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Rant: An Oral Biography of Buster Casey Hardcover – May 1, 2007


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Product Details

  • Hardcover: 336 pages
  • Publisher: Doubleday; First Edition edition (May 1, 2007)
  • Language: English
  • ISBN-10: 0385517874
  • ISBN-13: 978-0385517874
  • Product Dimensions: 8.3 x 5.9 x 1.2 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (241 customer reviews)
  • Amazon Best Sellers Rank: #696,681 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Buster Casey, destined to live fast, die young and murder as many people as he can, is the rotten seed at the core of Palahniuk's comically nasty eighth novel (after Haunted; Lullaby; Diary; etc.). Set in a future where urbanites are segregated by strict curfews into Daytimers and Nighttimers, the narrative unfolds as an oral history comprising contradictory accounts from people who knew Buster. These include childhood friends horrified by the boy's macabre behavior (getting snakes, scorpions and spiders to bite him and induce instant erections; repeatedly infecting himself with rabies), policemen and doctors who had dealings with the rabies "superspreader"; and Party Crashers, thrill-seeking Nighttimers who turn city streets into demolition derby arenas. After liberally infecting his hometown peers with rabies, Buster hits the big city and takes up with the Party Crashers. A series of deaths lead to a police investigation of Buster (long-since known as "Rant"—the sound children make while vomiting) that peaks just as Buster apparently commits suicide in a blaze of car-crash glory. This dark religious parable (there's even a resurrection) from the master of grotesque excess may not attract new readers, but it will delight old ones. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Zombies, government conspiracies, religious epiphanies, time travel, a postmodern Typhoid Mary, and a woman who mixes thumbtacks into her cookie dough—all are fair game in Rant, Chuck Palahniuk's eighth novel. Critics agreed that Rant is vintage Palahniuk, a grim thriller ride filled with his signature black humor, withering social commentary, and stomach-churning details. Some grumbled, however, that the ideas in Rant have been recycled from previous novels, particularly Fight Club. They were also disappointed with the novel's lack of depth, distracting structure (a succession of hundreds of brief eyewitness testimonies), and underlying glorification of violence. The truth is that Palahniuk is an acquired taste. Readers either love him or leave him alone, and will judge Rant accordingly.

Copyright © 2004 Phillips & Nelson Media, Inc.


More About the Author

Chuck Palahniuk's novels are the bestselling Fight Club, which was made into a film by director David Fincher, Diary, Lullaby, Survivor, Haunted, and Invisible Monsters. Portions of Choke have appeared in Playboy, and Palahniuk's nonfiction work has been published by Gear, Black Book, The Stranger, and the Los Angeles Times. He lives in the Pacific Northwest.

Customer Reviews

I finished this book and immediately started reading it again.
Mark D. Shoup
The book Rant, while it is an oral biography comprised of about twenty or so POV's, manages to provide an interesting story along with the structural tomfoolery.
Kevin F. Tasker
It has it's funny parts but it just feels like it isn't really going anywhere.
Amanda E. Remezani

Most Helpful Customer Reviews

135 of 147 people found the following review helpful By Mark Eremite VINE VOICE on May 3, 2007
Format: Hardcover
I've heard it said that there are no new ideas left in the world. The proliferation of movie remakes, regurgitated pop music, and Danielle Steele novels certainly add to this argument. Even in "Rant," Palahniuk's latest novel, you won't see anything that hasn't already been covered by Sartre, Camus, or The Terminator. The thing about Palahniuk (and other brilliant writers like David Mitchell, Craig Clevenger, and Jonathan Lethem) is that while the message may not be all that new, the manner in which it is told is nothing short of stunning.

If you're paying close enough attention, Palahniuk gives away almost the entire story in the first four pages, and he drops plenty of hints along the way for those who still haven't caught on. "Rant" is about, alternately, an underground cult of car crashers, a rabies epidemic, the true essence of religion, and a guy named Buster Casey who is addicted to spider bites. Like his other novels, Palahniuk employs an encyclopedic knowledge of the macabre. His spare, punching prose ties together a medley of ideas and facts until what you're left with is a dizzying collage that is so kaleidoscopic, it'll probably take you three reads just to get half of what he's saying.

And he says a lot, in spite of the low page count. Some of "Rant," in fact, might feel rewarmed to the hardcore Palahniuk fan.
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23 of 26 people found the following review helpful By Jason Fisher on May 31, 2007
Format: Hardcover
Chuck is back! I can happily and unreservedly recommend "Rant" -- to fans of Palahniuk, that is.

After "Haunted", which had many interesting moments, but which otherwise failed to really come together for me, "Rant" is a satisfying, interesting, challenging read. The narrative structure is definitely different, taking the form of transcripts from oral interviews about a character who's no longer on the stage to represent himself. As a result, what you get is a tangled projection, at times incomplete and often contradictory, of that central character, as seen through the eyes of the people who knew him. And by the way, this narrative technique subtly echoes the neural transcripts described *within* the story.

As the story progresses (NO SPOILERS), it gradually undertakes a systematic deconstruction and reconstruction of the character of Buster Casey, which continues to evolve in unexpected ways throughout. The nice thing about this process is that it makes you keep returning (in your mind) to previous points in the narrative, realizing they didn't mean quite what you thought at the time.

There's also the unique metaphor of "boosting peaks", and once you've read the book, you'll see how that metaphor applies to the perceptual process of reading Rant's story through the senses of people *other* than Rant himself. There's also the metaphor of the car salesman -- in which Wallace Boyer is essentially a representative of the author, Chuck Palahniuk, himself. Like Boyer, Palahniuk carefully, and skillfully, directs readers through a series of "control questions", "embedded commands", and "pacing", taking them exactly and only where he wants them to go.

The novel explores some big, mind-bending ideas, too, all with a vintage Palahniuk backdrop.
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6 of 6 people found the following review helpful By Foosula on August 9, 2008
Format: Paperback
I thought it was excellent. Ye sit took awhile to get rolling and it was a touch confusing trying to see where it would lead. But the last 1/4 of the book was impossible to put down. Palanhiuk's standard twists and turns are all there.
Well worth the read.
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6 of 6 people found the following review helpful By Mark J. Lehman on May 5, 2008
Format: Hardcover
Combining snake bite-induced erections with car crash-induced time travel and a whole host of other bizarre and almost realistic events, Chuck Palahniuk has created another character in his universe of strangeness with Rant Casey.

The story unfolds as a biography of Rant after his death, strung together through snippets of interviews with dozens of his close friends and neighbors. It starts off simply enough: an odd little boy in middle America causes quite a stir as he grows up by getting into mischief like collecting other people's teeth; purposely getting bit by snakes, spiders, and rodents; and using real animal blood and entrails as part of a community haunted house. Palahniuk's simple language and townie slang kept me engaged and enjoying the yarn.

Soon enough, Rant moves to the city, and we find out we're actually in a futuristic world where people "port in" to experience entertainment, reminiscent of the video games from David Cronenberg's eXistenZ or the "feelies" from Brave New World. There's also "Party Crashing," a game people play where they crash their cars into each other. When Palahniuk drops this unusual character of Rant into this even more out of the ordinary world, it's inevitable the story is going to get much more complex and interesting.

What I have always enjoyed about Palahniuk's work is that his characters are incredibly bizarre but he always finds a way to speak through them about very real but seldom-expressed human perspectives. A lot of times it seems he can figure out some of my thoughts and perceptions and explain them to me, with more clarity and sensibility than I would've thought possible.
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