Customer Reviews

Rahsaan: Complete Mercury Recordings

5 star:		(5)
4 star:		(0)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

The problem with these large, expensive box sets is that by the time you'd consider buying it, you're a big fan and have most of the contents, then it's a decision on whether to be an obsessive completist or not...This set contains amongst its 11 disks at least 3 super-great albums (We Free Kings, Domino and Reeds and Deeds) and two masterpieces (Rip, Rig and Panic and I Talk With Spirits). You could buy these separately as they are still in print. So what else do you get? Well, the Live in Copenhagen album which is out of print. This live recording swells to 2 cd's of great music in the box set, some of the best of which was never released. You get some very pleasing singles that never appeared on albums as well, not to mention the "bonus" disk of a good performance at the Newport Jazz festival. About the only downside is the last half of disc 9 which covers the Latin album that is out of print and probably should remain so; and disk 10 which is devoted to some dreadful Quincy Jones stuff that is hideously dated and only features Kirk as a sideman. Despite these two exceptions the set is a solid 5 stars, just too much awesome stuff here. Of course there are the obligatory alternate takes that are not a necessity. So, you can buy 5 individual albums and kick yourself for missing out on everything else once you're hooked, or you can buy the box...it's your call.

Roland Kirk could play several wind instruments at once and could be quite a showman. He was also highly eccentric. However, he was not a gimmick master, but an authentic jazz orginal (ask Charles Mingus), who was as deep into the music as one could get. Kirk was an inspired soloist on several instruments (one at a time or several together!), a master of circular breathing, and developed a style of playing flute in which he sings through the instrument. This was copied by many afterwards (remember Jethro Tull?), but Kirk pioneered it--and did it better than anyone else!

This set features much of his early work and is generally outstanding. The pieces where is he backed by Elvin Jones on drums are exceptional. Some of the Quincy Jones material (where he plays pop tunes) seem to put Kirk out of his element. The live recordings (about two CDs worth) have rather poor fidelity.

Today, August 7, is Kirk's birthday. He died in 1977, only in his early 40s. He may have been blind, but he shed much light in the world of music. No one has yet appeared to match his originality or creativity.

Douglas Groothuis

I can't add too much to the grammaphone review except to say that I looked REAL HARD at this cd for over two years before I bought it and never felt like my life was complete without it. When I did finally buy one used I realized that I should have just bought it when I first saw it 'cause that was two more years I could have been enjoying this GREAT Collection. Just get it now and don't make the mistake of waiting. Then get as many others as you can on atlantic and other labels and don't stop. Rahsaan is like no other.

I'm picky about my jazz. I feel good jazz must have a spiritual base. Kirk's music has a deep spititual core, but, unlike Coltrane's spiritually centered music (Meditations, A Love Supreme), Kirk's spirituality is varied: one moment serious, the next playful. This set has it all, it's worth every penny.

Just buy it. I have like 35 discs and lp's on this guy and still looking for more to complete. Any questions on Rahsaan, see my newer email address at dfielding@figleaf.com .