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He also says, "Many would not be the writers they are had not Chandler followed Hammett and Cain down the back alley of fiction into the realm of art." That's certainly a succinctly expressive summation. Moreover, today the idea of the "mean streets" that Chandler wished the best heroes to traverse is one that has, perhaps more than ever before, seized the imagination of the public when it comes to popular entertainment. What's old is new again, as they say, and in this case that means noir.
In an introduction by Robert B. Parker--who himself finished the incomplete Chandler novel Poodle Springs (1990)--we learn the essentials of Chandler's life (the British public school education, the wife who was 18 years older than he, etc.). But in the stories essayed here we get the effects of an imagined world that has become an entire universe.
Among the many included are tales of the Thelma Todd murder scandal by Max Allan Collins; of Dr. Seuss's missing watercolors by Robert L. Simon; of a pro wrestler called The Crusher by Jonathan Valin; and of the ancient jeweled skull that was the inspiration for Hammett's Maltese Falcon by Dick Lochte.
Two new stories, not in the earlier edition of this volume, are by Simon, creator of Moses Wine, and J. Madison Davis, the author of Red Knight and White Rook and president of the North American Association of International Crime Writers.
Finally, there is an afterword by Chandler scholar and biographer Frank McShane. And, yes, the real Raymond Chandler is here too, represented by the story "The Pencil," in which that particular writing instrument turns out to be one gift you never want to receive. This book is not quite the real thing; it can't be. But it's as close as you could hope to find. --Otto Penzler
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Most Helpful Customer Reviews
12 of 13 people found the following review helpful:
5.0 out of 5 stars
this is such a cool book! 0ver 20 new marlowe stories,
By A Customer
This review is from: Raymond Chandler's Philip Marlowe (Paperback)
wow--everybody from robert crais to sara paretsky doing philip marlowe. the standards are high--and the book is structured largely in chronolgical order so that marlowe actually ages as you read the book. chandler's pothumous collaborator, robert b. parker has an introduction
2 of 2 people found the following review helpful:
3.0 out of 5 stars
Interesting read for Chandler fans,
By
This review is from: Raymond Chandler's Philip Marlowe (Paperback)
One of noir's greatest characters handled by the writers influenced by his creator. An great idea to celebrate the centennial, but a bit uneven in my opinion. This can hardly be avoided when so many hands are in the pot, but a majority of the stories are well-written, and it's a plesant surprise when other Chandler characters make cameos. The year by year treatment of Marlowe was another good take, but again, due to the varied styles of the writers, development of the character is not a priority. Good book, great for fans, but I'd suggest sticking to the original.
1 of 1 people found the following review helpful:
3.0 out of 5 stars
". . . So many continue to assault the citadel . . . ",
By Paul Dana (San Francisco, CA USA) - See all my reviews
This review is from: Raymond Chandler's Philip Marlowe: A Centennial Celebration (Paperback)
In the title to this review, I borrowed Chandler's quote from his essay, "The Simple Art of Murder." It does seem appropriate, for this volume is the ultimate celebration of Raymond Chandler's genius -- simply because of the failure of most of the writers who partake herein!The premise of this anthology is simple: Published for the centennial celebration of Raymond Chandler's birth; therefore, invite the top mystery writers of the day (1989) to submit a short story involving his ultimate literary creation, Phillip Marlowe, set between 1933 (the year in which Chandler published his first short story) and 1959 (the year of Chandler's death, and the year in which he published his last short story). Real simple, huh? (Hah!) Frankly, only Max Allan Collins (of 'Nate Heller' fame) comes even remotely close, in his roman-a-clef treatment of Hollywood star Thelma Todd's murder. (Note: Chandler himself would use not only certain aspects of her death -- i.e., a question of the slippers she was wearing ['The Lady In The Lake'] -- but the Santa Monica location itself [the description of Lindsey Marriott's Bay City address in 'Farewell My Lovely']. Chandler based many of his own short stories -- as well as the circumstances in at least two of his novels -- on contemporary Los Angeles history and events.) This collection, as I mentioned previously, memorializes Raymond Chandler's success through the failures of subsequent authors. (These failures are due to many individual shortcomings, a lack of knowledge of L.A. history and development, on the one hand; or, frankly, of geography, on the other, as well as a simple lack of understanding of Chandler's concept for his protagonist -- i.e., one particular story which practically canonizes Marlowe back in his Santa Rosa hometown -- let alone his singular vision.) A collection of very good mystery writers took part in this project. Their failure to recreate Raymond Chandler's singular vision is in no way a criticism, but rather a stirring acknowledgment of his achievement. It is also a testament as to why, again, as Chandler put it, "So many continue to assault the citadel."
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