4 of 4 people found the following review helpful:
5.0 out of 5 stars
Great first novel, November 26, 2007
This review is from: Radio Freefall (Hardcover)
At its best, science fiction uses exotic settings and technical marvels to give insight into the compelling issues of the current time. In "Radio Freefall", Matt Jarpe uses the sensitive issues of our day--control of access to information, the immense power of global corporations, and the value of diversity to take the reader on a wild ride through the near future.
Jarpe's engaging style makes this a fun and easy read, yet his social commentary is thought-provoking. He paints a world that is at once beautifully futuristic and laden with all-too-human foibles. Data sprays and artificial intelligence aside, humans are still emotional beings, naked apes acting on base instinct. This helps "Radio Freefall" accomplish that other goal of good science fiction: that of being believable.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Artificial Intelligence and Rock 'n Roll, October 29, 2007
This review is from: Radio Freefall (Hardcover)
Absolutely excellent. Great story, great characters, and truly outstanding writing. Artificial intelligence, rock 'n roll, world domination, space colonies, and a little bit of romance--it's an unbeatable combination.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
A refreshing new voice, January 30, 2008
This review is from: Radio Freefall (Hardcover)
Comparisons to sprawl-era William Gibson really don't prepare the casual book browser for what's in store here. Jarpe took some of WG's more famous tropes -- rogue AIs, shadowrunning attacks against nearly-omnipotent corporations, the new data-driven world we've created as an overlay to the physical world, corporate-owned space stations -- and did them his own way. And that way is pretty darned good, and nothing at all like Gibson (and I say this as a great fan of Gibson's).
Jarpe has a nice way with character, especially in his dialogue/stream of consciousness riffs; you hear what the character actually says out loud AND what he would say if his internal censor wasn't in control, an interesting technique in a book that is ultimately about trying to keep information -- and people -- free. Ultimately even the censored thoughts get expression -- everybody's censored thoughts, even those of the straw-man villain's, to entertaining and satisfying effect.
A lot of people, and I'm thinking of some dear personal friends here, who have complained that, e.g. _Neuromancer_ was too inaccessible or Neal Stephenson's _Snow Crash_ too complex might find in _Radio Freefall_ a nice primer to cyberpunk, written as it is in more of a man-in-the-street voice. It's not gorgeous prose, but it's readable, and unlike Gibson's smooth, detached glide, his poetry, Jarpe's is truly punk, simple, to-the-point, occasionally ungrammatical but doesn't get in the way of the story. Does he have a 'zine background, maybe?
As I finished the book I immediately wanted to pick up a sequel. Will there be an AquaLuna? Here's one reader who hopes so.
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