From School Library Journal
Kindergarten-Grade 4–Humorous illustrations attempt to transform this rather serious fairy tale into a lighthearted romp that spares children its disturbing chill and darkness. Duntze's playful watercolors are filled with fantastical elements like oversize fruit, clothing made from cabbage leaves, and a bed atop a huge snail. The witch's countenance never gets scarier than that of a loving but stern grandparent. The illustrations also contain a mixture of details that span different time periods and cultures: for example, the husband wears golf shoes; the wife is seen leaning out the window, thus exposing her multiple petticoats; and the prince wears buckled shoes that evoke Puritan times. Multihued rugs and swirling curtains in the tower suggest the Middle East. The scene in which the prince finds Rapunzel and their children has subdued colors and an austerity that is almost biblical. Regrettably, there are no source or author notes. Stick with Paul O. Zelinsky's award-winning
Rapunzel (Dutton, 1997), which uses dramatic images to express powerful emotions and depicts one specific era in rich detail.
–Kirsten Cutler, Sonoma Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
K-Gr. 3. This large picture-book edition of
Rapunzel features detailed, sunlit paintings, from the wordless double-page spread showing Rapunzel's mother's view of the witch's garden to the scene of joyous celebration when the prince and his family return to his kingdom. Well suited to reading aloud, Bell's translation offers a graceful telling of the familiar fairy tale. A few elements of the bizarre, such as the witch's giant cabbage leaf dresses, complete with snails, slugs, and a small frog pond in the train, add to the sense of otherworldly strangeness and wonder that infuses the artwork. This beautiful book is a natural for those who love "princess tales."
Carolyn PhelanCopyright © American Library Association. All rights reserved