Most Helpful Customer Reviews
15 of 18 people found the following review helpful:
5.0 out of 5 stars
Au Contraire, Mssrs. Fanuzzi & Simpson, May 16, 2002
This review is from: Ravel: Complete Piano Works (Audio CD)
I have owned this set since its LP release, and have worn it out. It is my favorite of all the complete Ravel piano sets I've heard (and I've listened to at least half a dozen). I was delighted to see that it had finally been re-released on CD, and appalled to see two very negative reviews lying in wait for the unsuspecting Ravel enthusiast. I heartily disagree with these two negative assessments. To me, Entremont captures both the details and the heart of this music, including in particular both "Gaspard" and "Tombeau." The layers are beautifully distinguished, yet effectively synthesized to produce a transporting musical experience. Entremont's "Pavane" is sublime. I unhesitatingly recommend it to all.
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9 of 13 people found the following review helpful:
5.0 out of 5 stars
The best Ravel I've heard, February 25, 2003
This review is from: Ravel: Complete Piano Works (Audio CD)
I would like to hear the recordings described previously (from the fellows that canned this recording). But really, I'm here to buy the best interpretation of Ravel I've ever heard. Yes, it is wild and loud. But it is also very nuanced and can be as light as a feather. In the same piece, Mr. Entremont may go from a street festival sound to a nostalgic memory of a street festival. I don't know why but I think Mr. Ravel would have been pleased. I've heard these pieces played variously, all lacking the flavor of Entremont. I can't wait till it gets here.
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3 of 14 people found the following review helpful:
1.0 out of 5 stars
No bargain at any price., October 31, 1998
By A Customer
This review is from: Ravel: Complete Piano Works (Audio CD)
It is a sense of civic duty that compels me to warn my fellow music lovers away from this thoroughly unpleasant recording. Entremont's playing is almost uniformly dull, and he seems utterly incapable of engaging the subtleties of Ravel's music. On a few occasions, Entremont manages to assert some originality, but his efforts seem misguided and obtrusive. In theory, I could sell my copy to a used CD store and recuperate a few miserable dollars, but conscience prevents me from doing so. If you like French piano music, and you have a couple more bucks to spend, read my review of Koechlin's "Trois Oeuvres Maitresses", then buy it forthwith. You'll thank me later. James Fanuzzi
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