Rameau - Zoroastre / Padmore · Berg · Mechaly · Panzarella · Lecroart · Bazola · Bonnet · Revidat · Les Arts Florissants · Christie

Jean-Philippe Rameau (Composer), William Christie (Conductor), Les Arts Florissants (Orchestra), Mark Padmore (Performer), Nathan Berg (Performer), Gaëlle Méchaly (Performer), Anna Maria Panzarella (Performer), Matthieu Lecroart (Performer), François Bazola (Performer), Eric Martin-Bonnet (Performer), Stephanie Revidat (Performer) | Format: Audio CD

Product Details

• Performer: Mark Padmore, Nathan Berg, Gaëlle Méchaly, Anna Maria Panzarella, Matthieu Lecroart, et al.
• Orchestra: Les Arts Florissants
• Conductor: William Christie
• Composer: Jean-Philippe Rameau
• Audio CD (April 15, 2003)
• SPARS Code: DDD
• Number of Discs: 3
• Label: Erato
• ASIN: B00006F1PG
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #214,806 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Zoroastre, tragédie en musique: Ouverture

2. Zoroastre, tragédie en musique: Acte 1. Scène 1. Prélude. À l'heureux Abramane

3. Zoroastre, tragédie en musique: Acte 1. Scène 1. Air vif. En rondeau. Non, je ne puis assez punir

4. Zoroastre, tragédie en musique: Acte 1. Scène 1. Et nos dieux et le peuple

5. Zoroastre, tragédie en musique: Acte 1. Scène 2. Princesse, avec Phaerès

6. Zoroastre, tragédie en musique: Acte 1. Scène 2. Duo. Unissons nos fureurs. Des Bactriens l'ingrate entraînait

See all 43 tracks on this disc

Disc: 2

1. Zoroastre, tragédie en musique: Acte 3. Scène 1. Ritournelle. Arrêtez, modérez cette fureur extrême

2. Zoroastre, tragédie en musique: Acte 3. Scène 1. Un cœur fier qui brise sa chaîne

3. Zoroastre, tragédie en musique: Acte 3. Scène 2. Osons achever de grands crimes

4. Zoroastre, tragédie en musique: Acte 3. Scène 3. Sommeil, fuis de ce séjour. Scène 4. L'aurore vermeille. Duo. Pour la fête la plus

5. Zoroastre, tragédie en musique: Acte 3. Scène 5. Sommeil, fuis de ce séjour

6. Zoroastre, tragédie en musique: Acte 3. Scène 5. Entrée de peuples différents

See all 29 tracks on this disc

Disc: 3

1. Zoroastre, tragédie en musique: Acte 5. Scène 1. Prélude. Quel tourment!

2. Zoroastre, tragédie en musique: Acte 5. Scène 1. Il approche. Scène 2. C'est Érinice!

3. Zoroastre, tragédie en musique: Acte 5. Scène 3. Elle court d'abîme en abîme. Scène 4. Jour funeste! Sort inflexible!

4. Zoroastre, tragédie en musique: Acte 5. Scène 4. Que la fière Érinice. Scène 5. Que tout cède, que tout fléchisse

5. Zoroastre, tragédie en musique: Acte 5. Scène 6. Par un dernier revers

6. Zoroastre, tragédie en musique: Acte 5. Scène 7. Ballet. Air majestueux

See all 17 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

27 of 27 people found the following review helpful:

5.0 out of 5 stars Spectacular in every sense of the word, February 15, 2005

By 

Kicek&Brys (USA/UK) - See all my reviews

This review is from: Rameau - Zoroastre / Padmore · Berg · Mechaly · Panzarella · Lecroart · Bazola · Bonnet · Revidat · Les Arts Florissants · Christie (Audio CD)

Rameau couldn't help being a musical revolutionary. Perhaps the fact he was so far ahead of his time explains the extraordinary freshness his music seems to have in ours. Parisian audiences at the 1749 premiere of "Zoroastre", his fourth "tragedie lyrique", were just as puzzled as they had been at his first, "Hippolyte et Aricie", sixteen years earlier and the reception was lukewarm. Undeterred, the composer completely refashioned the opera in 1756 to produce the version presented here. It turns out to be a masterpiece. One of the things the original audience found hard to accept was the novelty of the story, which is derived neither from Clasical mythology nor Italian romantic epic. The opera is set in ancient Bactria, then part of the Persian empire, now part of modern Afghanistan. It concerns the efforts of the prophet Zoroaster to introduce a new religion celebrating goodness and light and to win the hand of Princess Amelite, heiress to the throne of the kingdom. Ranged against him are the evil sorcerer and tyrant Abramane, who derives his magic from the demonic forces of the old religion, and Erinice, another princess in love with Zoroaster, whose anguished dilemma whether to kill the hero or warn him of Abramane's plots make up a good deal of the drama. As Graham Sadler explains at length in the booklet notes, contemporaries immediately recognized the libretto as an allegory of the ideals of freemasonry, leading many later critics to decribe the opera as Rameau's "Magic Flute" (the similarity between the names Zoroastre and Sarastro is no coincidence), though you won't find any of the high jinks of Papageno More fancifully the opera has been described as Rameau's "Parsifal", a valid comparison if it refers to the way the struggle between light and darkness is reflected in the composer's orchestration, some of his most extraordinary. In the enchanter Abramane "Zoroastre" also has one of Baroque opera's most memorable villains, who expresses the Machiavellian credo that "Tous les succes sont legitimes" (success justifies every crime). The writers of the "Penguin Guide to Music" pay Rameau a backhanded compliment when they claim that in the dark music he wrote for Abramane he was clearly "taking a leaf out of Gluck's book." "Zoroastre" comes at least a decade before Gluck's reforms. Finally, the libretto affords a great opportunity for all the spectacle, ballets and choruses you would expect from a French Baroque opera : the wedding ceremonies, coronations, religious initiations and demonic sacrifices give ample scope for the composer's musical imagination.

