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Raku: A Practical Approach, 2nd Edition
 
 
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Raku: A Practical Approach, 2nd Edition [Paperback]

Steven Branfman (Author)
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

March 2001
Raku is a pottery technique in which the ware is quickly fired, removed from the kiln while it is hot and the glaze is molten, and completed in a post-firing phase outside the kiln. This useful handbook guides beginning and intermediate potters through each stage of raku, from its origins and history to clays and glazes, instructions on firing, combustion, and post-firing methods. Dozens of recipes are included for clay bodies and glazes, as well as recommendations for using commercial products. Detailed information is provided for building or buying raku kilns, with troubleshooting guidelines for firing and kiln design issues. Author Steven Branfman has expanded and updated his original edition, including more information on slip resist/naked raku, raku saggar, fuming, vapour glazing, and other related techniques, and many more photographs.


Product Details

  • Paperback: 176 pages
  • Publisher: Krause Publications; 2nd edition (March 2001)
  • Language: English
  • ISBN-10: 0873419111
  • ISBN-13: 978-0873419116
  • Product Dimensions: 10.8 x 8.2 x 0.4 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #1,059,396 in Books (See Top 100 in Books)

More About the Author

Steven Branfman (born 1953, L.A. California) grew up in N.Y.C. and credits a rich cultural childhood as being the influence that led him to an art career. He was further influenced by a dynamic high school art teacher particularly in the area of sculpture. Branfman studied art at Cortland State University, New York with Gerald Diguisto (sculpture) George Dugan (drawing) and John Jessiman (pottery). He received his graduate degree at Rhode Island School Of Design working under Norm Schulman and Jun Kaneko. He says of RISD, "The time spent at RISD was the most influential and important experience in my development as an artist. The teachers were dedicated, the students were serious, and the atmosphere was exciting and productive."

Branfman has been an independent studio potter since 1975. In 1977 he founded as his studio, The Potters Shop which has become a nationally known studio, school, and artists workspace, and he now enjoys an international reputation as a potter, teacher, and writer. He is the author of four books, Raku: A Practical Approach first and second editions, published by Krause Publications, The Potters Professional Handbook published by The American Ceramic Society, and the forthcoming Mastering Raku: Making Ware-Glazes-Building Kilns-Firing published by Lark Books. Steven has delivered numerous workshops and presentations and his work has been exhibited in many one person and group shows throughout the U.S. Steven has been the subject of, and has authored many articles on clay. Articles about, or by him have appeared in Ceramics Monthly, The Crafts Report, Clay Times, Boston Globe, Studio Potter, and Pottery Making Illustrated, among others. His clayworking techniques, examples of his work, and personal profiles appear in many books on pottery and ceramics as well as Who's Who In American Art and Who's Who Among America's Teachers. Steven's time is spent working in his studio, The Potters Shop and School in Needham, writing, traveling to present workshops and demonstrations, and Thayer Academy in Braintree Massachusetts where he teaches pottery. Steven and his wife Ellen live in Newton Massachusetts.

"My concern is to make good pots, pots that hold up to thousands of years of ceramic history. My work is about vessels and the characteristics that make the vessel come alive: volume, texture, color, and scale. One of my objectives is, through my vessels, to preserve the connection between contemporary ceramic expression and pottery's origins as functional containers, not to transform and abandon it. Though my forms are not functional as in domestic ware, they do suggest function and are certainly containers."

Branfman's work appears in private, corporate, and museum collections and has been exhibited in galleries and museums throughout the U.S. and abroad.

Selected workshop presentations and guest artist appearances include: Raku Ho'olaule'a, Honolulu; Clay Art Center, NY; Appalachian Center For Crafts, TN; El Olvido Ceramica, Mexico City; Burlington Art Center/Fusion, Toronto; Concordia College, MI; California Association of Clay Artists, CA; Long Island Potters Guild, NY; Triangle Potters Guild, NC; Guilford Handcrafts Center, CT; Munson Williams Proctor Institute, NY; El Camino College, CA; Alfred University, NY; Wesleyan Potters Guild, CT;, Oak Ridge Art Center, TN; Walnut Creek Civic Arts Center, CA; Nottingham Center For The Arts CA; Silvermine Guild School Of Art CT; Campus Brookgreen, SC; Raku Rhody-O, Providence; Oregon College Of Art And Craft; National Council On Education For The Ceramic Arts; Kalkspatz: German Potters Association, Munich; Lehmhuus AG, Basel Switzerland; Atelier Cirkel, Brasschaat Belgium; Keramikos, Haarlem Netherlands.

Exhibitions include: Kreft Center For The Arts MI; Esceula De Artesanias Mexico City; Gallery at Keramikos, Netherlands; Dowd Fine Arts Center NY; Fuller Craft Museum MA; Museum Of Art, Rhode Island School Of Design; Fitchburg Art Museum MA; Craftsmans Gallery NY; Society Of Arts And Crafts MA; Susan McLeod Gallery FL; Art Complex Museum MA; Surroundings Gallery NY; Currier Art Center NH; American Museum Of Ceramic Art CA; Qartz Gallery, Belgium.

Collections include: Rhode Island School Of Design Museum Of Art, American Museum Of Ceramic Art, Fuller Craft Museum, Schein-Joseph International Museum Of Ceramic Art, Frederick R. Weisman Art Musem, Concordia College, Canadian Clay And Glass Association, Everson Museum, Crocker Museum.

Customer Reviews

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Most Helpful Customer Reviews
61 of 62 people found the following review helpful
Format:Paperback
I have been a potter for many years and recently decided to build a studio with a kiln in my home. This book was of immense help. It gives detailed instructions and ideas for every aspect of raku from building a kiln (many choices) to mixing glazes and clays, designing a studio, teaching a workshop to health and safety concerns. It has much more practical information than any other book on raku that I have seen. As the author states in the beginning of the book, though, it is not for the novice. He assumes you already have a fundamental knowledge of the art of ceramics. I have recommended it many times to other potters. Margaret Gooding
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22 of 22 people found the following review helpful
Format:Paperback
Recently I got the idea of replacing my current electric kiln, and converting the old kiln to a gas-fired rake kiln. I posted a question on the ClayArt mailing list asking for advice on how to do this. Every single reply refered me to Steve Branfman's book! I quickly bought a copy, and found it to be every bit as good as advertised. In an readable, conversational style, Steve covers a wide range of topics, including some history, glaze formulations, types of kilns, firing advice, and health & safety. Where needed, he gives very detailed and specific technical information (the section on determining BTU requirements for burners was *exactly* what I needed). He also provides great recommendations on sources and suppliers. For anyone who wants to get started, or go further, with raku, this is a great book.
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23 of 24 people found the following review helpful
The Second Raku Bible November 29, 2002
Format:Paperback
This is the second Raku Bible that I have used and referred to repeatedly over the years. There is a short section on what Raku is and the history of Raku, but then it quickly moves into the guts of technical information on Raku. Branfman includes clay recipes (for those who are interested in actually mixing clay) and several glaze recipes with some details on how they perform.
The real meat of the book is on kilns, building kilns, and firing a Raku kiln. Branfman covers firing in both an electric and a gas kiln. He also details many plans and techniques for building your own Raku kiln. Branfman also details many variations of firing methods including reduction firing, piece removal, and post firing reduction methods. Sprinkled throughout the book are great examples of finished pieces using many different styles and techniques that I have used as a repeated source of inspiration. Overall, the book is a very excellent text that covers the practical aspect of the Raku art form.
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