Rainbow Body [Hybrid SACD] [Hybrid SACD - DSD]

Christopher Theofanidis (Composer), Samuel Barber (Composer), Aaron Copland (Composer), Jennifer Higdon (Composer), Robert Spano (Conductor), Atlanta Symphony Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Atlanta Symphony Orchestra
• Conductor: Robert Spano
• Composer: Christopher Theofanidis, Samuel Barber, Aaron Copland, Jennifer Higdon
• Audio CD (May 16, 2003)
• SPARS Code: DDD
• Number of Discs: 1
• Format: Hybrid SACD - DSD
• Label: Telarc
• ASIN: B00009OOQ2
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #299,447 in Music (See Top 100 in Music)

Track Listings

1. Rainbow Body, for orchestra

2. Symphony No. 1, Op. 9

3. Appalachian Spring, concert suite for full orchestra

4. blue cathedral, for orchestra

Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful:

4.0 out of 5 stars A must listen, August 5, 2003

By 

P. SIMPSON "nucaleena" (North Yorkshire, United Kingdom) - See all my reviews
(REAL NAME)   

This review is from: Rainbow Body [Hybrid SACD] (Audio CD)

Jennifer Higdon's "blue cathedral" and the Theofanidis work what gives this disc its title are both "about" cathedrals and mystical/philosophical experiences. They are undeniably fine pieces and are both interesting and attractive in their own right, but I can't say that they're masterpieces or will bear too much repeat listening. Both are just a little too predictably and self consciously "impressive".

The Barber and Copeland are a different kettle of fish. Both are terrific works, if not necessarily masterpieces, which have deservedly held their place in the repertoire, and both are given absolutely stunning, superlative performances. I can't remember when i've ever heard a better performance of the Barber
from anyone, - impassioned, youthful, romantic, powerful.

And the Apalachian spring is every bit as good, - Spano's fine orchestra is tight and clear, affectionate without being sentimental. Whilst I only know a few "Spring" performances, this is easily the best and for sound is up there with the splendid Dallas recording on Dorian.

Indeed, the sound overall is marvellous,- clear, precise and powerful. My ears detected slight and short-lived congestion in the Higdon and Theofinidis pieces, but absolutely none in the Barber and Copeland. The soundstage is beautifully broad in SACD stereo and my guess is would suit speakers taking a "height" channel very well.

So, pretty much spectacular sound, some impressive new pieces and two superlative performances of the main works. Recommended.