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Rage (Alex Delaware, No. 19)
 
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Rage (Alex Delaware, No. 19) [Audiobook, Unabridged] [Audio Cassette]

Jonathan Kellerman (Author), John Rubinstein (Reader)
3.3 out of 5 stars  See all reviews (97 customer reviews)


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Book Description

May 24, 2005
In a host of consecutive bestsellers, Jonathan Kellerman has kept readers spellbound with the intense, psychologically acute adventures of Dr. Alex Delaware–and with excursions through the raw underside of L.A. and the coldest alleys of the criminal mind. Rage offers a powerful new case in point, as Delaware and LAPD homicide detective Milo Sturgis revisit a horrifying crime from the past that has taken on shocking and deadly new dimensions.

Troy Turner and Rand Duchay were barely teenagers when they kidnapped and murdered a younger child. Troy, a remorseless sociopath, died violently behind bars. But the hulking, slow-witted Rand managed to survive his stretch. Now, at age twenty-one, he’s emerged a haunted, rootless young man with a pressing need: to talk–once again–with psychologist Alex Delaware. But the young killer comes to a brutal end, that conversation never takes place.

Has karma caught up with Rand? Or has someone waited for eight patient years to dine on ice-cold revenge? Both seem strong possibilities to Sturgis, but Delaware’s suspicions run deeper . . . and darker. Because fear in the voice of the grownup Rand Duchay–and his eerie final words to Alex: “I’m not a bad person”betray untold secrets. Buried revelations so horrendous, and so damning, they’re worth killing for.

As Delaware and Sturgis retrace their steps through a grisly murder case that devastated a community, they discover a chilling legacy of madness, suicide, and multiple killings left in its wake–and even uglier truths waiting to be unearthed. And the nearer they come to understanding an unspeakable crime, the more harrowingly close they get to unmasking a monster hiding in plain sight.

Rage finds Jonathan Kellerman in phenomenal form–orchestrating a relentlessly suspenseful, devilishly unpredictable plot to a finale as stunning and thought-provoking as it is satisfying.


From the Hardcover edition.

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Editorial Reviews

From Publishers Weekly

Psychologist Dr. Alex Delaware stars again after playing second fiddle to Hollywood homicide detective Petra Connor in last year's Twisted. It's been eight years since Alex provided a psychiatric evaluation of two teenagers, Troy Turner and Rand Duchay, who confessed to abducting and killing a two-year-old girl. Troy is now dead, murdered in prison, and Rand has been released—and he promptly calls Alex to tell him he has some important information. Alex agrees to a meeting, but Rand's not where he said he'd be; shortly thereafter he's found dead. Kellerman always fashions fiendishly complicated cases, both literally and psychologically, for Alex to unravel, and this one is no different. During the course of the investigation, he and longtime pal L.A. police lieutenant Milo Sturgis encounter a host of wayward children, a foster family from hell, infidelities that have to be charted to be kept straight and a serial killer who's the exact opposite of the genre's usual madman slasher but just as deadly. The action occurs mostly in the calculating brains of the two detectives as they turn and sift evidence piece by piece, working every angle until they finally come up with a coherent picture. It's an impressive piece of detection, and readers who enjoy watching the delicate untangling of a Gordian knot–like plot will find this one a winner. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Booklist

It has been eight years since two-year-old Kristal Malley was brutally murdered by two young teenage boys, and Alex Delaware has pushed his role in the drama out of his mind. Then a phone call from one of the boys, Rand Duchay, now released at age 21, brings the sad, sordid circumstances back. When Rand is found murdered--with Delaware's phone number in his pocket--the cops come knocking, in the person of Delaware's friend, Lieutenant Milo Sturgis. Delaware and Sturgis take on the familiar roles of compatriots in crime solving, as they try to determine if Kristal's murder has any bearing on Rand's death. Before they can figure that out, though, they must slash their way through a morass of lies, abuse, and dirty secrets, which envelop nearly everyone involved in the original tragedy. There's less suspense here than in some of Kellerman's past Delaware novels; Alex and Milo spend a great deal of time swapping theories in the kitchen, in the car, and at restaurants, methodically piecing together gossamer-thin trails of evidence. But there's still enough surprise along the way to keep things interesting, especially at the close, when both Delaware and Sturgis face a moral quandary with which readers will sympathize. Less action, more substance for Kellerman fans. Stephanie Zvirin
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Audio Cassette
  • Publisher: Random House Audio; Unabridged edition (May 24, 2005)
  • Language: English
  • ISBN-10: 0739309749
  • ISBN-13: 978-0739309742
  • Product Dimensions: 6.2 x 4.3 x 2.8 inches
  • Shipping Weight: 9.6 ounces
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (97 customer reviews)
  • Amazon Best Sellers Rank: #2,518,992 in Books (See Top 100 in Books)

