On the list of things that went wrong with the Iraq War, the wholesale destruction of that country's archeological inheritance often goes unmentioned. The average newspaper reader may recall that the Iraq National Museum was badly looted in the aftermath of initial hostilities, but very few realize how entirely predictable the looting was, how negligible the Bush administration's efforts were to prevent it and how far beyond the museum the thefts extended, and still continue. In this autopsy of a cultural disaster, Rothfield (
Vital Signs) breaks down the disaster into its discrete parts, using the looting as a perfect metaphor for the failures of planning and execution that have characterized the conflict thus far. Referencing Colin Powell's famous Pottery Barn rule (You break it, you own it), Rothfield writes, The barn door knocked in by the Americans remains wide open, and Iraq's cultural heritage is being broken day by day.... [T]he loss is not just to Iraq but to us all. It may not carry the bombast and thrill of other war accounts, but this book serves as a frightening cautionary tale.
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"The Rape of Mesopotamia is both a testimony and an appeal. It is a testimony to the cultural disaster which occurred in April 2003 under the eyes of millions of TV viewers. Lawrence Rothfield has carried out what he thought was his duty as a scholar and presented the facts and figures to the reader on what happened to the cultural heritage of Iraq. The book is also an appeal to the conscience of humanity, because the situation in Iraq has, unfortunately, led to continuous looting and destruction of works of art. Because the antiquities of Iraq are still unprotected, this book is coming at the right time to awaken those who are responsible for returning this country to a normal life."—Mounir Bouchenaki, Director-General, International Centre for the Study of the Preservation and Restoration of Cultural Property
(Mounir Bouchenaki, Director-General, International Centre for the Study of the P )
“The tragedy of the 2003 U.S. armed invasion of Iraq is endlessly debated. But in decades and centuries to come, perhaps the greatest lasting tragedy will come to be seen as the looting of the Iraqi National Museum and especially the ensuing pillaging of archaeological sites, erasing cultural history vestiges of great civilizations. Lawrence Rothfield in his impressively detailed analysis explains not just what happened but why it happened and why it is likely that similar tragedies may well accompany future conflicts in other archeologically rich countries."--Kenneth W. Dam, University of Chicago, former Deputy Secretary of State and Deputy Secretary of the Treasury
(Kenneth W. Dam, University of Chicago )
“Behind the Looting of the Iraq Museum lies a tale, told with brutal candour by Lawrence Rothfield, of gut-wrenching negligence and astonishing incompetence by American (and British) politicians and military leaders, and of their disastrous outcome. He documents in incriminating detail the scale of the disaster, the unsuccessful attempts by archaeologists to avert it, and the crass unconcern of official responses. The lasting and bitter legacy remains a telling indictment of the two allied governments. I defy any citizen who reads this disquieting book to do so without a sense of shame at the failure to avert this predictable and preventable disaster.”—Colin Renfrew, professor emeritus of archaeology and former director of the McDonald Institute for Archaeological Research, University of Cambridge
(Colin Renfrew, University of Cambridge )
"The definitive book on its topic."—Tyler Cowen, Marginal Revolution
(Tyler Cowen
Marginal Revolution )
"In this ''autopsy of a cultural disaster,'' Rothfield breaks down the disaster into its discrete parts, using the looting as a perfect metaphor for the failures of planning and execution that have characterized the conflict thus far. . . . This book serves as a frightening cautionary tale."—Publishers Weekly
(
Publishers Weekly )
"A lucid, well-researched book [that] explains why the sacking of the National Museum of Iraq and the ongoing looting of archaeological sites throughout that country matter so much, and what could have been done to prevent the tragedy."--Julia Keller, Chicago Tribune
(Julia Keller
Chicago Tribune )
"Rothfield puts into play some critical--and until now largely ignored--questions about the role of cultural expertise in 21st century warfare.. . . It is one of the merits of Rothfield''s meticulous account that it shies away from a simple explanation. Instead, The Rape of Mesopotamia shows, again and again, how mutual suspicion between archaeologists and museum officials prevented the formation of a more unified front for dealing with the byzantine Washington bureaucracy."--The National
