From School Library Journal
Kindergarten-Grade 3?An attractive companion to Mary Matthews's Magid Fasts for Ramadan (Clarion, 1996), set in America rather than Egypt. Hakeem and his family are the focus of Ghazi's description of the holiday?its origin, elements of celebration, and purpose. Though Hakeem plays a prominent role throughout, plot emphasis rests on ritual and events rather than on character development. The boy functions as an "everychild" whose matter-of-fact and heartfelt religious observations help to demystify a part of Islam for non-Muslim children as well as affirm an important part of the Islamic calendar for those who are believers. Ghazi's writing is clear and descriptive with Arabic terms sans pronunciation but described both within context as well as in an appended glossary. The picture-book format creates a warm and welcoming setting, one that beckons to readers and invites exploration. Rayyan's expressive watercolors complete the package with their effective utilization of Islamic stylistic techniques; many are reminiscent of those he created for Eric Kimmel's Rimonah of the Flashing Sword (Holiday, 1995). The artist's skillful juxtaposition of Islamic borders and panels as frames for American Muslim culture highlights the mix of a rich traditional heritage with late 20th-century realities. A good introduction to Dianne MacMillan's Ramadan and Id Al-Fitr (Enslow, 1994), and a fine first look at the richness of Islamic tradition.?Celia A. Huffman, Worthington Public Library, OH
Copyright 1996 Reed Business Information, Inc.
Ages 5^-9. The month of Ramadan, an Islamic time of fasting, feasting, sharing, and prayer, is seen through the eyes of young Hakeem. Along with his family, he watches the night sky to see the new moon that signals the beginning of the special month. For the next 28 days, the (presumably American) family will wake before dawn to eat a large breakfast, fast all day, and eat an enormous evening meal before heading to the mosque for prayers. Ghazi gives just the right amount of background information, along with interesting details (for instance, Hakeem cannot put anything in his mouth all day, so he is careful not to play so hard that he gets thirsty). Rayyan incorporates into his paintings Islamic symbols and architectural motifs, as well as a lively, ethnically diverse group of people. Highly recommended for most libraries.
Susan Dove Lempke