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The Rape Of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War
 
 
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The Rape Of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War [Hardcover]

Lynn H. Nicholas (Author)
4.3 out of 5 stars  See all reviews (23 customer reviews)


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Book Description

April 12, 1994
Winner of the National Book Critics Circle Award

The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from Leonardo da Vinci to Pablo Picasso. And the story told in this superbly researched and suspenseful book is that of the Third Reich's war on European culture and the Allies' desperate effort to preserve it.

From the Nazi purges of "Degenerate Art" and Goering's shopping sprees in occupied Paris to the perilous journey of the Mona Lisa from Paris and the painstaking reclamation of the priceless treasures of liberated Italy, The Rape of Europa is a sweeping narrative of greed, philistinism, and heroism that combines superlative scholarship with a compelling drama.

"Nicholas knows the art world as well as any military historian knows his battlefield.... Her work deserves the widest reading."--New York Times Book Review


From the Trade Paperback edition.


Editorial Reviews

Amazon.com Review

Every few months you'll read a newspaper story of the discovery of some long-lost art treasure hidden away in a German basement or a Russian attic: a Cranach, a Holbein, even, not long ago, a da Vinci. Such treasures ended up far from the museums and churches in which they once hung, taken as war loot by Allied and Axis soldiers alike. Thousands of important pieces have never been recovered. Lynn Nicholas offers an astonishingly good account of the wholesale ravaging of European art during World War II, of how teams of international experts have worked to recover lost masterpieces in the war's aftermath and of how governments "are still negotiating the restitution of objects held by their respective nations."

From Publishers Weekly

"Never had works of art been so important to a political movement and never had they been moved about on such a vast scale." Nicholas's lavishly illustrated work chronicles the transfer, trading and looting of a large proportion of Europe's cultural treasures by the Nazis and the recovery of most of them during the Allied counterattack and early postwar years. She describes the Nazis' attempt to "purify" the world of "degenerate" art and their orgy of destruction, confiscation and theft, and reveals how curators at the Louvre in Paris, the Uffizi in Florence and other great museums supervised the removal of objects d'art to places of safety that included mine shafts and remote chateaux in anticipation of the German onslaught. Among these treasures were such masterpieces of sculpture and oils as Winged Victory of Samothrace and Van Gogh's Dr. Gachet , tapestries, church altars, crown jewels, literary manuscripts and symphonic scores. Nicholas's detailed account, meticulously researched in museum archives and supplemented with interviews, brings into focus the men and women who took responsibility for the protection, preservation, rescue and restoration of the artistic patrimony of Europe. Ambitious and fully realized, the book is a major contribution to the history of art; and first-time author Nicholas, an academic researcher of European history, shows herself to be a writer of notable talent.
Copyright 1994 Reed Business Information, Inc.

Product Details

  • Hardcover: 498 pages
  • Publisher: Knopf; 1st edition (April 12, 1994)
  • Language: English
  • ISBN-10: 0679400699
  • ISBN-13: 978-0679400691
  • Product Dimensions: 9.6 x 6.6 x 1.5 inches
  • Shipping Weight: 2.1 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #514,818 in Books (See Top 100 in Books)

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Customer Reviews

23 Reviews
5 star:
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4 star:
 (9)
3 star:
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Average Customer Review
4.3 out of 5 stars (23 customer reviews)
 
 
 
 
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45 of 45 people found the following review helpful:
4.0 out of 5 stars Outstanding, December 4, 2001
By 
savas georgalis (Kennesaw, Ga United States) - See all my reviews
This book is more than just a hum-drum listing of works that were taken, lost or destroyed in the years leading up to and including World War II. It is an intriguing and thought-provoking look at the attempted cultural occultation of not just its own nation and ideals, but of the Nazi aggression on the world. The Nazi way of condemning certain "degenerate" works, either Jewish or Impressionist for example, painfully exhibit the ultimate crushing of free thought and expression which were so vital to the Nazi regime's recipe for authoritarianism.

But the underlying Nazi menace is only a part of the suspenseful undertone in this book. The various heart-wrenching stories of the brave souls who tried to protect and salvage the many works of art (on both sides surprisingly) are what give this account a real kick. To me the accounts on the Soviet front were especially remarkable.

