure the advent of minimalism in this rare piano composition. Ives' Study No. 20 (1908) contains contrasting sections of highly dissonant impressionism, followed by a hymn tune, a stately march, and a hilarious ragtime shuffle. This is the Study's first recording expressly for CD. Lastly, Copland's Piano Variations (1930) evinces a rugged modernism far removed from his more readily accessible compositions. "It is one of the remarkable features of the work that the same basic idea can be made to undergo such a variety of moods, " Blackwood writes in the CD notes.

Review

Blackwood . . . performs this strong recital with verve, intelligence, and world-beating technique. Cedille provides vivid sonics. -- Fanfare

Easley Blackwood has proved himself again and again a musician of intelligence and taste . . . He gets inside each piece here . . . -- American Record Guide

1. Sarcasms, Op.17: I. Tempestoso
2. Sarcasms, Op.17: II. Allegro Rubato
3. Sarcasms, Op.17: III. Allegro Precipitato
4. Sarcasms, Op.17: IV. Smanioso
5. Sarcasms, Op.17: V. Precipitosissimo
6. Son: I. 1/4nt=112
7. Son: II. Adagietto
8. Son: III. 1/4nt=112
9. Ten Experimental Pieces In Rhythm And Harmony
10. Son, Op 1
11. Three Pieces, Op.59: I. Impromptu
12. Three Pieces, Op.59: II. Adagio
13. Three Pieces, Op.59: III. Allegro Non Troppo
14. Dans Le Reve Laisse Par La Ballade Des Pendus De Villon
15. Study No.20
16. Piano Vars

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