Ray Harryhausen: An Animated Life [Hardcover]

Ray Harryhausen (Author), Tony Dalton (Author), Ray Bradbury (Foreword)

Book Description

Publication Date: April 1, 2004

Ray Harryhausen is arguably the greatest stop-motion animator in the history of motion pictures, blazing new trails in special effects from the 1950s to the 1980s creating realistic dinosaurs, fantastic aliens, and imaginative mythological creatures. In the animator's own words, accompanied by hundreds of previously unpublished photographs, sketches, and storyboards from his personal archive, this book details Harryhausen's entire film career, from 20 Million Miles to Earth and Earth vs. The Flying Saucers to Clash of the Titans and Jason and the Argonauts. In words and images, this book explains the basics of special effects and stop-motion animation, along the way telling entertaining tales of working with the film stars of the day, such as Laurence Olivier, Maggie Smith, and Lionel Jeffries. Film buffs will relish such revelations as how Raquel Welch was picked up by a flying dinosaur in One Million Years B.C., why the octopus in Mysterious Island was really only a sixtopus, and what Medusa's blood was made from in Clash of the Titans.

Editorial Reviews

From Publishers Weekly

It's mostly film buffs who will recognize the primary author's name, and they will rush out to buy this first-rate, heavily illustrated guide to the life and, more importantly, the work of arguably the premier special-effects master in Hollywood history. Harryhausen (b. 1920) is the undisputed master of stop-motion photography, the genius behind such memorable fabrications as the T-rex of The Valley of Gwangi, the giant ape of (the original) Mighty Joe Young, the fighting skeletons of Jason and the Argonauts and the giant crab of Mysterious Island. Harryhausen attributes his lifelong devotion to stop-motion to his initial viewing, at age 13, of King Kong ("I can remember every detail of that day quite clearly," he writes in the lengthy and deeply informative text that accompanies the book's hundreds of photos, b&w and color; "...I became obsessed with [the film's] magic"). This obsession led young Harryhausen to his first serious attempt at a movable model, of a cave bear, then to a teen friendship with Ray Bradbury and Forrest J. Ackerman of Famous Monsters of Filmland fame, some mentoring by King Kong effects wizard Willis O'Brien and his first special effects job, with George Pal. The book, co-written with film historian Dalton, goes on to cover each of Harryhausen's major films in tremendous detail, with great attention to the technical side of stop-motion work, making this volume a must for special effects fans, despite the recent computer revolution (which, Harryhausen argues, makes creatures appear "too realistic" and lacking in an essential "dream quality"). Through his work, Harryhausen has brought magic to millions; this terrific book is a fitting capstone to his brilliant career.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

For the past half century Harryhausen has been the foremost practitioner of the craft of stop-motion animation, the cinematic art of meticulously moving models, frame by frame, to create an illusion of motion. Inspired by King Kong, still the ultimate example of the technique, at age 13, Harryhausen soon became the protege of Kong's creator, Willis O'Brien. He progressed to bringing dinosaurs and giant, mutated animals to life in several fondly remembered 1950s horror films and hit his stride in a series of 1960s and 1970s period fantasy films that pitted such legendary heroes as Sinbad and Jason against harpies, centaurs, and, most memorably, sword-fighting skeletons. The advent of Star Wars and other increasingly technologically sophisticated sf movies rendered Harryhausen's painstaking, "homemade" approach prohibitively expensive. Harryhausen's anecdote-filled account of his career offers loads of technical details for those fascinated by specialized minutiae and hundreds of rare drawings and photos from his personal archives. In the age of CGI and digital animation, Harryhausen may be old school, but his art retains its appeal. Gordon Flagg
Copyright © American Library Association. All rights reserved

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Product Details

• Hardcover: 304 pages
• Publisher: Billboard Books (April 1, 2004)
• Language: English
• ISBN-10: 0823084027
• ISBN-13: 978-0823084029
• Product Dimensions: 11.4 x 10 x 1.1 inches
• Shipping Weight: 4.4 pounds
• Average Customer Review: 4.7 out of 5 stars  See all reviews (18 customer reviews)
• Amazon Best Sellers Rank: #1,212,304 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

19 of 19 people found the following review helpful:

5.0 out of 5 stars A Wonderful Record of an Amazing Career, March 26, 2004

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Sauropod (Tucson, AZ) - See all my reviews

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This review is from: Ray Harryhausen: An Animated Life (Hardcover)