My only complaint is that since I am not, as I suspect the majority of the readers are not, art historians, the significance of many of these works directly mentioned is lost. I would like to have seen more pictures of the art work in question. (I have uncovered a documentary in the works based on this book which might allieviate some of this problem, but until then...)

For those interested in the history of World War II and who might have exhausted the typical military accounts, I highly recommend this alternate angle into Nazi repression and its effect on those who lived through it. Heck, I recommend this for anyone who enjoys history.

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59 of 62 people found the following review helpful:
5.0 out of 5 stars The Grinch who stole., July 20, 2000
World War II was unique in so far as war can have different degrees of intensity, scope, or perhaps evil. The Germany of the Nazis was one with an insatiable appetite, whether for killing, inventing crimes so heinous new words were needed, or the absolute fervor with which they wanted everything. They literally wanted everything, whether changed to suit them, or in the case this book discusses, they wanted art, all of it. Their actions went well beyond the spoils of War that a victor generally has taken as his own, either from greed or an imagined sense of recompense for the battles fought. They wanted to change the demographics of the planet, had they succeeded, they would have managed the greatest art theft in History.

It may sound like a bizarre comparison, but the "Grinch" of Dr. Seuss fame came to mind while reading. The fictional character like his Nazi counterparts attempted to wipe out a culture by taking everything. The list of names of Artists includes every Master that ever painted, sculpted, drew, or any artisan who created a work of beauty. Nothing was overlooked; imagine having to return over 5,000 bells stolen from all over Europe. Yes, bells, as I said they took everything.

The book has some great photographs. There is a photo of one of the Goering residences and the Art he had stolen. It may sound bizarre but it looks like a bad yard sale. Any taste he had was in his mouth. It's quite a feat to amass priceless objects, and then display them in such a way and in such numbers, that the result is a garage sale. The picture also illustrates what the whole theft was about, the desire to have stuff, all the stuff you could steal. Happily they lost, or the world's great art would have become the personal property of the artistically challenged moral degenerates of the Third Reich.

Much more intriguing was Ms. Nicholas's treatment of how so much art was preserved, hidden, and protected. A photograph of DaVinci's "Last Supper", or better said the protective covering, is simply amazing. So too are the photos of American Soldiers casually posing with a Goya, or standing with The Ghent Altarpiece. Aerial photographs of destroyed cities where virtually all that was saved was the Art.

There are also troubling events after the War that remain to the present. So much art was stolen yet again by the Victors, some has reappeared, and much has not. Even the custody that was taken of many works after the War by this Country, and displayed at our National Galleries is an event I would hope we would never again repeat. The value of these objects, the tons of precious metals, and other items are beyond calculation. Hopefully with the changes in Europe and the Former Soviet Union more art will find it's way back to where it originally resided.

In the end all the effort the Nazis expended on their desire to feed there egos probably saved many, many pieces of art. I am in no way suggesting what they did was correct. If they thought they were saving art for future generations of people and not their superior race of automatons, they would have destroyed it. And the Corporal's fondness for Paris didn't hurt either.

A very well written and interesting book for the art lover, or for fans of well crafted History.

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22 of 22 people found the following review helpful:
4.0 out of 5 stars Museum Robbery!, February 25, 2006
This book is a must for anyone involved in art - any aspect of it!
I was overawed by the preparation which was undertaken by both the Allies and the Axis forces pror to , during, and after WWII! This was one of two books I used for a report on Stolen Art. The only reason I rated this one as four stars is that it was sometimes difficult to plough through Chapter IX (The Red Hot Rake)- the rest of the book was absolutley fascinating. I would include another book -"The Lost Museum" by Hector Feliciano. "The Lost Museum" was easier to read and equally fascinating and portrayed the removal of the art from The Louvre in such a manner that it left me breathless! Read Both!
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Inside This Book (learn more)
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First Sentence:
On the afternoon of June 30, 1939, a major art auction took place at the elegant Grand Hotel National in the Swiss resort town of Lucerne. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
Comité des Musées, reparations conference, confiscated works
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, New York, Collecting Point, Alt Aussee, Roberts Commission, National Gallery, Jeu de Paume, World War, Military Government, The Red-Hot Rake, War Department, The Art of the Possible, State Department, General Clay, Rose Valland, Paul Rosenberg, Third Army, Kaiser Friedrich Museum, John Walker, Soviet Union, Unoccupied Zone, David Finley, Monte Cassino, Hans Posse, Frau Dietrich
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