(Hugh Eaken
The National )
"Rothfield''s mournful probe blends fact-finding and distillation of published work. Short and terse, it''s a manual for policymakers about a colossal failure, and a reminder that enforcement could have minimized looting of the country''s cultural treasures."--San Francisco Chronicle
(David D'Arcy
San Francisco Chronicle )
"Rofhfield''s sobering account shows not only how fragile a nation''s past truly is but that national history is typically at the bottom of the list when collateral damage from military operations is being considered. . . . A curt yet serious indictment of our post-9/11 age."--Library Journal
(
Library Journal )
"A blow-by-blow account, unsparing to most of the players while praising a very few, The Rape of Mesopotamia builds its own kind of momentum as we watch the unfolding of yet another appalling crime against humanity''s common heritage."--The Toronto Star
(
The Toronto Star )
"
The Rape of Mesopotamia is an important book and one that should be read by anyone interested in the Iraq War, US foreign policy or modern history, as well as by members of the cultural heritage community. The book is not primarily about cultural heritage per se, but is above all a political history of an important event in recent world history, and as such should be of as much interest to the general as to the academic reader
."--
Times Higher Education
(
Times Higher Education )
“[I]t . . . completely upends the heroic World War II narratives that still shape our notions of the inevitable benevolence of American military interventions.”--Benjamin Moser, Harper''s
(
Harper's )
"Lawrence Rothfield has produced an expose tha (Alexander Bevilacqua N+1 )
"Its blow-by-blow account, unsparing to most of the playerss while praising a very few, builds its own kind of momentum as we watch the unfolding of yet another appalling crime against humanity''s common cultural heritage."
(Hans Werner
The Star )
"While Rothfield''s book recounts a mostly sorry tale of official failure and insouciance, he is to be thanked for his own painstaking work of historical reconstruction."
(
Al-Ahram )
"An important book and one that should be read by anyone interested in the Iraq War, US foreign policy or modern history, as well as by members of the cultural heritage community. The book is not primarily about cultural heritage per se, but is above all a political history of an important event in recent world history, and as such should be of as much interest to the general public as to the academic reader."
(Johan Franzen
THES )
"
The Rape of Mesopotamia is a sobering account of the looting of antiquities in Iraq. I well recognize the depiction of obstacles encountered by various actors trying to prevent this disaster from happening. Rothfield''s description of the mind-numbingly bureaucratic civilian/military setting is deftly handled. I did not previously appreciate the competing interests of various private organizations in this area, and the glaring conflict of interest on the part of those in the private sector who seek to keep looted antiquities flowing their way. Rothfield has performed an invaluable service in writing this book. One can only hope that the next time around (god help us!) vastly greater attention on the part of planners and occupiers will be paid to the need to protect and safeguard our common heritage no matter where it may be threatened."--Ambassador Brandon Grove (ret.)
(Brandon Grove )
"Rothfield tells this story with clarity and precision. . . . Even today there are those who deny that anything of value was lost or that sites were significantly damaged, despite the overwhelming objective evidence to the contrary. . . . This books shows that the claim that the damage could not have been anticipated, and the refusal to believe it actually happened, are inexcusable."--Times Literary Supplement
(Paul Zimansky
Times Literary Supplement )
“One of the many tragedies that resulted from the arrogance and poor planning that preceded the Iraq invasion was the lack of foresight in protecting the irreplaceable artifacts that represented the rich millennial culture of Iraq. Lawrence Rothfield has written a remarkable account of the looting that occurred and the efforts in the aftermath to recover the invaluable representations of an important historical culture that may be lost forever. This is a must read for all those who value our heritage and the need to preserve it during conflicts that threaten it.”
(General Anthony C. Zinni, USMC (Ret) )
