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Raising Sand

July 6, 2010 | Format: MP3

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Product Details

  • Original Release Date: July 6, 2010
  • Release Date: July 6, 2010
  • Label: New Rounder
  • Copyright: (C) 2007 Rounder Records Manufactured and distributed by Concord Music Group
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 57:03
  • Genres:
  • ASIN: B003U06SGM
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (891 customer reviews)
  • Amazon Best Sellers Rank: #2,176 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Most Helpful Customer Reviews

289 of 316 people found the following review helpful By Dave Goldberg on October 30, 2007
Format: Audio CD Verified Purchase
This is wonderful listening. Even more, it's truly significant. That's in part because of the reaction _ I don't how many times in the last few months I've read about what seems to "critics'' and others to be a truly strange pairing. Something like: "You'd never expect two singers so far apart to team up, but it seems to work.''

That's nonsense (except the part about it working _ it doesn't "seem,'' it's real.) That's because the "critics'' and others put music in boxes and can't understand a pairing of "bluegrass,'' (the quotes are intentional) and heavy metal. This is Americana, but Americana as interpreted by Plant, Krauss and T-Bone Burnett that transcends category in a way that few albums do. Look on top. How many different categories does it rank No. 1. _ Rock, pop, folk, international. That's what music should be but too often isn't because the folks who run record companies and radio stations want to put music in the narrowest possible category.

It's also a breakthrough for all three artists, including Burnett, but especially Krauss, who in her last few albums has boxed herself in with very nice listenable material that's too often predictable. A couple of the albums won Grammys(she has 20)and they're incredibly well produced and performed, but after a while one Robert Lee Castleman song turns into another and the effect is underwhelming.

On this one, she uses all her talents, even, perhaps even as the excellent producer she is _ Burnett clearly took her advice and Plant's on some of the songs. Her country/bluegrass fiddle turns into gypsy violin on "Sister Rosetta,'' producing a haunting effect that's rarely heard in this kind of music.
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157 of 176 people found the following review helpful By A* VINE VOICE on October 22, 2007
Format: Audio CD
I have been waiting on this disc. I mean really waiting, like marking off the days on a calendar waiting. We don't have to go over the basics, how Plant and Krauss are gifts from the VOCAL GODS!! But what surprises me about this disc is how understated it all is. The music is the winner here -- well, the listener is.

The opening song "Rich Woman" with its elastic bass line and krauss almost purring into an oft-kilter bluesy tone is pure magic, but its also eerie as all get out. But so is most of this disc. It's almost as if Burnett turned up the gothic horror to a Tim Burton soundtrack and planted it down in the South.

Clark's "Through the Morning, Through the Night," gets more than an honest reading, the harmony between the two bleeds into one soft cushion that hugs the melody. And is honest and bitterly romantic. Wait's "Trampled Rose" gets another great reading, with Krauss howling just above a thumping beat. "Killing The Blues" gives Plants voice such softness and lilt that for some reason it reminds me of vintage Righteous Brothers.

The disc is excellent, and so far is my running for album of the year. They have taped an episode for CMT Crossroads and they have both stated that they are more than willing to work with each other again. And I will be marking off those days as well on my calendar. A gem of an album from two amazing singers with extremely rare gifts.
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96 of 112 people found the following review helpful By R. Kyle VINE VOICE on October 31, 2007
Format: Audio CD Verified Purchase
A self-named "Led Head" friend of mine told me about this CD. His thoughts were that the world as we knew it was coming to end when Robert Plant joined up with a 'country musician'. Having somewhat more eclectic tastes--I didn't think so.

What a treat to open the CD and hear "Rich Woman" on Halloween. A.D.D's headliner review gives the best description of the Southern Gothic 'feel'.

Another particularly eerie song is "Fortune Teller," where Plant sings the tale of a young man who goes to a fortune teller and discovers that he will fall in love with the first woman he sees--which turns out to be the Fortune Teller herself--now he's happy as can be and he gets his fortune told for free. (Yup, corny as KS--but the sound is very cool!)

For the most part, the music will probably suit Alison Krauss fans more than Plant's, but Plant's fans need to listen--just to hear how strong the man can be on soft music.

The best of any profession are the people who raise the bar for the rest. The test of a great collaborative work is -- is the whole better than the sum of its parts? Plant, Krauss, and Burnett started out at the top of their respective forms, but this CD is truly a masterwork among their individual collections, too. "Raising Sand" is going to open the door for a long more mind-bending work.
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31 of 36 people found the following review helpful By Ian Chalmers on October 25, 2007
Format: Audio CD
When I heard about this CD, in a really twisted way it made all sorts of sense. I had to get it. I wasn't disappointed.

I grew up getting stoned to Black Dog, Kashmir, Misty Mountain Hop, Immigrant Song, the whole shebang. In the eighties, while I was buying Robert's solo records, I discovered this odd-ball Texan named T Bone Burnett with his own take on life and morality and art that really made me sit up and take notice. And lately I've been turned on by a mean fiddle player with an ethereal voice named Alison Krauss.

The Brits have always been taking American music of all genres far more seriously than we ourselves have (what's that about prophets in their own land?), and feeding it back to us in ways both familiar and alien. If not for Robert Johnson, Muddy Waters, Slim Harpo, John Lee Hooker, Elvis, Roy Orbison, Carl Perkins, Howlin Wolf, etc. etc. etc., would we have ever had Led Zeppelin, The Stones, The Beatles, The Yardbirds, Eric Clapton, Jeff Beck, Fleetwood Mac, Joe Cocker, Robert Palmer, The Clash, Elvis Costello, Nick Lowe, etc. etc. etc. (you get the point). And, if you had paid attention to Plant's solo albums, including the foray into 50's pop and ballads as The Honeydrippers, you would know that he is more than capable of handling subtler vocal stylings (in other words, he really can sing).

Alison Krauss (aside from the fact that if angels were capable of so base an emotion as envy, her voice would rank high on their hit list) has been, from the start, deeply grounded in the rich veins of musical and artistic ore that the Brits have been so profitably mining for decades.

But for me, the real clincher on this deal was T Bone as producer.
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