Rain on Lens

Smog

Product Details

• Audio CD (September 18, 2001)
• Original Release Date: September 18, 2001
• Number of Discs: 1
• Label: Drag City
• ASIN: B00005NNEO
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars See all reviews (4 customer reviews)
• Amazon.com Sales Rank: #225,256 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
It might not be as bare or as fraught as Smog's earlier works, but from mordant tone alone, Rain on Lens is Bill Callahan's darkest release since 1996's The Doctor Came at Dawn. While it would be disingenuous to claim that Smog's Bill Callahan is a man of ever-changing moods--he has, over the last 10 years, been responsible for some of the most consistently morose works this side of a suicide note--some of his recent records, especially 1999's glorious Knock Knock, have been invested with a certain hearty warmth. Rain on Lens, however, is not one of those records. Reclaiming his seat in the rocking chair, as weak sunlight filters through musty net curtains, Callahan muses, in his deep baritone over the darkest tales. "Song" is a morbid death march in which Callahan drawls, "I'm a bit like the gravedigger / Who wields no shovel / And digs no hole / But leaves the body to stand," while "Natural Decline" finds his Chicago-based backing band sparking up into a kind of deathly motorik rhythm, accompanied by skeletal handclaps and piercing violin sweeps. The Smog aficionados among us will love it, but for a hapless newcomer eager to dip a toe into these murky waters, there are more forgiving starting points. --Louis Pattison

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars a new career in a new town, September 21, 2001

By	DE Kempke - See all my reviews (REAL NAME)

Bill 'Smog' Callahan's 4-tracking days are far behind, and only for the better, it seems. Each album since 1995's Wild Love has offered significant improvement (or at least new wrinkles) on Callahan's dry, stark, and occasionally morbid observational songwriting techniques. The big variation on this album, which perhaps explains the slightly altered billing (as "(smog)"), is that Callahan employs a full band on every song, or more precisely, one band, rather than a rotating crew, as on past albums. This includes Eleventh Dream Day's Rick Rizzo on guitar, US Maple's Pat Samson on drums, and avant-garde oboeist Kyle Bruckmann. The result is perhaps the tightest, most cohesive album Callahan has ever delivered. As always, the outward prickliness of his music only serves to set those frequent moments of instrumental beauty and lyrical clarity ("God does not answer / This type of prayer") in sharper contrast. Another American classic, from a true national treasure.

2 of 3 people found the following review helpful:

4.0 out of 5 stars excellent!, September 19, 2001

By	chiang fu (nyc) - See all my reviews

bill callahan aka smog once again out did himself. i think rain on lens is amazing; it is stronger lyrically and musically than dongs of sevotion which was no slouch by any means. rain on lens is much smoother, i immediately got into it. the only drawback is that it is too short. give it a try and listen, i promise you will not be disappointed.

4.0 out of 5 stars Billy take your gloom to town (sorry), September 21, 2001

By	Andrew McDonnell (uk) - See all my reviews

Rain On Lens is one of the most straightforward record Mr Callahan has recorded. He sets up stall by leading us into a film where there's "rain on lens, boom in frame, all is ruin"
then 'Song' gives you a flavour of whats to come on the first half of the album. It seems to operate in a similar universe to Quickspace, with dark driven krautrock, shifting form in small nuances and offering a twisted philosphy that Smog fans have come to love. It might just be me but it has a very European feel to this record. Perhaps it's all the black & white cover Art and the dense and dark metaphors that are littered across this album.

The second half is quite beautiful and quite upbeat in places.
'Live as if...' is reminiscent of Rem, My Bloody Valentine and various other abstract pieces of Alternative music (and at one scary point I was reminded of the Crash Test Dummies, though it might be safer to say the red house painters.)

It feels like a short album, a inbetweener that stands in a field of its own to previous releases, but like most Smog songs it's difficult to put you finger on what makes you feel this way, but it matters little as it's a nice dark place to be.