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4 of 4 people found the following review helpful:
4.0 out of 5 stars
yeah, but where is that bass??, September 9, 2003
By A Customer
Rain Tree Crow was a reunion of the members of early-80s art pop group Japan who blazed a small, but worthy of respect, trail of real musicianship and craft in that oddly frothy period. Since the somewhat rancorous demise of the band (at the peak of its commercial success) its members had gone in different directions, with the main writer and singer, David Sylvian, releasing several excellent albums. Since the band was reformed more or less under his tutelage (and split again, apparently with the rancor intact), it is no surprise that the album sounds very much like a Sylvian album: slightly pastoral, exotically coloured by instruments old and tweaked, with his deep and sonorous voice often center stage. There are several strong songs on the album (Blackwater, Pocket Full of Change and Every Colour You Are are the best), some duds (the very 80s artfunk of Blackcrow Hits Shoeshine City..even the title makes you blanch), and some surprises (the opener is a great big slice of world music that somehow works) but the best pieces are the instrumental ones, which are like tiny but lush, panoramic movies. Oddly, the one instrument that really defined the original Japan -- Mick Karn's huge, squelching fretless bass -- is completely absent from Rain Tree Crow. Can't help but admit that it is goofily missed.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Wonderful Music, October 20, 2005
How has this exotic, strange, lovely CD gone so unnoticed? This is one of Sylvian's best efforts, well, alongside GONE TO EARTH. It's odd grey-music, but the ususal nice Sylvian melodies and lyrics. Very, very cinematic.
GET IT.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Music to dream by, or dream while driving?, July 16, 1999
By A Customer
A few years back, I drove from Phoenix Az. up to the Grand Canyon with this music. It is music for the inner cinema, it evolves with every playing. The light seemed to change with the music and my experience of the high desert changed as well. I cannot find the words to say how this music has changed my life. It is on a par with the environmental releases from Steve Roach, in my opinion.
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