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The Raj Quartet [Paperback]

Paul Scott (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Editorial Reviews

Review

Series of four novels by Paul Scott. The tetralogy, composed of The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975), is set in India during the years leading up to that country's independence from the British raj (sovereignty). The story examines the role of the British in India and the effect of their presence in the country during its struggle for independence. The four novels taken as a whole present a complex portrait of both ruling British and Indian society and the relationship between the two. One of the central incidents of the story is the rape of an Englishwoman, and one of the main characters is the Indian Hari Kumar, who is accused of having participated in the rape. Reared in England where he received an upper-class education, Kumar finds that he is too British to be an Indian but at the same time is excluded from British society because of his race. -- The Merriam-Webster Encyclopedia of Literature --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 1922 pages
  • Publisher: Morrow (1976)
  • Language: English
  • ISBN-10: 0688030653
  • ISBN-13: 978-0688030650
  • Product Dimensions: 9.2 x 6.2 x 2.2 inches
  • Shipping Weight: 3.5 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,662,728 in Books (See Top 100 in Books)

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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21 of 22 people found the following review helpful:
5.0 out of 5 stars The end of British India, March 5, 2004
This review is from: The Raj Quartet (Paperback)
In the four books that make up "The Raj Quartet", Paul Scott recounts the final years of British India, the "jewel" in the crown of the Empire. As he simply states in the first book, "This is the story of a rape, of the events that led up to it and followed it and the place in which it happened." Through the gang-rape of a young English girl by Indian thugs, Scott takes us on a brilliantly exhaustive journey which brings together the time, the place and the people, and shows through the eyes of one family how the sun finally set on the British Empire.

The story starts out with a love affair between Daphne Manners, an English girl and a young English-educated Hindu man, Hari Kumar; a relationship forbidden by the mores of the times and the ingrained British sense of their own superiority. Complicating the situation is a young British officer named Ronald Merrick, whose attentions towards Daphne are rejected out of hand. Merrick is at once contemptuous and resentful of Hari; despising his dark skin, he hates Hari for attracting the girl he wants for himself, for being better educated, and for being the product of a prosperous Indian family better than his own. Merrick is the product and the victim of the British class system; coming from the lower classes, the only way he can better himself is through military service, where he will have the opportunity to treat dark-skinned British subjects like dirt. When Daphne is raped at the Bibighar Gardens, Merrick has no problem believing Hari is to blame and has him arrested for the crime.

Merrick is a swine, but through brown-nosing the proper people, he manages to rise through the army ranks and ingratiates himself into the Layton family, who belong to the class he has secretly aspired to join. He takes advantage of the tenuous emotional health of the younger sister to get her to marry him. He is thus secure in his new caste -- or so he thinks. But his fundamental, underlying sense of insecurity causes him to bully everybody under him -- his men, the natives he hates, and occasionally his wife. Meanwhile, Hari has been released from jail and simply bides his time.

The end of the second world war finds Merrick a wounded war hero, but his prospects are far from certain. His life is bound up with British India, and British India is on its last legs. The Laytons can return to England, where they will live a comfortable upper-middle-class existence; Merrick's wife is dead, her death has disconnected him from her family who want nothing to do with him, and in England he will once again be the nobody he was before he joined the military. As despicable as he is, he's a tragic figure with nowhere to go; he'll almost certainly be persona non grata in an independent India whose citizens have long memories concerning British soldiers who mistreated the natives. But before Merrick can decide whether or not to offer himself as a soldier of fortune to Pakistan, the question is decided for him; his lifeless body is found in the middle of a ransacked room with "Bibighar", the site of Daphne Manner's rape, scrawled in blood all over the walls. Did Hari Kumar engineer this ultimate revenge for being falsely arrested and brutally questioned years before? Nobody in the book knows for sure, and neither do we. All we know for certain is that fortune is a wheel and what goes around comes around.

In four exquisitely written and totally compelling novels, Paul Scott has written the intimate history of two young lovers, a British family, and a malevolent army officer in 1940's India, and through them, the larger story of the turbulent decade that saw the beginning of the end of the British Empire. It's history up close and personal. The excellent plot development and writing is sustained through all four books. "The Raj Quartet" is a towering achievement and make up a collection of some of the best contemporary historical novels ever written.

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14 of 15 people found the following review helpful:
5.0 out of 5 stars Brilliant books., June 2, 2003
This review is from: The Raj Quartet (Paperback)
Some of my favorite books of all time. I can't recommend them highly enough. This series follows a number of indian and english characters living in India in the years leading up to India's independence. Scott uses a mix of third-person narrative, journalistic descriptions and first-person accounts to create a story that is both broadly historical and intensely personal. His writing style is direct, precise and graceful. His characters are extraordinarily memorable and lifelike. He captures the evils of colonialism without moralizing or generalizing about people. Engaging on every level.
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1 of 3 people found the following review helpful:
4.0 out of 5 stars Good quality, July 4, 2009
This review is from: Raj Quartet (Paperback)
This set of paperback books was of good quality, in my opinion. The covers are taped, but the interior is intact. I would have preferred hardback editions of The Raj Quartet, but that option was not available.
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