It's all here - behind-the-scenes info on every one of Ray Harryhausen's films, including his early experimental short subjects and unfilmed projects like FOOD OF THE GODS and THE ELEMENTALS. Lots of preproduction sketches and storyboard art, photos of models and miniatures, a reasonable amount of technical detail, and a much more revealing, personal tone than we have heard from Ray before. (But, ever the gentleman, he simply omits mention of any people he disagreed with - like the clueless director of VALLEY OF GWANGI who, rumor has it, tried to get Ray fired from the film! Neither the director's name nor the rumor appears in the text.) There is a respectable number of color photos and a huge assortment of black and white pix, all very well reproduced. Particularly interesting is a section at the end summarizing all the various projects that never made it past the development stage - and there were a lot! Also fascinating is the discussion of how the storylines of the movies changed dramatically through various drafts of the scripts. Giant rats in 7th VOYAGE OF SINBAD? A Valley of Vipers in a later Sinbad movie? (Producer Charles Schneer nixed both concepts, the latter because of "some extraordinary idea that it would frighten pregnant women," according to Ray.) My only gripe, and it is minor, is that some of the photos are very, very small. There's a shot of the clay sculture of a Sphinx modeled for the unmade FORCE OF THE TROJANS that is about the size of a postage stamp! Larger would be better, but I can't quibble much with a book that covers so much territory and gives us a glimpse of an era and style of filmmaking that will never be repeated. For those who cherish the hand-crafted excellence of Harryhausen's work, this is a must-buy, and a huge improvement over his much less comprehensive FILM FANTASY SCRAPBOOK.

14 of 14 people found the following review helpful:

5.0 out of 5 stars Art book biography of the greatest effects man of all time, April 21, 2004

By 

Claude Avary "West Coast Reader" (Los Angeles, CA USA) - See all my reviews

This review is from: Ray Harryhausen: An Animated Life (Hardcover)

Ray Harryhausen towers like a titan over the world of film special effects. This genial genius was the single-handed creator of brilliant, imaginative stop-motion and optical effects on a long series of fantasy movies. The films molded the dreams of many generations of children, writers, special effects technicians, and moviemakers. Harryhausen's best films, like "The Beast from 20,000 Fathoms," "The Seventh Voyage of Sinbad," "Jason and the Argonauts," "The Golden Voyage of Sinbad," and "Clash of the Titans" still thrill viewers today. You can feel Harryhausen's personal magic coming through in his creature effects.

This long-awaited book is a great combination of three concepts in one: a beautiful art volume, an artistic biography, and a behind-the-scenes tour of movie effects. Harryhausen himself, along with film archivist and researcher Tony Dalton, guides you through the length of his career, examining everything from his major motion pictures to his short Mother Goose films and work for the military. Each chapter goes into extensive detail on the origins, realization, and aftermath of each of his films. At over 300 massive pages, there is a flood of material here. Learn the tortures of achieving the brilliant skeleton fight from "Jason and the Argonauts!" Find out how cowboys managed to rope a dinosaur in "The Valley of Gwangi!"

Ray Harryhausen comes across as incredibly personable in these pages; it's almost as if he were sitting beside you telling you stories of his achievements, and sometimes taking swipes at himself. (For example, he admits some disappointment with some of the directors, films, and some of his own unfortunate decisions.)

The balance between the pictures and the text is perfect, unlike many other film-art books I've seen. The treasure-trove of sketches, photos, and promotional artwork is astounding. Harryhausen's own drawings which he used to design his films are works of art in themselves. The pictures of the model creatures let you look closely at their details. Many of the photos show the painstaking process of stop-motion animation and the clever tricks required to bring these creatures to life. Even the most die-hard Harryhausen fan will discover many new facts in this book (I certainly did). There are also many rare behind-the-scenes pictures.

As a final bonus, the book ends with an "A to Z" of the many projects that Harryhausen never completed or which never got off the drawing boards or out of development. It's a fascinating trip through the land of "what-if." Ray Bradbury, a lifetime friend of the animator, provides the heartfelt introduction.

The price is hefty (although Amazon's discount makes that easier to bear), but this is a quality volume of artwork and film history that you will never get tired of flipping through. It's the perfect gift for any fantasy-film lover. The joy of fantasy cinema flows through it and reminds you not only of what an incredible talent Ray Harryhausen was, but also of the limitless possibilities for film to lift us beyond the realm of the ordinary and into the realms of the extraordinary. Cinema and the world in general would be a much duller place if not for Ray Harryhausen.

12 of 12 people found the following review helpful:

5.0 out of 5 stars Nirvana for Harryhausen Fans, March 26, 2004

By 

John Gentile (Hoboken, NJ) - See all my reviews

This review is from: Ray Harryhausen: An Animated Life (Hardcover)

Fans, here is the book we've all been waiting 25 years for. The Crown Prince of stop motion animation has revealed all of his secrets in this 300 plus glossy paged volume with hundreds of color and black and white photos and drawings, many of which have never been seen before.
If you've ever been amazed at how Harryhausen manages to make the sword of his heroes penetrate a stop motion creauture, the secret is here. Harryhausen also reveals some of his favorite scenes, and comments on actors, directors, the Oscars and gives his opinion about some of the current dinosaur blockbusters.
This is head and shoulders above his past release "Film Fantasy Scrapbook". I especially like the movie posters for all of his films in FULL COLOR, but "Animal World" is missing.
Die hard fans will automatically spend the $50 to buy this book, and it is well worth the price. Casual fans might find the price steep, but at Amazon's price, it's a steal!