30 of 32 people found the following review helpful:
4.0 out of 5 stars
Palestine and Palestinians, August 5, 2005
This review is from: Rana's Wedding (DVD)
I would like to respond to Brian Grossman's analysis of _Rana's Wedding_. But before doing so, I would like to say that the film in question is, as Phil Hall suggests, a "subtle gem."
It is a gem, I agree. At the same time, however, I would suggest the reader to view _Ford Transit_ by Abu-Assad as well to get a deeper understanding of his filmmaking, if not the Palestinian situation.
Grossman, in his "review," has cut to the heart of Abu-Assad's position as a Palestinian filmmaker. Abu-Assad was born in Nazareth and moved to Amsterdam in the early 1980's. Being as such, his aesthetic, and what we may safely say as outlook in terms of use of visual representation, is European. In _Rana's Wedding_, Abu-Assad did chose to portray an upper to middle-class Palestinian family living outside of the city walls of Jerusalem. In doing so, the film does indeed represent a certain strata of the Palestinian community.
But let this not deter the reader from thinking every Palestinian is either upper-class or a "starving refugee," as Grossman says in his review. Rather, the film, as an aesthetic document of Palestinian culture and society, cuts at the heart of conflicts within the Palestinian community itself-a community that is by no means unified.
Whether it being religion, politics, or class, Palestinian society is fragmented. The media likes to pigeon-hole identity, and in the case of the Palestinian identity it is either as terrorist or refugee. The "subtle gem" that is _Rana's Wedding_ lies in the fact that it does not cater to norms predicated by the media. Rather, it films a section of Palestinian society that is not readily available for public viewing.
Be that as it may, it does have its problems as well. Problems inherent to Palestinian society which are too extensive and complex to get into on an Amazon.com review of the film.
At this point I'll stop, in hopes that the reader will be anxious, after reading this litany of words, to view the film.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars
The hectic ordeal of a wedding, July 10, 2008
PREPARING FOR A wedding is a hectic ordeal anywhere in the world. In the film "Rana's Wedding," however, the bride's situation is even more complicated than most. She awakes from her bed in East Jerusalem with an ultimatum from her father to either marry one of the up-and-coming eligible bachelors who have asked for her hand from a list he has given her, or accompanying him to Egypt--and he wants her decision by four that afternoon. But Rana has other ideas. She sets out to find her true love, Khalil, a struggling theater company director in near-by Ramallah, persuade him to propose, find the registrar, have her father accept her beloved and then marry--all by the 4 p.m. deadline. Because her life is constrained at every turn by the Israeli military occupation, Rana's task is a journey of epic proportion.
Palestinian novelist Liana Badr wrote the screenplay, along with Ihab Lamey, based on her own trials and tribulations in order to marry the Palestinian politician Yasser Abd Rabbih. The film's Palestinian director, Hany Abu-Assad, whose later "Paradise Now" was nominated for an Academy Award for best foreign film, carefully shows us the daily life of those living under occupation. As they watch a Palestinian home being demolished by an Israeli bulldozer, Rana tells a friend, "They are destroying homes as I am trying to build one."
Through it all Rana (played with quiet resolve by Palestinian Clara Khoury) is determined to succeed. Even though at times she is disappointed and despairing, Rana presses on--not unlike the people of Palestine.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars
Back road travelogue . . ., October 2, 2006
This review is from: Rana's Wedding (DVD)
For a young Palestinian woman in Jerusalem, getting married requires taking some back roads and back streets, given the checkpoints that block passage of traffic almost everywhere. Viewers of this film get the experience of life lived under a state of occupation and political tensions. Adding to the drama is the deadline imposed by the young woman's father, who is leaving for Egypt at 4pm and has given her the choice of going with him or marrying a man of his choosing. The third option - her own - is marriage to a man she really loves, and she has 12 hours to find him and get the agreement of her reluctant father.
As we follow her, we see Jerusalem as it is for those who live there, trying to just get done the things that daily life requires. The film's attitude toward the government and the military who prevent that from happening easily is evident at almost every turn, ranging from the bride-to-be's annoyance to pangs of fear as she watches a house being destroyed and a family displaced by security forces. At another time, she comes upon a funeral cortege. But the film is determined to end happily, no matter what, and viewers are left with a picture of a world that is often missed by the cameras of the news networks.
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