Ravel, Debussy & Fauré String Quartets

Claude Debussy (Composer), Gabriel Faure (Composer), Maurice Ravel (Composer), Quatuor Ebène (Performer) | Format: Audio CD

Product Details

• Performer: Quatuor Ebčne
• Composer: Claude Debussy, Gabriel Faure, Maurice Ravel
• Audio CD (October 14, 2008)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Virgin Classics
• ASIN: B001BWQWKS
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #7,732 in Music (See Top 100 in Music)
  • #71 in Music > Classical > Instruments > Strings

Editorial Reviews

One of today's most sought-after quartets worldwide, the French Ébène Quartet (Pierre Colombet and Gabriel Le Magadure on violins, Mathieu Herzog on viola, and Raphaël Merlin on cello), formed in 1999, is regularly praised for its mastery, elegance, density, complicity, andspirit. The quartet has also been lauded for its remarkable open-mindedness and versatility, displaying equal facility in the classical repertoire and contemporary music, while also regularly performing jazz and other popular music.

For Quatuor Ebene, their debut disc on Virgin Classics, they have recorded the three great French quartets by Ravel, Debussy, and Fauré. It is the first time all three of these quartets appear on one single album, with over 80 minutes of music!

Customer Reviews

Most Helpful Customer Reviews

20 of 22 people found the following review helpful:

5.0 out of 5 stars Fantastic!, October 5, 2009

By 

Sid Nuncius (London) - See all my reviews

This review is from: Ravel, Debussy & Fauré String Quartets (Audio CD)

This is a fantastic disc. Quatuor Ébène are a brilliant quartet, and their debut disc of Haydn remains a firm favourite of mine. This disc is just as good, showing that they have as much empathy with Ravel, Debussy and Fauré as Haydn and their superb technique, faultless intonation and brilliant mutual understanding are well in evidence here.

BBC Radio 3's Building A Library reviewer recently chose this recording of the Fauré quartet as the best available - in the face of phenomenal competition from the world's best quartets of the last 80 years - and the disc has just won "Recording of the Year" at the 2009 Gramophone Awards - one of the most prestigious awards available anywhere. It's a deserved honour for a terrific recording by a very fine quartet. I'm delighted, and these awards probably say a lot more than I can about the quality of this disc. It's fabulous and very warmly recommended.

13 of 15 people found the following review helpful:

5.0 out of 5 stars Keep your eyes and ears on these guys!, April 17, 2009

By 

Tom in Seattle - See all my reviews

Amazon Verified Purchase

This review is from: Ravel, Debussy & Fauré String Quartets (Audio CD)

What a wonderful CD! The sheer musicality of these guys is amazing. The sounds blend so smoothly that the pieces reveal their organic quality from the first notes. When will they record Mozart next? Performers of the first rank.

6 of 6 people found the following review helpful:

5.0 out of 5 stars Ambience-Rich All-French Version The Best In Forty-Some Years, October 21, 2010

By 

J. F. Laurson (Washington, DC United States) - See all my reviews
(REAL NAME)   

This review is from: Ravel, Debussy & Fauré String Quartets (Audio CD)

[from ionarts.org, Dip Your Ears, No. 96]

The Quatuor Ébène have left audiences moved, enthralled, excited - wherever they have appeared. They have turned impartial critics into groupies and conservative audiences into Jazz-fans, and along the way they've convinced the EMI / Virgin record company to sign them to an exclusive contract. I loved the luxurious releases on the Mirare label (and wish Virgin would lavish similar attention on the presentation of the Ébène's releases), but moving from a boutique label to one of the big players is certainly a move that can only help bring the quartet to yet more audiences. A good thing, too, because their first release is a hit that deserves Billboard status, not just notable obscurity cherished by insiders. Ruthlessly and unabashedly pandering to their own strengths, they chose the primary gems from their repertoire: the Debussy and Ravel quartets, appropriately rounded off with Gabriel Fauré's Quartet, the then 78 year old composer's last work.

This choice of Fauré is ideal. For one it distinguishes them from their in-house rivals' - the Belcea Quartet's - debut album on EMI which throws in Dutilleux (as does the Juilliard Quartet) - and it offers the most intense, but never fussy or too extroverted, reading of this somewhat neglected work that I've heard. The Ébène's, who have been joyfully reckless and exciting in the recent live performances, show that they are as capable of very taut, detailed, extraordinarily defined and controlled playing, much to Fauré's benefit. Debussy and Ravel, with overtones of warmth and spunk, respectively, are wilder and also more munificent affairs, unafraid of exploring extremes.

The searing Andantino of the Debussy sets the mood for a luxuriant, opulent performance that becomes hugely interesting - rather than self-indulgent - because it can switch at any point into finely spun rhythmic phrases, forceful climaxes, and very subtle, delicate touches. This approach takes its time, and the Quatuor Ébène allows it that time. What makes it so successful is that there is never the impression of particularly slowness or of the music being pulled around gratuitously.

The Allegro moderato of the Ravel blooms at a true "moderato", it ebbs and flows with one large, generous pulse. And yet again, the emotional peaks are of grand intensity that benefit not only from the contrast with the surrounding reflecting, lingering, and stretched music, but also from quartet-playing that projects emotion with one voice. Assez vif - Très doux bubbles with colors in the pizzicato part. It's less a banjo-frenzy (as it can be, with very excited quartets) than it is a tone-poem with distinct aquatic, maritime qualities. Très lent is a very dark affair before the Quatuor Ébène finally unleash (ever detailed) Vif et agité like an electrical storm.

The only quibble I have with this release is the side-effect of an otherwise positive point: The recording is so ambient that the slightest foot-tapping is caught on record so vividly, that listening on speakers whose bass extends low enough to reproduce these subtle-yet-powerful thuds gives the impression that someone is running barefoot around the room upstairs.

This is one of those releases - among my favorites of 2008 - that one need not be ashamed or embarrassed for assigning superlatives to: It's one of the most exciting recordings of both the Debussy and the Ravel that I've ever heard, and one of the most beautiful, too. I'm not giving away my Quartetto Italiano (Philips) recording any time soon, but Virgin's ambience-rich all-French version might just be the best disc of these works issued in the forty-plus years since.