More About the Author

Jonathan Kellerman is one of the world's most popular authors. He has brought his expertise as a clinical psychologist to more than thirty bestselling crime novels, including the Alex Delaware series, The Butcher's Theater, Billy Straight, The Conspiracy Club, Twisted,and True Detectives. With his wife, the novelist Faye Kellerman, he co-authored the bestsellers Double Homicide and Capital Crimes. He is the author of numerous essays, short stories, scientific articles, two children's books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children, as well as the lavishly illustrated With Strings Attached: The Art and Beauty of Vintage Guitars. He has won the Goldwyn, Edgar, and Anthony awards and has been nominated for a Shamus Award.

Jonathan and Faye Kellerman live in California and New Mexico. Their four children include the novelist Jesse Kellerman.

 

Customer Reviews

97 Reviews
5 star:
 (20)
4 star:
 (25)
3 star:
 (29)
2 star:
 (12)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (97 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 13 people found the following review helpful:
3.0 out of 5 stars An Okay Alex Delaware Novel, September 25, 2006
I think Jonathan Kellerman is an underrated writer. He's been writing thrillers for over twenty years, and I still enjoy his novels and his writing style. RAGE is his nineteenth novel featuring his primary hero, Dr. Alex Delaware. I found the book enjoyable, but minor.

This novel is essentially a murder mystery involving the death of a young child, and the repercussions that follow. The first third of RAGE is actually pretty stellar, a first-rate whodunit. Kellerman does a good job describing the initial crime and Delaware's role in the subsequent court proceeding. As always, the dialogue and characterization is well done.

Unfortunately, the novel goes downhill after the first 100 or so pages. The remainder of the book consists of Alex and his cop friend Milo investigating a series of grisly new murders that are potentially related to the child's death. This leads to an increasingly convoluted storyline that I eventually found confusing.

Furthermore, there is too much boring dialogue between Alex and Milo speculating about about who committed the crime. Most of this dialogue only serves to slow down the narrative pace of the book. Also, when the killer's identity is finally revealed, his motive for the crime is absurd -- pure over-the-top insanity. No rational explanation is given for such psychotic behavior. To me, this is just lazy plotting on the part of Kellerman.

To make matters worse, the ending of this novel is surprisingly weak and open-ended, and left me heavily dissatisfied. Given the rather horrid behavior detailed in this novel, I was hoping for an ending that supplied more closure.

This book is a decent mystery novel, but if you're new to Kellerman, my advice is to skip this novel and begin with his earlier work, such as WHEN THE BOUGH BREAKS.
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37 of 46 people found the following review helpful:
5.0 out of 5 stars his best in a while, May 26, 2005
By 
M. S. Butch (Katonah, New York USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: Rage (Alex Delaware) (Hardcover)
I look forward to all the alex delaware books, but some are better than others, and this one is very good. Other reviewers have described the plot; I will just say that it was pleasurably twisty. About a third of the way through the book I thought the solution was obvious, and I was disappointed, but I was wrong!
A minor flaw is that the book ended too abruptly. It needed a little more of a wind-down.
SPOILER ALERT!
There is a hint toward the end of the book that Alex and Allison may be heading for a split and Robin may reappear...Mr Kellerman, if you read these reviews, DON'T DO IT. While one criticism I would level at all of the Alex D. books is that the two female love interests do not have very well-developed characters, as far as they go, Allison is preferable. Robin is kind on whiney.
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18 of 21 people found the following review helpful:
3.0 out of 5 stars Over Mature, September 3, 2005
By 
Peter Gordon (Canberra, ACT Australia) - See all my reviews
(REAL NAME)   
This review is from: Rage (Alex Delaware) (Hardcover)
A good crime novel needs to be well tethered in time and place, as well as steadily developing its central characters.

I'm not sure that Jonathon Kellerman is any longer doing this. His Los Angeles is only cursorily sketched in this latest novel, and there's next to nothing which locates it in the early 21st Century rather than, say, ten years earlier. A half hearted sub-plot strongly hints at a change in Alex's love life, but like the plot as a whole this depends on excessive co-incidence.

I don't think the plot convinces on other levels. Rather too much flash back, an inordinate amount of speculative dialogue between Milo and Alex, and the precipitate conclusion all diminish satisfaction. The minor characters are not established as effectively as in early novels, partly because they take less part in the narrative, which is chiefly propelled by the dialogue between the two main protagonists.

Kellerman writes well, as usual, with only an occasional over-straining after effect. He continues obsessively to describe every item of clothing worn by every character, which is wearing, and one has to wonder at the memories of Alex and some other characters.

All in all, I was disappointed. The fruit is rotting on the vine.
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