From Publishers Weekly
In legal theory, Francione notes, "Animal welfare, unlike animal rights, rests on the notion that animals are property and that virtually every animal interest can be sacrificed in order to obtain `benefits' for people." Animal welfare is rather like "wise use"--i.e., eat animals, experiment on them, but try to avoid "unnecessary" suffering. As Francione says, "I do not think that we can meaningfully speak of legal rights for animals as long as animals are regarded as property." Francione follows his 1995 book, Animals, Property and the Law, with a scholarly, sometimes dense but generally compelling argument that the modern animal-rights movement is substantially one for animal welfare that ignores the question of whether animals have inherent rights. Even the more radical animal advocates dismiss the idea of rights as a utopian concept without immediate practical application. Discussing the dichotomy and the blurring of the issues, the book sometimes becomes redundant, both in its reiteration of the stands of prominent animal rights activists and in its analyses of definitions, legal and otherwise. The points of contention are multifaceted and occasionally confusing, but that complexity is clarified somewhat by the addition of imaginative anecdotes. As a Rutgers law professor and codirector of the Rutgers Animal Rights Law Center, Francione is clearly trying to affect public policy, but a more accessible book would have given him a better chance to affect public opinion as well.
Copyright 1996 Cahners Business Information, Inc.
Review
"Francione cogently argues that the Animal Liberation Movement, though using rights rhetoric and espousing the eradication of animal exploitation, actually represents a new, self-defeating welfarism because its tactics embody the animal welfare position. Consequently, the plight of animals is worse than it was twenty years ago." --Choice "[A] must-read for those teaching animal ethics and for any laboratory animal specialist wanting to obtain a deeper understanding of the Animal Rights Movement." --Lab Animal "Francione's book is a major contribution to the literature on applied ethical and jurisprudential theory, as well as an intriguing sociological analysis of a political movement. The context...is the current confusion within the animal movement over the distinction between animal 'rights' and animal 'welfare.' ...Francione argues that animal welfare has certain 'structural' defects and proposes an alternative theory of applied animal rights ethics [that] is creative, original, and provocative." --Alan Watson, Ernest P. Rogers Professor of Law and Research Professor, University of Georgia, School of Law "In the past decade, a number of progressive social movements have become increasingly moderate and even reactionary in their attempts to become more 'mainstream.' Francione's book brilliantly analyzes this phenomenon in a particular context--the animal rights movement... [His] analysis is an articulate and insightful warning not only for those interested in animal rights but for those interested in understanding the current paralysis of other movements for social justice. This is an important book." --Drucilla Cornell, Professor of Women's Studies and Law, Rutgers University "Rain without Thunder is a must read for all those interested in the difficult but extremely important issues centering on how nonhuman animals are used and abused by human animals. Francione does not hesitate to take on the 'big names' on both sides of the fence [in] this bold and tightly argued book." --Marc Bekoff, Professor of Biology, University of Colorado, Boulder and co-editor of Readings in Animal Cognition and An Encyclopedia of Animal Rights and Animal Welfare "Gary Francione's work is both refined and exhaustively documented. [He] makes a strong case for viewing the animal rights position as both realistic and practical... This is, in itself, a major contribution to the literature and one that will change the course of debate over animals." --Michael Fox, Professor of Philosophy, Australian National University, Faculty of Arts