Customer Reviews

The Ravi Shankar Collection: Sound Of The Sitar

5 star:		(4)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

I find this to be among the heaviest (emotionally) of Ravi Shankar's recordings. Satisfyingly deep and dark. He sits on some very low notes, much longer and lower than usual. I only play this disc when I am prepared to seriously listen in a quiet, meditative state. Recording and production quality are immaculate.

Of all the Ravi Shankar recordings I have heard so far, this one strikes me as one of the most emotional and deep. After several listens, the subtle beauty of Raga Malkauns: Alap almost pulls you into a trance, while the Jor speeds up slightly at the end to create a masterful combination. The Tala Sawari and Pahari Dhun are both livelier pieces, especially Pahari Dhun, which is based on folk melodies of India.
I have studied Indian music, and, still, I cannot profess that I know very much, for this is such a complex and beautiful music. North Indian classical music will continue to astound me with the complex rhythmic patterns and vast array of "scales" that are used. If you are interested at all in Indian music (North Indian, classical especially), you need to check this out, along with Ravi's other recordings. Read the descriptive liner notes and learn a little something as well...

love the sound of sitar, beautiful and unique. The whole "song" is almost similar tune, but still beautiful.

Ravi Shankar
with Alla Rakha

"Sound of the Sitar"

- Raga Malkauns: Alap
- Raga Malkauns: Jor
- Tala Sawari
- Pahari Dhun

(Angel - ADD - 1965 - remastered)

This amazing album from 1965 brings us the Sitar music of India in a more pure form than had been heard before. Ravi Shankar may have been the greatest single musician of his era (in any genre) and Alla Rakha on Tabla was near Shankar's equal. This is a five star album.

I was first introduced to Ravi Shankar in 1994 through listening to my dad's vinyl collection when I came across The Sounds Of India, where Ravi introduces Classical Indian Music to westerners. The first raga Dadra, completely blew away... the sitar was foreign to me yet felt so familiar. My mind was especially blown when Alla Rakha comes in with the tabla. It was so mysterious, majestic, and beautiful. My ears had never heard anything so exotic and mesmerizing. A few years later I was living in Ann Arbor and used to frequent a record shop and found this album for $8. When I got home and put the needle on the record the first track Raga Malkauns Alap, which introduces the melody in a slow and improvisational way, I again was completely blown away! Raga Malkauns is so dark and emotional. It sounds like Ravi is using a Sitar which has an extra bass string or two and when he uses them it's mind bending to say the least. Highly recommended for this track alone. Hunt down a vinyl copy if you can, apparently there is a faint beep that occurred during the digital transfer to disc.

Im writing reviews in search of broadening my musical horizons so to speak. its time to ditch the blink and killswitch and move on to the wide world of music. I grew up in Washington so i do love the alternative music. I hope i don't end up in the same category either.

Its very hard for me to write a review on this artist. How do i rank something in which i dont really know much about. but the more and more i hear it the more and more i understand it my own way and that is what art is all about. in many ways this CD is like a sacred old recipe passed down from generation to generation. youre not going to be into it in the first listen and you cant just put it on and expect to absorb it. Instead, it needs attention and nourishment. i like to sit somewhere and just get lost... i think that is the only way to really get into the music. I first heard of this artist when my father bought a bootleg video of Concert for Bangladesh and Ravi blew me away. many of that same style of playing is in this CD but it also has other fascets. "Raga Malkouns: Alap" seems to be an introduction to "Raga Malkouns: Jor"(although it is a long introduction). it might be the hardest piece to play because there seems to be no repetition except for the background instruments. the lead instrument at first is very dark a low with the occassional high pitched note. this atmosphere paints a picture of some warrior that has fallen on dark times in his town. as the song moves along the high notes become clearer and more apparent showcasing the warrior struggling and making progress and after a long bout of that the instruments get low again showing signs of failure. "Raga Malkouns: Jor" is a fight. there are two main instruments fighting. the high sitar and another instrument. the sitar pleads and kicks and screams but the is held down. until it finally climaxes and both intruments rise above and join together making beautiful music. " Tala Sawari" showcases more tabla chops more than anything else. and the final "Pahari Dhun " puts everything together in a more improvish style. the last song being the climax of the whole album. every song has beginnings and ends they dont view time as a hinderance thus making each song extra long. this music might mean something totally different to somebody else but no one can deny that it is complete. The onl gripe i had was that it wasnt well organized some songs had nothing to do with each other thus the complete CD package was a little discombobulated.