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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Compilation for UK's greatest prog metal band , December 20, 2007
Threshold is arguably UK's finest progressive metal band. They have released many studio albums, concert discs, and fan club-only material in their long career with lots of different members. Now, their former label Inside Out has put out a double disc compilation documenting songs from all eras of the band, with a few radio edits included.
For starters, no best-of compilation is good enough to fully represent a progressive band's career. Each one of their albums is best enjoyed in its original context. However, if you've never heard any of their CD's and are uncertain as to which one to pick up first, then The Ravages of Time might be a good starting point.
The compilation is divided into two parts. CD1 is subtitled The Latter Years and contains songs from their last four releases: Dead Reckoning (2007), Subsurface (2004), Critical Mass (2002), and Hypothetical (2001). All of the songs feature Mac on vocals (who left the band a few months ago). The radio edit versions of "Slipstream" and "Pilot in the Sky of Dreams", from their most recent album Dead Reckoning, both sound rather incomplete compared to their epic-size original lengths. In the album version of "Slipstream", Dan Swano's brutal death vocals work a lot more effectively when contrasted by Mac's hugely melodic chorus. However, the production and drum sound are both killer. Similarly, "Pilot in the Sky of Dreams", at less than four minutes, sounds quite ordinary in its condensed format. Both of these tracks are actually monsters on the Dead Reckoning album, so be sure to give the original versions a listen if you can.
Still, after playing the disc through several times, I was quite pleased by the seamless flow of the pieces, thanks to the solid mastering done. None of the songs have been remastered on these discs, but there are some minor changes I've noticed. Besides the radio edits, the atmospheric intro of "Light and Space" has been cut out, but the acoustic intro and lofty keyboard work along with the wonderful run-out solo still make this one a terrific song.
Also, the other Hypothetical tune, "The Ravages of Time", once again reminded me how powerful Threshold were when they used to write songs collectively. Hypothetical is the only album where pretty much every member contributed to the songwriting, and the result is nothing short of mesmerizing. It could be due to the mastering, but the effect on John Jeary's vocal parts seems to have been enhanced and there seems to be a cool looped part added to the end of the song. This is without doubt one of the greatest songs Threshold have ever penned. The dismal, cold bass guitar, Mac's unusually dark vocal style, the hyponotic chorus, and the ever-shifting dynamics render this track a masterpiece. If you've never heard any Mac-era album, start with Hypothetical.
On the heavier front, the two Critical Mass numbers, "Falling Away" with its expansive arrangement and Moore-like sound effects; and the bass-driven onslaught of "Fragmentation", should please fans of heavy progressive metal. "Mission Profile" from Subsurface boasts a catchy intro with its punchy guitars and melodic soloing whilst "The Art of Reason" is proof that Karl Groom and Richard West were able to write epics without the creative input of John Jeary. Once again, Johanne James' drum sound should make many a band jealous.
CD2 is called The Former Years and contains nine songs from the band's first four albums: Clone (1998), Extinct Instinct (1997), Psychedelicatessen (1994), and Wounded Land (1993). Clone is represented with the thematically engaging "The Latent Gene" whose smooth guitar solo is shiver-inducing. "Voyager II", on the other hand, is a testimony to Mac's unmatched vocal ability as well as Richard West's head-spinningly agile synth work.
By many considered Threshold's best epic, "Eat the Unicorn" is a staggering composition from their most progressive release, Extinct Instinct. A piece which doesn't depend on heavy use of choruses a la the Mac-era material, it sees the band blending modern soundscapes with vintage keyboard exercises in a neatly arranged framework. "The Whispering" further solidifies the broad nature of the album, as it even sees Groom venturing into blues-tinged guitar playing in the finale.
The interesting concept album Wounded Land has two tracks on this compilation: the huge epic "Sanity's End" punctuated by solid guitar work and fierce synth layering, and "Consume to Live", driven entirely by thumping bass guitar and soaring vocals courtesy of Damian Wilson.