This is not the first time the opera has appeared on disc. Twenty years ago, Sigiswald Kujiken and La Petite Bande recorded it for Deutsche Harmonia Mundi. Though that version (not currently available) was both excellently played and sung, it was never completely satisfactory. Its remote beauty was never very convincing as drama. Kujiken was obviously far more at home with the ethereal music of the good spirits than with the rowdiness of the demons. Christie, on the other hand, is absolutely gripping and gives us an all-round vision of the opera. By my count this is his ninth recording of a stage work by Rameau and this depth of experience certainly shows here, right from the opening bars, another of Rameau's innovations since he discarded the traditional prologue in favour of an overture illustrating the concepts behind the opera. Pounding chords representing both a thunderstorm and Abramane's oppressive hold over the people of Bactria give way to luminous music evoking the liberation and enlightenment Zoroastre will bring.The listener is immediately drawn into the drama by the muscular playing of Les Arts Florissants, who manage to combine a sense of forward propulsion with alertness to every orchestral detail. Christie's reading is grittier, never afraid to sacrifice a little smoothness for the sake of theatricality. This is seen to best effect in Act Four, where Abramane conjures up demons and the spirit of vengeance in order to destroy his hated rival. In Christie's hands, this powerful scene with its weird harmonies is as vivid as Rubens' painting of the Last Judgement on the cover. The same grittier approach applies to the young, mostly unknown cast. One of the other problems with the Kujiken recording was that because they were both sweet-toned it was difficult to tell the two rival soprano princesses apart. That doesn't happen here, not that the singing of Gaelle Mechaly as Erinice or Anna Maria Panzarella as Amelite is not beautiful and, when necessary, sweet, but you really hear the bitterness and torment in Erinice's voice and the determination in Amelite's. Mark Padmore is equally good as the ardent visionary Zoroastre, proving that the cruelly high writing for "haute contre" does not necessarily make for an effeminate hero. Bass Nathan Berg clearly relishes playing the evil Abramane, injecting the role with a mixture of gleeful malevolence and youthful dynamism. Christie also helps the drama along by shifting a few of the dances and arias to an appendix. Highly recommended to all lovers of French opera. A spectacular recording in every sense of the word.

5.0 out of 5 stars A remarkable work, March 21, 2007

By 

Steven Guy (Croydon, South Australia) - See all my reviews
(REAL NAME)   

This review is from: Rameau - Zoroastre / Padmore · Berg · Mechaly · Panzarella · Lecroart · Bazola · Bonnet · Revidat · Les Arts Florissants · Christie (Audio CD)

Now this is something special.

Many will not know this great work and it has only been recorded once [?] before, correct me if I am wrong, and that was in the 1970s. So this recording will be welcomed by all lovers of the music of Jean-Philippe Rameau. What we have here is the revised [by the composer] 1756 version of the work, which featured a number of changes/improvements to acts 2, 3 and 5.

The cast of this recording is ideal and it features some well known names in the world of French Baroque music, namely: Mark Padmore, Nathan Berg, Gaëlle Méchaly and the wonderful Anna-Maria Panzarella. The tessitura of the voices is unusual. Rameau features one haute-contre in the role of Zoroaster himself, very stylishly sung by Mark Padmore. All the other men's roles, five in all, are for basses. The two female roles, Amélite and Érinice are sung by sopranos. Zoroastre is always out on his own, with a voice somewhat between that of the other men and the two ladies.

The chorus, which has some significant music is, as with all Les Arts Florissants recordings, very well balanced and not to large or too small.

The orchestra of Les Arts Florissants is large here. Rameau required 2 flutes, 4 oboes, 2 clarinets, 4 bassoons (surely Rameau's favourite woodwind instrument!), 2 horns, various percussion, strings and basso continuo. Rameau gives the orchestra a lot to do and, as with all of Rameau's operas, the orchestra plays almost continuously throughout the work.

Zoroastre has associations with Freemasonry and in some ways it is similar to Mozart's Die Zauberflöte in its depiction of the struggle between good and evil. The work is powerful it is one of Rameau's finest achievements. I only hope that Les Arts Florissants revisits this work soon (this CD recording, released in 2002, was the last recording made for the now hapless ERATO by William Christie and his ensemble), it is my hope that Les Arts Florissants under the direction of maestro William Christie, or, perhaps, Mr. Paul Agnew, makes a DVD recording of this great work.

This Zoroastre recording is one of the finest recordings of the music of Jean-Philippe Rameau I've ever heard.

0 of 5 people found the following review helpful:

2.0 out of 5 stars Beware, May 20, 2011

By 

dm - See all my reviews

This review is from: Rameau - Zoroastre / Padmore · Berg · Mechaly · Panzarella · Lecroart · Bazola · Bonnet · Revidat · Les Arts Florissants · Christie (Audio CD)

If you have a Dell computer, you may have trouble playing, or downloading this set. Many Warner Brothers labels (Teldec, Erato, Warner Bros. Classics) have anti-piracy software that makes them incompatible with the disc drives that many Dell computers have. The music's great, if you can hear it through the background distortion.