A personal favourite, Psychedelicatessen stands out on this best-of because of the deeply varying songwriting structures. Thematically dealing with the human psyche, "A Tension of Souls" is a crushing song with a very dark tone and moving vocals by Glynn Morgan. Though Morgan is neither as operatic as Wilson nor as melodic as Mac, his honest delivery is soul-piercing, especially when blended with the textural guitar harmonies. The unison solo here is simply fantastic. "Innocent" is perhaps the only track in which either Groom or West had no input, as it was written entirely by Glynn Morgan. Dark and creepy, this is the song that demonstrates how his vocals and lyrics can destroy the listener.
Threshold have put out lots of different albums, from the enviromentally themed Wounded Land to the sci-fi-based Clone, to the somewhat politically charged Subsurface to the dark Pyschedelicatessen or the unusually heavy Critical Mass, not to mention the superb work of Hypothetical or their most recent output Dead Reckoning. After listening to this compilation, you can decide where to begin.
The cover art by Thomas Ewerhard was originally intended to be the artwork of Dead Reckoning when the band were planning to title it Pilot in the Sky of Dreams, and honestly I like this one much better. The packaging is neat; it contains a cool write-up by Trevor Raggatt, some pictures, and lyrics.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Time Doesn't Ravage This Band, November 21, 2007
If you're already an avid fan of Threshold then this collection of tunes is pretty unnecessary for your collection. Featuring songs that span their entire catalog and featuring all three of their lead singers that have sung with the group (the latest and last being Mac and by far the best for the group who sang on their last five studio and two fan club releases before calling it quits) this collection does give you a glimpse of what Threshold is all about. The unreleased tracks are basically radio edits and if you already own those albums that these songs are on, you have the original version and this shortened version is just pointless. For example: Pilot in the Sky of Dreams on the radio edit is 4 minutes long and doesn't do the 9:47 minute song justice. Instead of throwing radio edits on this collection it would have been better if the group decided to actually include some actual unreleased songs or some acoustic remixes like they did on their fan club releases. I gave this five stars only because every song here is worth the rating. I have all of their albums so this "Best of" would serve no purpose for me other than just to get it. But, to someone who doesn't own every Threshold album then this would be a great collection to have and really get a great sampling of their music. With Mac at the helm the band really came into their own and no album was anything less than five stars with Mac singing. Damian Wilson was fair and Glynn Morgan was better, but most of the songs here (13 of 20) are from Mac so you will get your money's worth. This is a great band and very, "not heard of" (a great dis-service to listeners of American radio), in the States and I rate them right there with Dream Theater as far as quality of music. Both bands are different, but both bands put out some great music.
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0 of 7 people found the following review helpful:
2.0 out of 5 stars
Extemely Dissapointing, March 31, 2008
I am new to Threshold. The first time I heard this band was when a friend turned me on to Dead Reckoning. There are some fantastic songs on that album, even though some of the lyrics are "girlish". So, I was expecting something good here. After all, with a best of album, isn't that what you would expect? Well, apparently Dead Reckoning is some kind of fluke. This album is SO DISSAPOINTING. I just don't get it. On the first disk, there are some gems. Mission Profile and Ravages of Time are catchy tunes. In fact, the first five tracks on the first album are good. After that, it has to be one of the most boring albums I've ever heard. I actually couldn't listen to it in it's entirety. It took me a couple of days to listen to the whole thing because It is so boring. I can tell by the music that these are talented musicians, but now I see why they have never made it big. There is just no substance here. The songs just aimlessly plod along. Not much emotion or agressiveness. I really want to like Threshold. I really do like Dead Reckoning. But if this is the best they have, then just buy Dead Reckoning and forget the rest.
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~ Threshold
~ Dream Theater
~ Dream Theater
~ Shadow Gallery
~ Shadow Gallery
See all 11 tracks on this disc
by Threshold 
